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Ghost Metropolis: Los Angeles from Clovis to NixonMain MenuRegimes: Ruling the Los Angeles Region from the Late Pleistocene to the 21st CenturyPlaces and Paths of Los AngelesManna From Hell: Power and Politics from Region to World PowerShadows: Visual Cultures and Mass Media of a Regional and Global PowerSegregated Diversity: The Geosocial Formation of Social Justice in the Late Twentieth CenturyRichard 37th: Nixon, Los Angeles, and World PowerThe American 1989: Los Angeles at the Climax of the 20th CenturyNarrative EssayBibliographies, Filmographies, Gazeteers, IndexesMapping the Past: Theory, Methods, HistoriographyPathCreditsRootPhil Ethingtone37d40405599cccc3b6330e6c4be064cc03ef7a5
Diff’rent Strokes, 1978-1986
12018-07-14T06:23:21-07:00Leonard Butingan8a58de73a6a2c51b9fb74d2b9e257db0199f29a56772TV series created by Jeff Harris and Bernie Kukoffplain2018-08-11T00:41:45-07:00Phil Ethingtone37d40405599cccc3b6330e6c4be064cc03ef7a5Two African American kids, Arnold (Gary Coleman) and Willis Jackson (Todd Bridges), from Harlem are adopted by a rich white businessman named Phillip Drummond. The show featured “very special episodes” where they tackled serious issues such as drugs, molestation, eating disorders, and racism. One of the show’s most memorable episodes was “The Reporter” (Season 5), which was an anti-drug episode featuring First Lady, Nancy Reagan, where she promotes her “Just Say No” campaign. An episode in which the show tackled race was “Skin Deep or True Blue” (Season 2). Kimberly’s (Drummond’s daughter) new boyfriend Roger is a racist. He is exposed when he makes racist comments about Willis, following Kimberly’s suggestion to a double date. The episode is remembered for Dana Plato’s appearance in black face, to defend Willis.