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Understory 2019Main MenuMastheadFrom the Student Editors and FacultyCreative Works: PoetryTuesday Afternoon: NostalgiaMeditationLiminality in Six PartsShellObsession and IrreverenceSummer SweetheartsSolstice and TrepidationAutumn PoemsMagpie HymnThis is How You Derail a Train: After Ernest Hemingway’s “Who Killed the Vets?”Doubting the BranchShe'd be a Baby in FranceGoodbye Hometown HeroMyself a Stern TreeA Brief Glimpse of a Brief SeasonWinter PoemsGirl WoundThe Things I've SeenAuroraReceiver of GriefMy Grandmother's Willow TreeRed Berry TreeDark SymphonySolitudeSpring PoemsPortrait of a DaffodilI Walk OnAfter YouHalf Empty, Half FullCreative Works: ProseEavesdropperSpace BoyCathedralsMr. Goo-gle60 Feet DownNo Escape: A post-blast VignetteSpaceMiceWarThe Cat ShelterScholarship in English Studies: Literary StudiesPlatonic Emulation—How the Weight of History has come to Define PoetryPoetry as IlluminationCan I Rely on You?Heroes Through the Ages: Defining the British Dream through Heroes in LiteratureBorn from the Dreams of a People, an Empire AwokeScholarship in English Studies: Rhetoric and LinguisticsSynthetic LanguageYarn Bombing as Multimodal RhetoricEffecting Persuasion: How Adapting Rhetoric Informs the ResponseA Facebook Post: Identity through the TechnoscapeWe Who Demand BetterThe Rhetoric of Race, Gender, and Sexuality in Video Games and Video Game Communities: How Representation and Reception Can Change the Way Players See Their and Others’ IdentitiesWhy Have Female-Only Characters in For Honor?Posters: Alaska EnglishesRace and Internment: World War II from an Alaskan PerspectiveWrapping Up ‘Wrap It Up AK'The Letters of John MuirRewriting Alaska History with the Word “Genocide"University of Alaska Anchorage Department of Englishdfa0ec4bec9eb2e87270c48641b61a5da7951c18 UA is an AA/EO employer and educational institution and prohibits illegal discrimination against any individual: www.alaska.edu/nondiscrimination
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12019-04-03T18:46:22-07:00University of Alaska Anchorage Department of Englishdfa0ec4bec9eb2e87270c48641b61a5da7951c18334042plain2019-04-03T19:49:49-07:00University of Alaska Anchorage Department of Englishdfa0ec4bec9eb2e87270c48641b61a5da7951c18Love is dawdling around, past the “goodbyes” and love is watching honey drizzle slowly back into the jar Love may be the light pollution giving way to be able to stargaze and love is also sharing the last chocolate coin Love is brushed fingers when taking your change and love is apparent in a baby’s dimpled smile and a twenty-five-year-old’s protruding ears Love is found in the cracks of the sidewalk you purposely avoid when you’re young and love is most definitely the crumpled pieces of paper by the trash bin Love is the tangling of thumbs, calluses embracing and love fizzes like CO2 up to the bottle’s rim Love is stored in tin cans of remaining wall paint on a warped shelf and love is the sound of wheels on the tarmac Love is a tattered book with pages 89, 90, 91, 92 missing and love is in the feeling of band-aids with ointment on a bloody knee Love is sneaking out in the hour of the owl’s chorus and love makes your humerus and radius and ulna and every phalange have a seizure Love is held in the sight of a mother who sees palm-sized socks and love is undeniably your very own shadow Love is a bee sting, we tell everyone it happened because love, for sure, is the words “I’m happy you’re here”
_________________________________________ Malia Barto is a senior pursuing a Baccalaureate of Arts in Journalism and Communications and a minor in Justice.
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12019-04-02T18:24:27-07:00University of Alaska Anchorage Department of Englishdfa0ec4bec9eb2e87270c48641b61a5da7951c18Understory 2019University of Alaska Anchorage Department of English15plain2019-04-17T21:05:16-07:00University of Alaska Anchorage Department of Englishdfa0ec4bec9eb2e87270c48641b61a5da7951c18