Understory 2019
Contents of this path:
- Masthead
- From the Student Editors and Faculty
- Creative Works: Poetry
- Summer Poems
- Tuesday Afternoon: Nostalgia
- Meditation
- Liminality in Six Parts
- Shell
- Obsession and Irreverence
- Summer Sweethearts
- Solstice and Trepidation
- Autumn Poems
- Magpie Hymn
- This is How You Derail a Train: After Ernest Hemingway’s “Who Killed the Vets?”
- Doubting the Branch
- She'd be a Baby in France
- Goodbye Hometown Hero
- Myself a Stern Tree
- A Brief Glimpse of a Brief Season
- Winter Poems
- Girl Wound
- The Things I've Seen
- Aurora
- Receiver of Grief
- My Grandmother's Willow Tree
- Red Berry Tree
- Dark Symphony
- Solitude
- Spring Poems
- Portrait of a Daffodil
- I Walk On
- After You
- Definitions
- Half Empty, Half Full
- Creative Works: Prose
- Eavesdropper
- Space Boy
- Cathedrals
- Mr. Goo-gle
- 60 Feet Down
- No Escape: A post-blast Vignette
- Space
- Mice
- War
- The Cat Shelter
- Scholarship in English Studies: Literary Studies
- Platonic Emulation—How the Weight of History has come to Define Poetry
- Poetry as Illumination
- Can I Rely on You?
- Heroes Through the Ages: Defining the British Dream through Heroes in Literature
- Born from the Dreams of a People, an Empire Awoke
- Scholarship in English Studies: Rhetoric and Linguistics
- Synthetic Language
- Yarn Bombing as Multimodal Rhetoric
- Effecting Persuasion: How Adapting Rhetoric Informs the Response
- A Facebook Post: Identity through the Technoscape
- We Who Demand Better
- The Rhetoric of Race, Gender, and Sexuality in Video Games and Video Game Communities: How Representation and Reception Can Change the Way Players See Their and Others’ Identities
- Why Have Female-Only Characters in For Honor?
- Posters: Alaska Englishes
- Race and Internment: World War II from an Alaskan Perspective
- Wrapping Up ‘Wrap It Up AK'
- The Letters of John Muir
- Rewriting Alaska History with the Word “Genocide"