The Space Between: Literature and Culture 1914-1945Main MenuThe Space Between: Literature and Culture 1914–1945Volume 16 | 2020 | International Cinema in the Space Between: The Long Decade of the 1930sArchiveSubmission GuidelinesReviews and Review EssaysEditors | Editorial Board | Advisory CommitteeSpecial Issue CFP | Searching for the Modern Girl: Flappers and Bright Young Things Around the World 1920s–40sThe Space Between Society
Volume 10 | 2014 | The Great War: Centenary Perspectives
1media/wwi special issue.pngmedia/wwi special issue.png2015-06-05T14:06:25-07:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092540152plain1855342021-03-02T08:54:49-08:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092
A Special Topics Issue
Guest Editor: Mark D. Larabee, U. S. Naval Academy
1media/wwi special issue.pngmedia/wwi special issue.png2015-10-01T21:00:09-07:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092Guest Editor's Column: Reimagining the Great War at 100 Years16plain2015-10-27T16:37:16-07:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092
1media/wwi special issue.pngmedia/wwi special issue.png2015-10-01T21:44:48-07:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092The Space Afterwards: 2014 and a Century of British Remembrance12plain1855342015-10-19T01:16:28-07:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092
1media/wwi special issue.pngmedia/wwi special issue.png2015-10-18T17:11:53-07:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092"A Flora Specific to Modern Wars": The Rhizomatic Feminine Rhetoric of Flowers5plain2015-10-18T18:24:19-07:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092
1media/wwi special issue.pngmedia/wwi special issue.png2015-10-18T18:20:13-07:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092Proto-Cyborgs in Wartime: The Tank, the Drill, and the Motor-Chair4plain2015-10-18T19:10:30-07:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092
1media/wwi special issue.pngmedia/wwi special issue.png2015-10-18T21:52:43-07:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092Reading the War's Colonialism: E. M. Forster and Mohammed El Adl3plain2015-10-22T13:14:46-07:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092
1media/wwi special issue.pngmedia/wwi special issue.png2015-10-18T23:48:11-07:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092Book Review | The New Death: American Modernism and World War I3plain2015-10-18T23:54:42-07:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092
1media/wwi special issue.pngmedia/wwi special issue.png2015-10-19T00:10:11-07:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092Book Review | Orwell Today1plain2015-10-19T00:10:12-07:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092
1media/wwi special issue.pngmedia/wwi special issue.png2015-10-19T00:19:31-07:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092Book Review | The Love-Charm of Bombs: Restless Lives in the Second World War1plain2015-10-19T00:19:31-07:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092
1media/wwi special issue.pngmedia/wwi special issue.png2015-10-01T20:22:04-07:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092Editor's Acknowledgements12plain2015-10-19T01:04:59-07:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092
This page has tags:
1media/220px-thumbnail.jpgmedia/220px-thumbnail.jpgmedia/Frank Newbould Poster.jpg2019-12-05T06:58:26-08:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092Anti-Fox Hunting, Women Novelists, and the First World WarJennifer Poulos Nesbitt61image_header2021-03-02T09:01:35-08:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092
1media/220px-thumbnail.jpgmedia/220px-thumbnail.jpgmedia/Frank Newbould Poster.jpg2019-12-29T10:56:28-08:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092Book Review | Teaching Representations of the First World WarJennifer Poulos Nesbitt8image_header2019-12-29T13:38:18-08:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092
1media/MarshallFig6.jpgmedia/MarshallFig6.jpg2016-02-16T11:48:44-08:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092Modernist Aphasia: A Scientific Basis for Neologism in Huxley’s Early FictionJennifer Poulos Nesbitt6plain2016-02-16T13:09:37-08:00literature; modernism; artsJames, Emily“Modernist Aphasia” examines the early and critically neglected work of Aldous Huxley in order to demonstrate that he foregrounds speech disorders in the service of lexical invention. In seeking out innovative sources for word-making, he attends to the pitfalls and pathologies of stuttering and aphasia in his short story “Half-holiday” (1925) and novel Point Counter Point (1928). In the course of disordering words, Huxley uncovers an aesthetic of novelty that is in fact critical to his agenda as a satirist. Through neologism, he works to restore an era of hackneyed intellectualism and sociocultural ennui. To reorder and rebuild words, he also turns to the scientific and taxonomic lexicon, imitating its models for formulating new words. Throughout these early writings, Huxley emphasizes production over product, suggesting that scientific discourse—whether aphasic language or taxonomic vocabulary—is a critical site for satirizing but also rebuilding modernity.James, Emily. "Modernist Aphasia: A Scientific Basis for Neologism in Huxley’s Early Fiction." The Space Between: Literature and Culture 1914-1945 11 (2015). Web.articleJames, Emily2015Utell, JanineHuxley, aphasia, speech, neologism, scientific discoursevol112015JamesJennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092
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1media/220px-thumbnail.jpgmedia/220px-thumbnail.jpgmedia/Frank Newbould Poster.jpg2019-12-05T06:58:26-08:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092Anti-Fox Hunting, Women Novelists, and the First World War61image_header2021-03-02T09:01:35-08:00Jennifer Poulos Nesbitt62bc3cb599d3c15be3205b879d3578d58552b092
