Understory 2019Main MenuMastheadFrom the Student Editors and FacultyCreative Works: PoetryTuesday Afternoon: NostalgiaMeditationLiminality in Six PartsShellObsession and IrreverenceSummer SweetheartsSolstice and TrepidationAutumn PoemsMagpie HymnThis is How You Derail a Train: After Ernest Hemingway’s “Who Killed the Vets?”Doubting the BranchShe'd be a Baby in FranceGoodbye Hometown HeroMyself a Stern TreeA Brief Glimpse of a Brief SeasonWinter PoemsGirl WoundThe Things I've SeenAuroraReceiver of GriefMy Grandmother's Willow TreeRed Berry TreeDark SymphonySolitudeSpring PoemsPortrait of a DaffodilI Walk OnAfter YouDefinitionsHalf Empty, Half FullCreative Works: ProseEavesdropperSpace BoyCathedralsMr. Goo-gle60 Feet DownNo Escape: A post-blast VignetteSpaceMiceWarThe Cat ShelterScholarship in English Studies: Literary StudiesPlatonic Emulation—How the Weight of History has come to Define PoetryPoetry as IlluminationCan I Rely on You?Heroes Through the Ages: Defining the British Dream through Heroes in LiteratureBorn from the Dreams of a People, an Empire AwokeScholarship in English Studies: Rhetoric and LinguisticsSynthetic LanguageYarn Bombing as Multimodal RhetoricEffecting Persuasion: How Adapting Rhetoric Informs the ResponseA Facebook Post: Identity through the TechnoscapeWe Who Demand BetterThe Rhetoric of Race, Gender, and Sexuality in Video Games and Video Game Communities: How Representation and Reception Can Change the Way Players See Their and Others’ IdentitiesWhy Have Female-Only Characters in For Honor?Posters: Alaska EnglishesRace and Internment: World War II from an Alaskan PerspectiveWrapping Up ‘Wrap It Up AK'The Letters of John MuirRewriting Alaska History with the Word “Genocide"University of Alaska Anchorage Department of Englishdfa0ec4bec9eb2e87270c48641b61a5da7951c18 UA is an AA/EO employer and educational institution and prohibits illegal discrimination against any individual: www.alaska.edu/nondiscrimination
The Letters of John Muir
12019-04-09T20:22:17-07:00University of Alaska Anchorage Department of Englishdfa0ec4bec9eb2e87270c48641b61a5da7951c18334041plain2019-04-09T20:22:17-07:00University of Alaska Anchorage Department of Englishdfa0ec4bec9eb2e87270c48641b61a5da7951c18
This page is referenced by:
12019-04-03T18:56:09-07:00The Letters of John Muir3plain2019-04-26T04:35:04-07:00On July 16th, 1879 naturalist writer John Muir wrote a letter to conservationist friend Annie Kennedy Bidwell while on his first expedition to Alaska. In this letter he describes a profound wonder, an amazement in experiencing Alaska’s wilderness for the first time. He is just off the coast of Sitka. Muir uses elevated language and imagery to create a beautiful illustration of Alaska’s nature as he extends an invitation desiring the Bidwell’s make the trip to this majestic country. However, the letter is more than a summoning. Muir claims in the letter to have been hasty in his ‘scribblings’ however the content of the piece cultivates a wild intensity to the opulence of such a place.
The letter is written during a time when the land is just beginning to attract the attention of prospective Americans looking to capitalize on the newly attained territory. The fur trade is in full swing. The fruitful salmon population is catalyzing new methods for harvest as well as a rapidly growing fish industry as canneries sprout up along the Alaskan coast. This is the age of gold, as the first discovery near Sitka inspires the minds of future prospectors in the forefront of the Klondike Gold Rush. However, Muir’s letters and publications illuminate a different kind of treasure. During an era of expansion and growth, John Muir plays a paramount role in the ways in which the preservation of Alaska’s natural phenomena coincide with an explosion of American industry.
John Muir enlightened the people of his time to the grandeur of the wild; he writes about the spiritual necessity of Alaska’s enchantment and the potency of this kind of experience. At one point in the letter he writes, “This is a charming portion of Gods lovely world, such a wondrous composition of land and water… through the most wonderful system of ocean inlets straits reaches and channels imaginable.” Through the writings of John Muir, and the influence of his successors, the fate of Alaska’s natural beauty becomes regarded as something much more valuable than a period of economic advancement. He uses his linguistic finesse and power of description juxtaposed with a love for nature to inspire a transcendental appreciation of Alaska’s exotic wilderness. He does so in a way that still radiates in the vision of Alaska today.
John Muir ends his letter with this, “The glacial phenomena are most eloquently telling.” While Muir’s literature is written about the physical marvel of Alaska, like a stained glass window he covers us in the hues of a perception. He creates a pathway to the emotion we feel when we experience something so incredible, vast and beautiful. Alaska is forever, it’s the last frontier, it is the greatest adventure, with awe in every mountain, glacier and open space. Through the permanence of his writing Alaska becomes a passion for wonderment, something bigger and more important than all of what we build: a conduit to the soul.
_________________________________________ Julia Murakami is a senior pursuing a Baccalaureate degree in English and Philosophy