Will the Circle Be Unbroken?: The Sacred Music of the African American DiasporaMain MenuWill the Circle Be Unbroken? The Sacred Music of the African American DiasporaEnter the ExhibitWhat is African American Sacred Music?From Spirituals to SoulSongs of the Underground RailroadThe Legacy of the Fisk Jubilee SingersWomen and WorshipMusic of the Revolution: Sacred Music and ProtestGospel Roots: African American Churches in Los AngelesAlbert J. McNeilThe Albert McNeil Jubilee SingersJester HairstonDon Lee WhiteHansonia CaldwellOpening the ExhibitWhat’s a Music Exhibit without the music?Take an audio journey through the CSUDH Sacred Music Archives collectionsSign our Guest Book!Beth McDonald16200cb3d5a875b72f65508a603e1bfceb2cda24Gerth Archives and Special Collections, California State University Dominguez Hills
W. C. Handy circa mid 1930s
1media/WC Handy_thumb.jpg2020-04-28T12:56:58-07:00Beth McDonald16200cb3d5a875b72f65508a603e1bfceb2cda24373081W.C. Handy was one of the most influential songwriters and blues musicians in the United States. Handy did not create the blues genre but was the first to publish music in the blues form, adapting the blues he heard on the street into a series of compositions that helped spark America’s first blues craze, including “Memphis Blues,” “Yellow Dog Blues,” “Beale Street Blues,” and “St. Louis Blues.”plain2020-04-28T12:56:58-07:001938Beth McDonald16200cb3d5a875b72f65508a603e1bfceb2cda24
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1media/IMG_20200130_110018068.jpg2020-04-24T12:42:16-07:00Beth McDonald16200cb3d5a875b72f65508a603e1bfceb2cda24From Spirituals to SoulBeth McDonald30timeline2020-06-26T15:59:45-07:00Beth McDonald16200cb3d5a875b72f65508a603e1bfceb2cda24