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Complex TV
Main Menu
Introduction
Videos for Introduction
Complexity in Context
Beginnings
Videos for Chapter 2
Authorship
Characters
Comprehension
Evaluation
Serial Melodrama
Orienting Paratexts
Transmedia Storytelling
Ends
Video Gallery
Table of Contents
Jason Mittell
06e96b1b57c0e09d70492af49d984ee2f68945de
New York University Press
REVENGE opens the series with a flash forward to set up narrative enigmas, a complex strategy that has become increasingly common in the past decade.
1
2015-03-12T07:44:44-07:00
Jason Mittell
06e96b1b57c0e09d70492af49d984ee2f68945de
1350
2
REVENGE, "Pilot" (ABC, 2011) is an example of how narratively complex TV has become so commonplace to be unremarkable, rather than just the domain of so-called prestige series.
plain
2015-03-12T12:58:37-07:00
Jason Mittell
06e96b1b57c0e09d70492af49d984ee2f68945de
This page has paths:
1
2015-03-12T11:15:38-07:00
Jason Mittell
06e96b1b57c0e09d70492af49d984ee2f68945de
Gallery
Jason Mittell
7
structured_gallery
129350
2015-03-13T09:53:00-07:00
Jason Mittell
06e96b1b57c0e09d70492af49d984ee2f68945de
Contents of this path:
1
2015-03-12T07:44:44-07:00
REVENGE opens the series with a flash forward to set up narrative enigmas, a complex strategy that has become increasingly common in the past decade.
2
REVENGE, "Pilot" (ABC, 2011) is an example of how narratively complex TV has become so commonplace to be unremarkable, rather than just the domain of so-called prestige series.
plain
2015-03-12T12:58:37-07:00
1
2015-03-12T07:44:45-07:00
BATTLESTAR GALACTICA offers an exemplary narrative special effect.
3
A striking example of a narrative special effect, with a year's flash forward contained with what appears to be a single shot.
plain
2015-03-13T12:44:03-07:00
1
2015-03-12T11:32:27-07:00
THE WEST WING, "Noël", climaxes with a powerful example of a narrative special effect
6
The climactic scene in this episode uses interweaving atemporality and a false flashback to create a moment where the operational aesthetic and emotional engagement merge.
plain
2015-03-13T12:51:54-07:00
1
2015-03-13T09:41:55-07:00
TWIN PEAKS begins with a languid credit sequence, setting the mood for its celebrated tonal juxtapositions
1
The lengthy credit sequence focuses our attention before the narrative commences with an ambiguous tone.
plain
2015-03-13T09:41:55-07:00
1
2015-03-13T07:56:07-07:00
24 begins by establishing its norms of temporality and split-screen composition
1
The opening of 24's pilot quickly establishes its intrinsic norms.
plain
2015-03-13T07:56:07-07:00
1
2015-03-12T11:32:27-07:00
AWAKE's opening moments highlight how a series must establish its tone and narrative conventions immediately.
1
AWAKE (NBC, 2012), "Pilot," opens with trauma and cues us how to proceed.
plain
2015-03-12T11:32:27-07:00
1
2015-03-11T14:36:15-07:00
VERONICA MARS series opener starts with an explicit homage to film noir, framing genre expectations.
3
VERONICA MARS, "Pilot" (UPN, 2004) highlights the mixture of film noir and light-hearted teen drama
plain
2015-03-13T12:49:06-07:00
1
2015-03-12T11:32:25-07:00
BUFFY THE VAMPIRE SLAYER introduces Dawn in the 5th season premiere - even though she is a teenager who has seemingly lived her whole life in Buffy's family.
1
Buffy's sister Dawn makes her first appearance in the 5th season, creating a narrative enigma that will not be answered for over a month during the original broadcast.
plain
2015-03-12T11:32:25-07:00
1
2015-03-12T11:32:26-07:00
BREAKING BAD's third season concludes with unintentional ambiguity.
1
In this final moment of the season, a moment of unintentional ambiguity invites the authorial figure to step in and clarify.
plain
2015-03-12T11:32:26-07:00
1
2015-03-12T11:32:26-07:00
BREAKING BAD's "Pilot" opens with a vivid flash forward to introduce us to Walter White
4
The opening moments of the series work to establish the character of Walter White through costuming, performance, and intertextual cues.
plain
2015-03-13T12:47:49-07:00
1
2015-03-12T11:34:47-07:00
BREAKING BAD, "Cornered" features an iconic confrontation highlighting character interiority
3
In one of the program's most memorable scenes, we see the distance between how Walt seems himself and how others see him, forcing us to wonder how we viewers judge his character.
plain
2015-03-13T12:46:23-07:00
1
2015-03-13T07:56:06-07:00
REVENGE, "Reckoning" features dialogue whose layers of meaning only emerge as we learn more about an unnamed character
1
The white-haired man is a mysterious figure, whose knowledge of Emily's parents only becomes clear in retrospect.
plain
2015-03-13T07:56:06-07:00
This page has tags:
1
2015-03-12T11:15:38-07:00
Jason Mittell
06e96b1b57c0e09d70492af49d984ee2f68945de
Gallery
Jason Mittell
3
structured_gallery
2015-03-12T11:33:37-07:00
Jason Mittell
06e96b1b57c0e09d70492af49d984ee2f68945de
Contents of this tag:
1
2015-03-12T07:44:45-07:00
BATTLESTAR GALACTICA offers an exemplary narrative special effect.
2
A striking example of a narrative special effect, with a year's flash forward contained with what appears to be a single shot.
plain
2015-03-12T11:18:39-07:00
1
2015-03-12T11:32:26-07:00
BREAKING BAD's "Pilot" opens with a vivid flash forward to introduce us to Walter White
2
The opening moments of the series work to establish the character of Walter White through costuming, performance, and intertextual cues.
plain
2015-03-12T15:38:01-07:00
1
2015-03-11T14:36:15-07:00
VERONICA MARS series opener starts with an explicit homage to film noir, framing genre expectations.
2
VERONICA MARS, "Pilot" (UPN, 2004) highlights the mixture of film noir and light-hearted teen drama
plain
2015-03-12T11:30:56-07:00
1
2015-03-12T07:44:44-07:00
REVENGE opens the series with a flash forward to set up narrative enigmas, a complex strategy that has become increasingly common in the past decade.
2
REVENGE, "Pilot" (ABC, 2011) is an example of how narratively complex TV has become so commonplace to be unremarkable, rather than just the domain of so-called prestige series.
plain
2015-03-12T12:58:37-07:00
1
2015-03-12T11:32:25-07:00
BUFFY THE VAMPIRE SLAYER introduces Dawn in the 5th season premiere - even though she is a teenager who has seemingly lived her whole life in Buffy's family.
1
Buffy's sister Dawn makes her first appearance in the 5th season, creating a narrative enigma that will not be answered for over a month during the original broadcast.
plain
2015-03-12T11:32:25-07:00
1
2015-03-12T11:32:26-07:00
BREAKING BAD's third season concludes with unintentional ambiguity.
1
In this final moment of the season, a moment of unintentional ambiguity invites the authorial figure to step in and clarify.
plain
2015-03-12T11:32:26-07:00
1
2015-03-12T11:32:27-07:00
THE WEST WING, "Noël", climaxes with a powerful example of a narrative special effect
1
The climactic scene in this episode uses interweaving atemporality and a false flashback to create a moment where the operational aesthetic and emotional engagement merge.
plain
2015-03-12T11:32:27-07:00
1
2015-03-12T11:32:27-07:00
AWAKE's opening moments highlight how a series must establish its tone and narrative conventions immediately.
1
AWAKE (NBC, 2012), "Pilot," opens with trauma and cues us how to proceed.
plain
2015-03-12T11:32:27-07:00
1
2015-03-12T11:15:38-07:00
Jason Mittell
06e96b1b57c0e09d70492af49d984ee2f68945de
Gallery
Jason Mittell
3
structured_gallery
2015-03-12T11:33:37-07:00
Jason Mittell
06e96b1b57c0e09d70492af49d984ee2f68945de
Contents of this tag:
1
2015-03-12T07:44:45-07:00
BATTLESTAR GALACTICA offers an exemplary narrative special effect.
2
A striking example of a narrative special effect, with a year's flash forward contained with what appears to be a single shot.
plain
2015-03-12T11:18:39-07:00
1
2015-03-12T11:32:26-07:00
BREAKING BAD's "Pilot" opens with a vivid flash forward to introduce us to Walter White
2
The opening moments of the series work to establish the character of Walter White through costuming, performance, and intertextual cues.
plain
2015-03-12T15:38:01-07:00
1
2015-03-11T14:36:15-07:00
VERONICA MARS series opener starts with an explicit homage to film noir, framing genre expectations.
2
VERONICA MARS, "Pilot" (UPN, 2004) highlights the mixture of film noir and light-hearted teen drama
plain
2015-03-12T11:30:56-07:00
1
2015-03-12T07:44:44-07:00
REVENGE opens the series with a flash forward to set up narrative enigmas, a complex strategy that has become increasingly common in the past decade.
2
REVENGE, "Pilot" (ABC, 2011) is an example of how narratively complex TV has become so commonplace to be unremarkable, rather than just the domain of so-called prestige series.
plain
2015-03-12T12:58:37-07:00
1
2015-03-12T11:32:25-07:00
BUFFY THE VAMPIRE SLAYER introduces Dawn in the 5th season premiere - even though she is a teenager who has seemingly lived her whole life in Buffy's family.
1
Buffy's sister Dawn makes her first appearance in the 5th season, creating a narrative enigma that will not be answered for over a month during the original broadcast.
plain
2015-03-12T11:32:25-07:00
1
2015-03-12T11:32:26-07:00
BREAKING BAD's third season concludes with unintentional ambiguity.
1
In this final moment of the season, a moment of unintentional ambiguity invites the authorial figure to step in and clarify.
plain
2015-03-12T11:32:26-07:00
1
2015-03-12T11:32:27-07:00
THE WEST WING, "Noël", climaxes with a powerful example of a narrative special effect
1
The climactic scene in this episode uses interweaving atemporality and a false flashback to create a moment where the operational aesthetic and emotional engagement merge.
plain
2015-03-12T11:32:27-07:00
1
2015-03-12T11:32:27-07:00
AWAKE's opening moments highlight how a series must establish its tone and narrative conventions immediately.
1
AWAKE (NBC, 2012), "Pilot," opens with trauma and cues us how to proceed.
plain
2015-03-12T11:32:27-07:00
This page is referenced by:
1
2015-03-12T19:42:11-07:00
Introduction
2
Videos for Introduction
plain
2015-03-12T19:56:45-07:00
p. 10-11: Revenge
In 2011, one of the year’s most popular new network programs, Revenge , opened its pilot with a party scene that climaxes with a murder. It then flashed back five months to chart how the narrative arrived at this climactic point, a major event that would only be reached in the season’s 15th episode, with the rest of the pilot incorporating voice-over narration and multiple flashbacks to various time frames. What was most remarkable about this pilot was how unremarkable it was—critics and fans found this style of complex storytelling commonplace and undistinguished, generally classifying the series as a decent “prime time soap” or belittling it as a “guilty pleasure.” … Narrative complexity has suffused television to the degree that Revenge ’s temporally fractured narrative technique can go unnoticed; the rest of this book aims to explain how and why.