Understory 2019 Main Menu Masthead From the Student Editors and Faculty Creative Works: Poetry Tuesday Afternoon: Nostalgia Meditation Liminality in Six Parts Shell Obsession and Irreverence Summer Sweethearts Solstice and Trepidation Autumn Poems Magpie Hymn This is How You Derail a Train: After Ernest Hemingway’s “Who Killed the Vets?” Doubting the Branch She'd be a Baby in France Goodbye Hometown Hero Myself a Stern Tree A Brief Glimpse of a Brief Season Winter Poems Girl Wound The Things I've Seen Aurora Receiver of Grief My Grandmother's Willow Tree Red Berry Tree Dark Symphony Solitude Portrait of a Daffodil I Walk On After You Definitions Half Empty, Half Full Creative Works: Prose Eavesdropper Space Boy Cathedrals Mr. Goo-gle 60 Feet Down No Escape: A post-blast Vignette Space Mice War The Cat Shelter Scholarship in English Studies: Literary Studies Platonic Emulation—How the Weight of History has come to Define Poetry Poetry as Illumination Can I Rely on You? Heroes Through the Ages: Defining the British Dream through Heroes in Literature Born from the Dreams of a People, an Empire Awoke Scholarship in English Studies: Rhetoric and Linguistics Synthetic Language Yarn Bombing as Multimodal Rhetoric Effecting Persuasion: How Adapting Rhetoric Informs the Response A Facebook Post: Identity through the Technoscape We Who Demand Better The Rhetoric of Race, Gender, and Sexuality in Video Games and Video Game Communities: How Representation and Reception Can Change the Way Players See Their and Others’ Identities Why Have Female-Only Characters in For Honor? Posters: Alaska Englishes Race and Internment: World War II from an Alaskan Perspective Wrapping Up ‘Wrap It Up AK' The Letters of John Muir Rewriting Alaska History with the Word “Genocide"
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Spring Poems

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