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Exhibiting Historical Art: Out of the Vault: Stories of People and ThingsMain MenuWorld MapClick pins to learn more about the object that originated thereTimelinePre-Columbian Gold Headband800 A.D. - 1500 A.D.Gold Eagle PendantsSepik River Headrest20th centuryStatue of Saint Barbara17th century France, polychromed wood, artist unknownCabinet door from the Imperial Palace of Beijing with Imperial DragonChen Youzhang, 1755Bronze LampHead of John the BaptistLauren Linquest, '19Ida Rubenstein, 1909 Sculpture by Jo DavidsonCassone ChestWater-Carrier Vase with Bamboo Pattern and BambooLenore Vanderkooi, 1996Lotus Flowers in a Wood VaseRevolutions Per Minute: The Art RecordOpening page
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1media/rpm_01.jpg2016-03-30T19:28:44-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8d853242image_header2575992016-04-17T13:29:32-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8dIn 1982, Jeff Gordon and Ron Feldman brought 24 artists together for an art exhibit. The end result, however, was not a conventional art gallery exhibit but 21 audio tracks which vary greatly in subject matter and recording style. Though each artist created a lithograph as an album cover for their individual track (as seen on the wall of the Vanderbilt Fine Arts Gallery), the emphasis of the exhibit was on the auditory, rather than the visual, components. Visitors to the Ron Feldman Fine Arts gallery went around the room listening to each track, but the exhibit is not confined to the physical space of a gallery; it can be experienced by anyone with access to a record player, no matter their location. This also allows for the exhibit to exist beyond the time it spent in the Feldman Fine Arts Gallery in New York. The audio tracks cover subjects ranging from nuclear war to phonetics, and are deeply influenced by the historical context of the 1980s.
Revolutions Per Minute: The Art Record was unique in its ability to transcend the physical confines of the art gallery, but in the age of internet, this is now taken for granted. Anyone can conduct a search on the internet and find images of almost any piece of artwork, no matter its physical location. Though this may lessen the poignancy of the Feldman exhibit's mobility, the piece remains relevant in many other ways, such as the themes it explores and the historical context it provides.
This particular copy of "Revolutions Per Minute: The Art Record" was purchased by Vanderbilt Fine Arts Gallery in 1982, just five days after the exhibit opened in New York. It is number 107 in a edition of 500 copies of a special edition of the record, which included the 21 audio tracks on two vinyl discs and the 21 lithographs, each signed by the artist which created it.
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12016-04-14T13:05:17-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8dRevolutions Per Minute: The Art RecordRebekah Smith10Opening pagesplash2575992016-04-17T13:39:06-07:00Rebekah Smitha3009c8c4165f8704e2130afd68837d3725bee8d
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1media/750819.png.png2016-04-07T13:00:34-07:00Joseph Eilbert852d338b9225be1f80a6a154c936576064be93faWorld MapLauren Linquest49Click pins to learn more about the object that originated theregoogle_maps2016-04-14T14:39:30-07:00Lauren Linquestf24c55a2a2b2a98b619a740b82344b778e9a1347