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Will the Circle Be Unbroken?: The Sacred Music of the African American Diaspora Main Menu Will the Circle Be Unbroken? The Sacred Music of the African American Diaspora Enter the Exhibit What is African American Sacred Music? From Spirituals to Soul Songs of the Underground Railroad The Legacy of the Fisk Jubilee Singers Women and Worship Music of the Revolution: Sacred Music and Protest Gospel Roots: African American Churches in Los Angeles Albert J. McNeil The Albert McNeil Jubilee Singers Jester Hairston Don Lee White Hansonia Caldwell Opening the Exhibit What’s a Music Exhibit without the music? Take an audio journey through the CSUDH Sacred Music Archives collections Sign our Guest Book! Gerth Archives and Special Collections, California State University Dominguez Hills

Exhibit 12 - Albert McNeil case Side 2

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Enter the Exhibit Beth McDonald
Contents of this tag:
1. Exhibit 05- Don Lee White case This case features the life and works of noted composer, conductor, and arranger Don Lee White. Among his many achievements, White was the music minister at Grant African Methodist Episcopal Church for almost 40 years and the founder of the dlw Community Chorale. Part of the "Will the Circle Be Unbroken" exhibit at California State University Dominguez Hills. Photo by Beth McDonald, February 2020.
2. Exhibit 02- The Legacy of the Fisk Jubilee Singers The tradition of the concert spiritual – a more formal, arranged version of the songs sung by slaves – began with the Fisk Jubilee Singers. The popularity of the Fisk Singers and the warm reception of their music inspired other choirs to follow in their footsteps. The concert spiritual tradition continues at many historically black colleges, churches, and community choirs today. African American composers, past and present, who are masters of the concert spiritual include John Wesley Work, Jr. R. Nathaniel Dett, Hall Johnson, Jester Hairston, and Moses Hogan. Part of the "Will the Circle Be Unbroken" exhibit at California State University Domniguez Hills. Photo by Beth McDonald, February 2020.
3. Exhibit 01 - opening reception panorama
4. Exhibit 03- Gospel Roots case The church has been a center of African American life since the earliest congregations were established in the 1700s and has also often been the center of the community’s musical traditions. This legacy was brought to California by ministers who arrived in the late nineteenth and early twentieth centuries from states that had strong African-American communities steeped in the musical culture of the African diaspora. Part of the "Will the Circle Be Unbroken" exhibit at California State University Dominguez Hills. Photo by Beth McDonald, February 2020.
5. Exhibit 07- The Evolution of African American Music This case contains books and albums that record a wide cross section of African American music and the musicians who popularized them from spirituals through gospel, ragtime, jazz, and modern pop. The artists in this case were trailbreakers for the musicians that came after them, making music so extraordinary it was impossible to ignore, regardless of race. Many of the modern variations of these genres are made up of earlier forms that have been merged and remixed, creating new styles for old stories. Part of the "Will the Circle Be Unbroken" exhibit at California State University Dominguez Hills. Photo by Beth McDonald, February 2020.
6. Exhibit 08 - Jester Hairston
7. Exhibit 09- The Albert McNeil Jubilee Singers Part 1
8. Exhibit 04- Women and Worship case African American women have always been significant contributors to sacred music in all arenas from composition to performance, though their accomplishments are sometimes overshadowed by their male counterparts. In studying their achievements as part of a larger whole, we can truly celebrate and appreciate the scope of the impact that they have had. These women rewrote the songbook of African American sacred music, changing the musical landscape and leaving a legacy for future generations. Part of the "will the Circle Be Unbroken" exhibit at California State University Dominguez Hills. Photo by Beth McDonald, February 2020.
9. Exhibit 13- Songs of the Underground Railroad and Harriet Tubman
10. Exhibit 06- Wall of Music
11. Exhibit 14- Hansonia Caldwell
12. Exhibit 11 - Albert McNeil case Side 1
13. Exhibit 15 - Hansonia Caldwell
14. Exhibit 10- The Albert McNeil Jubilee Singers Part 2
15. Exhibit 12 - Albert McNeil case Side 2

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Albert J. McNeil Albert John Joseph McNeil is an American choral conductor, ethnomusicologist, author, and founder of the Albert McNeil Jubilee Singers. His career has been dedicated to upholding choral music traditions with the presentation of Negro spirituals and concert music by African American composers. He is Professor Emeritus of Music at the University of California, Davis, where he was director of choral activities for 22 years and headed the Music Education Program.

McNeil was born Alfredo Morales Sanchez on February 14, 1920 in Los Angeles. He was adopted by John and Rodia McNeil, former vaudeville and minstrel show performers. He grew up in Watts with his two sisters, Dorothea and Rena. McNeil's adopted parents maintained friendships with a variety of musical and theatrical artists in Los Angeles, including Duke Ellington, Louis Armstrong, and Lionel Hampton, as well as distinguished names in choral music such as Hall Johnson and Jester Hairston. McNeil was frequently called upon by Central Casting of Hollywood to be the on-set choral assistant whenever they needed black singers or background actors, including Porgy and Bess, Carmen Jones, and The Land of the Pharaohs. McNeil earned his undergraduate University of California, Los Angeles in 1942 with a Bachelor of Arts degree in music education and teaching credentials in elementary and secondary education. Soon after, he was awarded his master's degree in choral conducting from UCLA. In 1953, McNeil married Helen Rambo. Their son, Richard "Ricky" John McNeil, was born 1959.

In 1968, McNeil was invited to teach courses in music education and direct the choral ensembles at the University of California at Davis. He was the head of the music education program and director of choral activities for 21 years, and took the UC Davis chorus to England, France, Russia, China, Tahiti, and Australia. While at Davis, spent 10 years as the director for the Sacramento Chorale and co-founded the Sacramento symphony chorus.

In 1968, inspired by the renown Fisk Jubilee Singers, McNeil founded the Albert McNeil Jubilee Singers. The Singers have traveled the globe on 18 European tours, 12 tours of the United States and Canada, tours of the Middle East, Asia, Africa, and South America, and were selected three times to serve the U.S. State Department and USIS Cultural Exchange Program. They have played a significant role in the development of African American sacred music traditions in the United States and are among the most honored singing ensembles in the world.

In addition to his teaching and work with the Jubilee Singers, McNeil was active in the church choir community. While McNeil was a student at UCLA he directed the church choirs at the First Baptist Church and the People's Independent Church of Christ. He was Minister of Music at the Congregational Church of Christian Fellowship in Los Angeles for over 30 years, as well as the Director of Music at the Founder’s Church of Religious Science.

McNeil retired from UC Davis in 1990. In retirement, he devoted much of his time to the Albert McNeil Jubilee Singers and their tours. In 2003, McNeil was inducted as a "Living Legend" into the California State University Dominguez Hills Georgia and Nolan Payton Archive of African Diaspora Sacred Music and Musicians. Explore the Albert J. McNeil Collection.