#100hardtruths

Art Answers to Phony Questions

A path through the primer focusing on hardtruths spoken about and through poetic, formally reflexive, non-indexical Art Forms.

Practicing strategic contemplation—what Rosylyn Rhee explains as having “to be comfortable being uncomfortable [because] so much of making documentary films is embracing the unknown”—is one of six “principles of feminist filmmaking” represented in Cámara Retórica: A Feminist Filmmaking Methodology for Rhetoric and Composition by Alexandra Hidalgo. The principles she elaborates point to one ethical media tradition that contemplates and thereby unmakes the frameworks that support fake news—truth/fiction, power and ownership within mediamaking and consumption—by engaging media logics outside of capital, including diversity, inter-dependence, mentorship, contemplation, and a primary commitment to social justice. (from #100hardtruths #16: practice strategic contemplation)
 

Contents of this path:

  1. #16: practice strategic contemplation
  2. #8: FAKE! by DOVEMAN+TOM KALIN+CRAIG PAULL
  3. #22: experimental escape routes needed
  4. #23: galvanize people at the crossroads of cinema and community
  5. #25: evidence of the opaque and intricate apparatus of our reality needed
  6. #31: look deeper into the migrant experience
  7. #34: place matters; re/flecting the border
  8. #37, size matters; we have to be minimalist
  9. #38, the NEA matters, fight for the least-seen to speak truth to power
  10. #39, reward responsible disobedience
  11. #40, challenge the narrative of (African) American progress
  12. #46, stay aware, not afraid
  13. #49, support cinematic solidarity against Islamophobia
  14. #52, address fears about beauty, disability and aging
  15. #70, reconnect the space that advertising has interrupted
  16. #74, stay open to contradictions and power #offline
  17. #81, call the man of the year a liar
  18. #82, explain your irrational destruction before the eyes of humanity
  19. #85, make productive fake documentaries
  20. #86: resist how we are framed
  21. #87, produce sites of-for-and-against cinema
  22. #91, we need the NEA and NEH to know how to imagine ourselves as a nation
  23. #92, our oral histories, our oral stories are our truth
  24. #97, digital participation is reflexive
  25. #100, speak and spell, teach and tell, count and swell