Will the Circle Be Unbroken?: The Sacred Music of the African American DiasporaMain MenuWill the Circle Be Unbroken? The Sacred Music of the African American DiasporaEnter the ExhibitWhat is African American Sacred Music?From Spirituals to SoulSongs of the Underground RailroadThe Legacy of the Fisk Jubilee SingersWomen and WorshipMusic of the Revolution: Sacred Music and ProtestGospel Roots: African American Churches in Los AngelesAlbert J. McNeilThe Albert McNeil Jubilee SingersJester HairstonDon Lee WhiteHansonia CaldwellOpening the ExhibitWhat’s a Music Exhibit without the music?Take an audio journey through the CSUDH Sacred Music Archives collectionsSign our Guest Book!Beth McDonald16200cb3d5a875b72f65508a603e1bfceb2cda24Gerth Archives and Special Collections, California State University Dominguez Hills
Scott Joplin
1media/Joplin_thumb.jpg2020-04-28T12:27:11-07:00Beth McDonald16200cb3d5a875b72f65508a603e1bfceb2cda24373083Ragtime was created as dance music in the south and is most known for its syncopated rhythm. Scott Joplin, "The King of Ragtime," wrote many of the most well-known rags, and set the stage for the blues and jazz.plain2020-05-06T08:23:25-07:0006/01/1903Beth McDonald16200cb3d5a875b72f65508a603e1bfceb2cda24
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1media/IMG_20200130_110018068.jpg2020-04-24T12:42:16-07:00Beth McDonald16200cb3d5a875b72f65508a603e1bfceb2cda24From Spirituals to SoulBeth McDonald30timeline2020-06-26T15:59:45-07:00Beth McDonald16200cb3d5a875b72f65508a603e1bfceb2cda24