Understory 2019
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From the Student Editors and Faculty
Creative Works: Poetry
Tuesday Afternoon: Nostalgia
Meditation
Liminality in Six Parts
Shell
Obsession and Irreverence
Summer Sweethearts
Solstice and Trepidation
Autumn Poems
Magpie Hymn
This is How You Derail a Train: After Ernest Hemingway’s “Who Killed the Vets?”
Doubting the Branch
She'd be a Baby in France
Goodbye Hometown Hero
Myself a Stern Tree
A Brief Glimpse of a Brief Season
Winter Poems
Girl Wound
The Things I've Seen
Aurora
Receiver of Grief
My Grandmother's Willow Tree
Red Berry Tree
Dark Symphony
Solitude
Spring Poems
Portrait of a Daffodil
I Walk On
After You
Definitions
Half Empty, Half Full
Creative Works: Prose
Eavesdropper
Space Boy
Cathedrals
Mr. Goo-gle
60 Feet Down
No Escape: A post-blast Vignette
Space
Mice
War
The Cat Shelter
Scholarship in English Studies: Literary Studies
Platonic Emulation—How the Weight of History has come to Define Poetry
Poetry as Illumination
Can I Rely on You?
Heroes Through the Ages: Defining the British Dream through Heroes in Literature
Born from the Dreams of a People, an Empire Awoke
Scholarship in English Studies: Rhetoric and Linguistics
Synthetic Language
Yarn Bombing as Multimodal Rhetoric
Effecting Persuasion: How Adapting Rhetoric Informs the Response
A Facebook Post: Identity through the Technoscape
We Who Demand Better
The Rhetoric of Race, Gender, and Sexuality in Video Games and Video Game Communities: How Representation and Reception Can Change the Way Players See Their and Others’ Identities
Why Have Female-Only Characters in For Honor?
Posters: Alaska Englishes
Race and Internment: World War II from an Alaskan Perspective
Wrapping Up ‘Wrap It Up AK'
The Letters of John Muir
Rewriting Alaska History with the Word “Genocide"
University of Alaska Anchorage Department of English
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