Will the Circle Be Unbroken?: The Sacred Music of the African American DiasporaMain MenuWill the Circle Be Unbroken? The Sacred Music of the African American DiasporaEnter the ExhibitWhat is African American Sacred Music?From Spirituals to SoulSongs of the Underground RailroadThe Legacy of the Fisk Jubilee SingersWomen and WorshipMusic of the Revolution: Sacred Music and ProtestGospel Roots: African American Churches in Los AngelesAlbert J. McNeilThe Albert McNeil Jubilee SingersJester HairstonDon Lee WhiteHansonia CaldwellOpening the ExhibitWhat’s a Music Exhibit without the music?Take an audio journey through the CSUDH Sacred Music Archives collectionsSign our Guest Book!Beth McDonald16200cb3d5a875b72f65508a603e1bfceb2cda24Gerth Archives and Special Collections, California State University Dominguez Hills
Ella Fitzgerald at the Downbeat Club in New York.
1media/Ella sept 1947_thumb.jpg2020-04-28T13:26:34-07:00Beth McDonald16200cb3d5a875b72f65508a603e1bfceb2cda24373082Dubbed "The First Lady of Song," Ella Fitzgerald was the most popular jazz singer in the United States for more than 50 years. With an unparalled vocal range and exceptional tone and phrasing, she sang everything from ballads to “scat songs” for a global audience, sold 40 million records, and won 13 Grammy awards. Photo by William P. Gottlieb, courtesy of the United States Library of Congress's Music Divisionplain2020-04-28T13:27:40-07:0009/1947Beth McDonald16200cb3d5a875b72f65508a603e1bfceb2cda24
This page has tags:
1media/IMG_20200130_110018068.jpg2020-04-24T12:42:16-07:00Beth McDonald16200cb3d5a875b72f65508a603e1bfceb2cda24From Spirituals to SoulBeth McDonald30timeline2020-06-26T15:59:45-07:00Beth McDonald16200cb3d5a875b72f65508a603e1bfceb2cda24