Will the Circle Be Unbroken?: The Sacred Music of the African American DiasporaMain MenuWill the Circle Be Unbroken? The Sacred Music of the African American DiasporaEnter the ExhibitWhat is African American Sacred Music?From Spirituals to SoulSongs of the Underground RailroadThe Legacy of the Fisk Jubilee SingersWomen and WorshipMusic of the Revolution: Sacred Music and ProtestGospel Roots: African American Churches in Los AngelesAlbert J. McNeilThe Albert McNeil Jubilee SingersJester HairstonDon Lee WhiteHansonia CaldwellOpening the ExhibitWhat’s a Music Exhibit without the music?Take an audio journey through the CSUDH Sacred Music Archives collectionsSign our Guest Book!Beth McDonald16200cb3d5a875b72f65508a603e1bfceb2cda24Gerth Archives and Special Collections, California State University Dominguez Hills
Exhibit 13- Songs of the Underground Railroad and Harriet Tubman
1media/Tubman exhibit wall_thumb.jpg2020-05-01T09:48:23-07:00Beth McDonald16200cb3d5a875b72f65508a603e1bfceb2cda24373083Spirituals were often used as coded messages to slave seeking freedom during the time of the Underground Railroad. This wall celebrates the legacy of Harriet Tubman and the role music played in it. Part of the "Will the Circle Be Unbroken" exhibit at California State University Dominguez Hills. Photo by Beth McDonald, February 2020.plain2020-05-01T12:48:04-07:0020200130110235+0000Beth McDonald16200cb3d5a875b72f65508a603e1bfceb2cda24