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Performing Archive Main Menu Visualizing the “Vanishing Race”: the photogravures of Edward S. Curtis Front Page for Visualizing the "Vanishing Race" path Curtis' Image and Life: The Network of The North American Indian, Inc. An experiment with data visualization approach to understand and contextualize Curtis' images and his life Media, Technology and Mediations Curtis's Technology, Relationships to Media and Style Contextualizing Curtis, The North American Indian, and Race the collection of essays from the contributors Consulting with Tribes as Part of Archive Development Introduction to Consulting with Tribes by Ulia Gosart Contributing Archives Information on how to participate in Performing Archive Browsing the Media A path of paths that allow users to cut through the collection in a variety of ways. Acknowledgements and Project Information Project Network

Potter - Santa Clara

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Vanishing Erik Loyer
Contents of this path:
1. Vanishing race - Navaho
2. White Calf - Piegan Unistai-poka (White Buffalo-calf) died at Washington in 1903. He was then almost eighty years of age, and had been the chief of his tribe for about a generation. In 1855, being then known as Feather, he signed the treaty negotiated by Governor Stevens. As a warrior, White Calf was famous among the tribes, but with the passing of inter tribal warfare he devoted himself to working in peaceful ways for the good of his people. He was remarkable in the breadth of his judgement, and in the readiness with which he recognized, and adapted himself to, the changes which his people were obliged to face when the buffalo vanished. Kindly, benevolent, and gentle of nature, White Calf yet possessed a sturdy determination and independence that bullying and threats could not move. Yet if reasons were advanced which appealed to his judgement, he was quick to acknowledge error and to modify his views - George Bird Grinnell..
3. Lost trail - Apache
4. Qagyuhl village at Fort Rupert This village of Tsahes was founded in 1849, when the tribe abandoned Kalokwis, on Turnour island, in order to be near the Hudson's Bay Company post which was then established at Fort Rupert, on Vancouver island. The heraldic column in the foreground commemorates the legendary history of a Tsimshian family. Its presence in the Kwakiutl settlement is due to the following circumstances: A party of Seattle men, cruising in Alaska, innocently removed a totem pole from what they supposed was an abandoned village, and placed it in a public square of their city. In reality the inhabitants of the Alaskan village were only temporarily absent, and when they returned and learned of the spoliation, there was a many-voiced protest, the echoes of which finally reached even Fort Rupert. Here was living a prominent member of the wronged family, the aged Tsimshian widow of a former employee of the Hudson's Bay Company. In order to wipe out the stain in the family name, she had a local carver produce a totem pole according to her description of the lost one, and cause it to be erected at the house of her eldest son's eldest son.
5. Potter - Santa Clara
6. Qagyuhl village at Fort Rupert This village of Tsahes was founded in 1849, when the tribe abandoned Kalokwis, on Turnour island, in order to be near the Hudson's Bay Company post which was then established at Fort Rupert, on Vancouver island. The heraldic column in the foreground commemorates the legendary history of a Tsimshian family. Its presence in the Kwakiutl settlement is due to the following circumstances: A party of Seattle men, cruising in Alaska, innocently removed a totem pole from what they supposed was an abandoned village, and placed it in a public square of their city. In reality the inhabitants of the Alaskan village were only temporarily absent, and when they returned and learned of the spoliation, there was a many-voiced protest, the echoes of which finally reached even Fort Rupert. Here was living a prominent member of the wronged family, the aged Tsimshian widow of a former employee of the Hudson's Bay Company. In order to wipe out the stain in the family name, she had a local carver produce a totem pole according to her description of the lost one, and cause it to be erected at the house of her eldest son's eldest son.
Tewa Erik Loyer
Contents of this path:
1. Tewa girl
2. Chaiwa - Tewa
3. Chaiwa - Tewa, profile
4. Tewa girls
5. Sia buffalo dancer The Buffalo dance of the Keres is almost exactly the same as that of the Tewa. The performers are two young men with head-dresses of buffalo-hair and horns, and a girl wearing the usual female costume and a pair of small horns. The head of the hunters' society plays the part of guard. The dance is very strenuous, and the simulated actions of t he buffalo are quite realistic and readily comprehended by the spectator.
6. At the gateway - Acoma
7. Sentinel - San Ildefonso
8. Povi-Tamu
9. On the Rio Grande - San Ildefonso
10. Offering - San Ildefonso
11. Girl and jar - San Ildefonso
12. Ambrosio Martinez - San Juan
13. Oyi
14. Potter - Santa Clara
15. Pele - Tewa
16. Tsetsanu - Tewa
17. Shrine of Yellow Cloud Man on Tsikumupi - Tewa
18. Tewa dance - costume
19. Tewa war-god effigies
List of Large Plates Supplementing Volume Seventeen Erik Loyer
Contents of this path:
1. Sentinel - San Ildefonso
2. Povi-Tamu
3. Okuwa-tse
4. On the Rio Grande - San Ildefonso
5. Kiva stairs, San Ildefonso Pueblo ceremonial chambers are known as kivas (the Hopi name) or estufas (the name applied to them by the Spaniards under the misapprehension that they were sudatories). They are circular or rectangular, wholly or partly subterranean, or simply cells in the communal structure that forms a pueblo. The character of the underlying soil or rock was probably the factor that determined the degree to which a kiva was made subterranean. The one here illustrated is mostly underground, and has a walled stair leading to the roof, which is surrounded by a parapet. Similar structures have been found in excavating ruined pueblos. (See Volume XVII, illustration facing page 68.
6. Fruit gatherer - San Ildefonso
7. Offering - San Ildefonso
8. San Ildefonso pottery
9. Tablita dancers and singers - San Ildefonso The ceremony called Koheye-hyare ("tablita dance"), occurring in June and again in September, is characterized by public dancing and singing for the purpose of bringing rain-clouds. The name refers to wooden "tablets" worn by female dancers. (See Volume XVII, illustrations facing pages 56,60,62,64,66,68.) In the plate the performers are dancing in to the plaza, men and women alternating in pairs. At the right is the group of singers, their aged leader slightly in advance and the drummer at one side.
10. In San Ildefonso
11. Girl and jar - San Ildefonso
12. In the gray morning - San Ildefonso
13. Offering to the sun - San Ildefonso
14. From the threshing floor - San Juan
15. Washing wheat - San Juan
16. Street scene at San Juan
17. Ambrosio Martinez - San Juan
18. San Juan pottery
19. Gossiping - San Juan
20. Offering at the waterfall - Nambe
21. Tesuque buffalo dancers The Buffalo dance is performed, though the original object of exerting prenatural influence on the abundance and accessibility of the buffalo no longer prevails. The two male dancers are accompanied by the Buffalo Girl, who is fully clothed in native costume and has a pair of small horns on the head. These three give a very striking and dramatic performance under the watchful eye of the head of the hunters' society.
22. Oyi
23. Potter - Santa Clara
24. Pottery burners at Santa Clara
25. Inscription rock Inscription Rock, or El Morro (The Castle), as the Spaniards called it, is a striking landmark on the ancient trail between Acoma and Zuni. Beginning with Juan de Onate, who passed here in April, 1605, on his return to the Rio Grande from "the south sea," Spanish explorers and the administrators recorded their names and dates on smooth surfaces of the cliff, which reveal also numerous Indian petroglyphs. (See Volume XVII, illustration facing page 88.) Two ancient ruined pueblos are found on the top of the rock.
26. Zuni street scene
27. Grinding medicine - Zuni
28. Zuni governor
29. Load of fuel - Zuni
30. Terraced houses of Zuni In the early eighties one of the house-groups of Zuni rose to a height of six well-defined stories. In 1903, when the photograph here reproduced was made, there were five stories. In 1910 a single apartment was four stories from the ground, but in 1919 this room was demolished. Note the bottomless pots forming chimneys, the wooden drain piercing the coping, the hemispherical oven of Spanish provenience on a roof.
31. Zuni girls at the river
32. Lutakawi, Zuni Governor
33. Waihusiwa, a Zuni kyaqimassi Kyaqimassi ("house chief") is the title of the Shiwanni of the north, the most important of all Zuni priests. Waihusiwa in his youth spent the summer and fall of 1886 in the East with Franklin Hamilton Cushing, and was the narrator of much of the lore published in Cushing's Zuni Folk Tales. A highly spiritual man, he is one of the most steadfast of the Zuni priests upholding the traditions of the native religion.
34. Zuni girl
35. Zuni woman
36. Corner of Zuni