Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. A diam maecenas sed enim ut sem viverra aliquet. Commodo nulla facilisi nullam vehicula ipsum a arcu. Ut ornare lectus sit amet est placerat in egestas. Posuere sollicitudin aliquam ultrices sagittis. Ultrices dui sapien eget mi proin sed libero enim sed. Augue lacus viverra vitae congue. Risus quis varius quam quisque id. Neque volutpat ac tincidunt vitae semper quis. Augue eget arcu dictum varius duis at consectetur lorem. Suspendisse sed nisi lacus sed viverra tellus in.

Tincidunt tortor aliquam nulla facilisi cras fermentum. Lacus laoreet non curabitur gravida arcu. Venenatis lectus magna fringilla urna porttitor rhoncus dolor purus non. Faucibus et molestie ac feugiat sed lectus vestibulum. Porttitor leo a diam sollicitudin. Sed odio morbi quis commodo odio. Adipiscing at in tellus integer feugiat scelerisque. Sollicitudin ac orci phasellus egestas tellus rutrum tellus pellentesque eu. Arcu non odio euismod lacinia at. Eu lobortis elementum nibh tellus molestie.


Traversal of Kathryn Cramer's "In Small & Large Pieces," Introduction 
This video captures the approximately 6 minute long pre-show that took place in the Electronic Literature Lab prior to Will Luers’ live stream Traversal of Kathryn Cramer’s work, In Small & Large Pieces. People can be seen filing in and interacting with one another. The sound playing in the background is a sound art piece produced by Dr. John Barber. The video ends by playing the official trailer for the Pathfinders project.
Traversal of Kathryn Cramer's "In Small & Large Pieces," Part 1
This video clip starts off with Dene Grigar giving introductory comments prior to the live stream Traversal of Cramer’s In Small & Large Pieces. Grigar welcomes faculty member, Will Luers. She also notes that this event is supported by the fellowship Buchanan family. She continues to welcome her seven undergraduate researchers, associate director Nicholas Schiller, sound director John Barber, and live stream director Greg Philbrook, who all help with the live stream and in the lab. Luers starts off by showing the cover of the work before opening the work on the computer. He points out the picture of Alice in Wonderland with some handwritten text on it, which he clicks on. He starts reading through chapter one.
Traversal of Kathryn Cramer's "In Small & Large Pieces," Part 2
Tincidunt tortor aliquam nulla facilisi cras fermentum. Lacus laoreet non curabitur gravida arcu. Venenatis lectus magna fringilla urna porttitor rhoncus dolor purus non. Faucibus et molestie ac feugiat sed lectus vestibulum. Porttitor leo a diam sollicitudin. Sed odio morbi quis commodo odio. Adipiscing at in tellus integer feugiat scelerisque. Sollicitudin ac orci phasellus egestas tellus rutrum tellus pellentesque eu. Arcu non odio euismod lacinia at. Eu lobortis elementum nibh tellus molestie.
Traversal of Kathryn Cramer's "In Small & Large Pieces," Part 3
Tincidunt tortor aliquam nulla facilisi cras fermentum. Lacus laoreet non curabitur gravida arcu. Venenatis lectus magna fringilla urna porttitor rhoncus dolor purus non. Faucibus et molestie ac feugiat sed lectus vestibulum. Porttitor leo a diam sollicitudin. Sed odio morbi quis commodo odio. Adipiscing at in tellus integer feugiat scelerisque. Sollicitudin ac orci phasellus egestas tellus rutrum tellus pellentesque eu. Arcu non odio euismod lacinia at. Eu lobortis elementum nibh tellus molestie.

Traversal of Kathryn Cramer's "In Small & Large Pieces," Q&A, Part 2
A student from the online audience asks if the story was coming from a place of truth. Dene Grigar answers by saying she’s unsure, but usually authors don’t write about their lives. Grigar notes that she loves these types of events because of being able to read literature out loud, which makes the literature more powerful than if it were to be read alone. A student from the lab asks about analyzing the typography. Luers says that when the text gets big and bold, it reminds him of a cinematic title and calling attention to a single moment; whereas, the poem was smaller, denser, and lighter. He notes that the visual typography helps the reader to know what’s happening. A student from the live audience asks how one will create hypertext 25 years from now. Luers says he’s waiting for the software to connect with video.