Scalar's 'additional metadata' features have been disabled on this install. Learn more.
Ghost Metropolis: Los Angeles from Clovis to NixonMain MenuRegimes: Ruling the Los Angeles Region from the Late Pleistocene to the 21st CenturyPlaces and Paths of Los AngelesManna From Hell: Power and Politics from Region to World PowerShadows: Visual Cultures and Mass Media of a Regional and Global PowerSegregated Diversity: The Geosocial Formation of Social Justice in the Late Twentieth CenturyRichard 37th: Nixon, Los Angeles, and World PowerThe American 1989: Los Angeles at the Climax of the 20th CenturyNarrative EssayBibliographies, Filmographies, Gazeteers, IndexesMapping the Past: Theory, Methods, HistoriographyPathCreditsRootPhil Ethingtone37d40405599cccc3b6330e6c4be064cc03ef7a5
Saved by the Bell
12018-07-15T11:00:38-07:00Leonard Butingan8a58de73a6a2c51b9fb74d2b9e257db0199f29a56772TV series created by Sam Bobrick, NBCplain2018-07-15T11:01:32-07:00Leonard Butingan8a58de73a6a2c51b9fb74d2b9e257db0199f29a5One of the show’s breakout stars was Mario Lopez, a Mexican American actor, who played A.C. Slater. Slater was the archetypal “popular jock.” Slater’s ethnic identity is seldom addressed, with the exception of the episode “Slater’s War,” from Saved by the Bell: The College Years (1993-1994), the reboot to the original series. The episode reveals that A.C.’s father, Martin Slater, a Major in the US Army, Americanized the family’s original last name (Sanchez), to advance in the military. In an interview with NPR, reporter Tasnim Shamma, pointed out that “During auditions, Lopez persuaded producers to give him a role written for a white actor.” She also noted that Lopez has said in an interview that “he just thinks of himself as ‘American...’ ”