Bringing the Holy Land Home: The Crusades, Chertsey Abbey, and the Reconstruction of a Medieval Masterpiece

Relief with Addorsed Ducks (DO BZ.1936.51)

By: Jayme Anastasi '23

This relief suggests iconographic exchanges between medieval textiles and other media. Two sculpted ducks sit with their backs towards each other, with ribbons tied loosely around their necks, enshrined in a beaded frame. These design elements were common in the luxury eastern textiles that circulated in the Mediterranean at this time, especially those deriving from Sasanian designs (the Sasanians controlled the Near East before the Muslim conquests in the 7th century).  It is likely that this relief panel was influenced by these designs. In its original context, the marble panel likely decorated a piece of liturgical furniture, perhaps a pulpit, in a Christian church. The designs were inspired by foreign textile traditions and, here, are recontextualized into a Christian framework.

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  1. What is this?
  2. When was the Relief with Addorsed Ducks made?
  3. Why was the Relief with Addorsed Ducks made and how was it used?
  4. How was the Relief with Addorsed Ducks made?
  5. Who made the Relief with Addorsed Ducks?
  6. Where was the Relief with Addorsed Ducks produced?
  7. Where did the Relief with Addorsed Ducks go?
  8. What does the Relief with Addorsed Ducks tell us about the crusades?
  9. Relief with Addorsed Ducks: Sources and Further Reading

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