Making the Perfect Record: From Inscription to Impression in Early Magnetic Recording

References

Alger, Horatio. Ragged Dick; or, Street Life in New York with the Boot-Blacks: An Authoritative Text, Contexts, Criticism. New York: Norton.

Babbage, Charles. 1961. Charles Babbage and His Calculating Engines: Selected Writings by Charles Babbage and Others. Edited by Philip Morrison and Emily Morrison. New York: Dover.

———. 1963. On the Economy of Machinery and Manufactures. New York: A. M. Kelley.

Babbitt, Zeno B. 1905. “The Telegraphone.” Edited by Louis E. Levy. Journal of the Franklin Institute 159, no. 1: 17–21. {Au: Please provide a url or DOI for this article.}

Benjamin, Walter. 1999. The Arcades Project. Edited by Rolf Tiedemann. Cambridge: Belknap Press of Harvard Univ. Press.

Brooks, Tim. 2004. Lost Sounds: Blacks and the Birth of the Recording Industry, 1890–1919. Urbana: Univ. of Illinois Press.

Camras, Marvin. 1985. Magnetic Tape Recording. New York: Van Nostrand Reinhold.

———. 1988. Magnetic Recording Handbook. New York: Van Nostrand Reinhold.

Chun, Wendy Hui Kyong. 2008. “The Enduring Ephemeral, or the Future Is a Memory.” Critical Inquiry 35, no. 1: 148–71, www.jstor.org/stable/10.1086/595632.

Clark, Mark H. 1993. “Suppressing Innovation: Bell Laboratories and Magnetic Recording.” Technology and Culture 34, no. 3: 516–38.

———. 1999a. “Product Diversification.” Magnetic Recording: The First 100 Years. Edited by Eric Daniel, C. Denis Mee, and Mark H. Clark, 92–109. New York: IEEE Press. 


———. 1999b. “Steel Tape and Wire Recorders.” Magnetic Recording: The First 100 Years. Edited by Eric Daniel, C. Denis Mee, and Mark H. Clark, 30–46. New York: IEEE Press.

———. 1999c. “The Magnetic Recording of Sound.” Magnetic Recording: The First 100 Years. Edited by Eric Daniel, C. Denis Mee, and Mark H. Clark, 6–14. New York: IEEE Press.

Clark, Mark H., and Henry Nielsen. 1995. “Crossed Wires and Missing Connections: Valdemar Poulsen, The American Telegraphone Company, and the Failure to Commercialize Magnetic Recording.” Business History Review 69, no. 1: 1-–41.

———. “The Telegraphone.” 1999. In Daniel, Mee, and Clark 1999, 15–29.

Cox, A. J., and Thomas Malim. 1985. Ferracute: The History of an American Enterprise. Bridgeton, NJ: A. J. Cox.

Crary, Jonathan. 2001. Suspensions of Perception: Attention, Spectacle, and Modern Culture. Cambridge: MIT Press.

Daniel, Eric, C. Denis Mee, and Mark H. Clark, eds. 1999. Magnetic Recording: The First 100 Years. New York: IEEE Press.

Derrida, Jacques. 1976. Of Grammatology. 1st ed. Baltimore: Johns Hopkins Univ. Press.

Doane, Mary Ann. 2007. “Indexicality: Trace and Sign: Introduction.” differences 18, no. 1: 1-–6.

Dover, J. Kenneth Van. 1994. You Know My Method: The Science of the Detective. Bowling Green, OH: Bowling Green State Univ. Popular Press.

Drucker, Johanna. 2011. “Humanities Approaches to Graphical Display.” Digital Humanities Quarterly 5, no. 1. {Au: Is there a url or DOI for this source?}

Essinger, James. 2004. Jacquard’s Web: How a Hand-Loom Led to the Birth of the Information Age. New York: Oxford Univ. Press.

Fankhauser, Charles. 1909. “The Telegraphone: The Principles Embodied in It, Its Accomplishments in Actual Experience, and Its Influence on Our Commercial and Social Life.” Edited by Louis E. Levy. Journal of the Franklin Institute 167, no. 1: 37-–45.

Gitelman, Lisa, and Theresa M. Collins. 2009. “Medium Light: Revisiting Edisonian Modernity.” Critical Quarterly 51, no. 2: 1-–14.

Hopkins, J. 1907. “Frozen Speech: A Blow to Mark Twain’s Imagination.” Edited by Albert Shaw. American Monthly Reviews of Reviews 35, no. 204: 29-–32.

Hounshell, David. 1975. “Elisha Gray and the Telephone: On the Disadvantages of Being an Expert.” Technology and Culture 16, no. 2: 133-–61.

Jorgensen, Finn. 1996. The Complete Handbook of Magnetic Recording. 4th ed. New York: TAB Books.

Kirschenbaum, Matthew G. 2008. Mechanisms: New Media and the Forensic Imagination. Cambridge: MIT Press.

Kittler, Friedrich A. 1999. Gramophone, Film, Typewriter. Stanford, CA: Stanford Univ. Press.

Kraus, Kari. 2009. “Conjectural Criticism: Computing Past and Future Texts.” Digital Humanities Quarterly 3, no. 4: {Au: Please provide a url or DOI for this article.}

Locke, John. 2007. “The Career of Arthur B. Reeve.” From Ghouls to Gangsters: The Career of Arthur B. Reeve. Castroville, CA: Off-Trail.

Marvin, Carolyn. 1988. When Old Technologies Were New: Thinking about Electric Communication in the Late Nineteenth Century. New York: Oxford Univ. Press.

Marx, Karl. 1977. Capital: A Critique of Political Economy, Volume One. New York: Vintage. 1867.

Marx, Karl, and Friedrich Engels. 1992. Collected Works of Karl Marx and Friedrich Engels, Volume 33: Continues the Economic Manuscripts of 1861–63. Edited by Ben Fowkes. New York: International Publishers.

Montfort, Nick. 2004. “Continuous Paper: The Early Materiality and Workings of Electronic Literature.” December 28. {Au: Please provide a url for the source.}

Morton, David. 2000. Off the Record: The Technology and Culture of Sound Recording in America. New Brunswick, NJ: Rutgers Univ. Press.

“A New Phonograph.” 1879. Telegraphic Journal and Electrical Review 7 (January-December): 375.

Panek, Leroy. 1990. Probable Cause: Crime Fiction in America. Bowling Green, OH: Bowling Green State Univ. Popular Press.

Plant, Sadie. 1997. Zeroes and Ones: Digital Women and the New Technoculture. New York: Doubleday.

Poulsen, Valdemar. 1906. Apparatus for effecting the storing up of speech or signals. US Patent 822,222. May 29. {Au: Is this the date issued or the date filed? Please provide both dates.}

Reeve, Arthur B. 1910. The Silent Bullet: The Adventures of Craig Kennedy, Scientific Detective. New York: Harper and Brothers. 

———. 1912. Constance Dunlap. New York: Harper and Brothers. 


———. 1913. “In Defense of the Detective Story.” Independent (July): 91-–94.

———. 1914. The Dream Doctor. New York: Harper and Brothers.

———. 1915. The Exploits of Elaine. New York: Harper and Brothers.

———. 1919. “When the Criminal Takes to Science.” Forum (July): 32-–39.

———. 2007. “What Are the Great Detective Stories and Why?” In From Ghouls to Gangsters: The Career of Arthur B. Reeve. Edited by John Locke, 91–95. Castroville, CA: Off-Trail.

Shelley, Mary. 1996. Frankenstein: The 1818 Text, Contexts, Nineteenth-Century Responses, Modern Criticism. Edited by J. Paul Hunter. New York: Norton.

Sinclair, Bruce. 1990. “Thomas P. Jones and the Evolution of Technical Education.” Technology in America: A History of Individuals and Ideas. 2nd ed. Edited by Carroll W. Pursell, 62–70. Cambridge: MIT Press.

Smith, Oberlin. 1888. “Some Possible Forms of Phonograph.” Electrical World 12, no. 10: 116-–17.

Star, Susan Leigh, and James R. Griesemer. 1989. “Institutional Ecology, ‘Translations’ and Boundary Objects: Amateurs and Professionals in Berkeley’s Museum of Vertebrate Zoology, 1907-–39.” Social Studies of Science 19, no. 3: 387-–420.

Stearns, E. F. 1906. “A Spool Of Wire Speaks.” Technical World Magazine (December): 409-–12.

Sterne, Jonathan. 2003. The Audible Past: Cultural Origins Of Sound Reproduction. Durham, NC: Duke Univ. Press.

“The Telegraphone.” 1913. Independent (August): 456.

Thomas, Ronald R. 1999. Detective Fiction and the Rise of Forensic Science. Cambridge, UK: Cambridge Univ. Press.

Vismann, Cornelia. 2008. Files: Law and Media Technology. Translated by Geoffrey Winthrop-Young. Stanford, CA: Stanford Univ. Press.

Yoder, Robert M. 1944. “Young Man with a Wire.” Rotarian (February): 14-–16.

This page has paths: