Navigating Digital Text, Performance, & Historical Resources
Main Menu Overview by Sujata Iyengar and Nathalie Vienne-Guerrin 'Henry V' : A Guide to Early Printed Editions by Daniel Yabut “with rough and all-unable pen…” : Source Study and Historiography in Shakespeare’s 'Henry V' by Mikaela LaFave Pistol and Monsieur Le Fer: An Anglo-French Encounter by Charlène Cruxent Université Paul-Valéry Montpellier 3, IRCL, UMR5186 CNRS Making & Unmaking National Identity: Race & Ethnicity in Shakespeare’s 'Henry V' by Nora Galland 'Henry V' Onstage: From the Falklands War to Brexit (1986-2018) by Janice Valls-Russell The Problematic Reception of 'Henry V' in France: A Case Study by Florence March “For ’tis your thoughts that now must deck our kings”: Henry’s Popular Afterlives by Philip Gilreath “On your imaginary forces work”: How 'Henry V'’s Chorus Changes the Play Text during Olivier’s Film by Julia Koslowsky A Guide to Teaching 'Henry V' and its Sources by Hayden Benson Study Questions Key Scenes and Speeches from 'Henry V' Back MatterCruxent Figure 1
1 2019-01-21T20:40:20-08:00 Julia Koslowsky 567e8011960119228860c6a7c06189d32b98838f 29603 11 An engraving of one of the seven in the series of engravings entitled “The Vices.” This engraving depicts sloth as a female figure, a snail on her hand and a donkey by her side. (See endnote 7.) meta 2019-06-29T18:23:12-07:00 The British Museum, https://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=1508256&partId=1&searchText=the+vices&page=1 1587 Image The British Museum Latin © 2019 Trustees of the British Museum Print Matham, Jacob, printmaker N/A Cropped Hayden Benson 7d69b3398da384eb9196529b557c5a84032c3d8cMedia
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Version 10
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Version 9
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Version 8
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Version 2
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