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Ghost Metropolis: Los Angeles from Clovis to NixonMain MenuRegimes: Ruling the Los Angeles Region from the Late Pleistocene to the 21st CenturyPlaces and Paths of Los AngelesManna From Hell: Power and Politics from Region to World PowerShadows: Visual Cultures and Mass Media of a Regional and Global PowerSegregated Diversity: The Geosocial Formation of Social Justice in the Late Twentieth CenturyRichard 37th: Nixon, Los Angeles, and World PowerThe American 1989: Los Angeles at the Climax of the 20th CenturyNarrative EssayBibliographies, Filmographies, Gazeteers, IndexesMapping the Past: Theory, Methods, HistoriographyPathCreditsRootPhil Ethingtone37d40405599cccc3b6330e6c4be064cc03ef7a5
Mission Impossible
12018-08-02T03:28:15-07:00Leonard Butingan8a58de73a6a2c51b9fb74d2b9e257db0199f29a56771TV series created by Bruce Geller, CBSplain2018-08-02T03:28:16-07:00Leonard Butingan8a58de73a6a2c51b9fb74d2b9e257db0199f29a5Akin to I Spy, Mission Impossible premiered in the mid-1960s and both shows cast a black actor in a prominent role. In the case of Mission Impossible, Greg Morris played Barnard "Barney" Collier, a highly skilled government secret agent. However, like it's predecessor, despite the fact that the show portrayed international sites and aired at in the age of Third World revolutions, decolonization, and an increase in African Americans exploring their African roots and connections, Mission Impossible was a race neutral show. Specifically, Morris's race was very seldom of subject. A journalist in the December 1967 edition of Ebony Magazine wrote, “Greg [Morris] was able to cash in on what he calls the “age of enlightenment” in Hollywood and, as a Negro, win one of the few “non-racial” roles in television.”