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Ghost Metropolis: Los Angeles from Clovis to NixonMain MenuRegimes: Ruling the Los Angeles Region from the Late Pleistocene to the 21st CenturyPlaces and Paths of Los AngelesManna From Hell: Power and Politics from Region to World PowerShadows: Visual Cultures and Mass Media of a Regional and Global PowerSegregated Diversity: The Geosocial Formation of Social Justice in the Late Twentieth CenturyRichard 37th: Nixon, Los Angeles, and World PowerThe American 1989: Los Angeles at the Climax of the 20th CenturyNarrative EssayBibliographies, Filmographies, Gazeteers, IndexesMapping the Past: Theory, Methods, HistoriographyPathCreditsRootPhil Ethingtone37d40405599cccc3b6330e6c4be064cc03ef7a5
Chico and the Man
12018-07-15T10:46:21-07:00Leonard Butingan8a58de73a6a2c51b9fb74d2b9e257db0199f29a56771TV series created by James Comackplain2018-07-15T10:46:22-07:00Leonard Butingan8a58de73a6a2c51b9fb74d2b9e257db0199f29a5Ed Brown, aka The Man (Jack Albertson), owns a garage in East Los Angeles. Brown is an old Anglo bigot, who berates Chico (Freddie Prinze Sr.), a young Latino-Hungarian American man, when he comes into his garage asking for a job. However, despite their opposite racial backgrounds and personalities, Chico is portrayed as more upbeat and Brown is cold and demeaning, they eventually form a bond. The show was the first primetime show set in a Mexican American neighborhood. According to the comedian duo Cheech and Chong, Chico and the Man creator James Comack, was inspired to create the show after spending time on tour with them. In an interview Comack stated that he originally had planned to create a show about a Chicano and a Nisei. Ed Brown shared many of the same characteristics of Archie Bunker, in that he unapologetically used ethnic slurs to degrade Chico. The show played on the “fish out of water” trope, in that it pitted a WASP versus a young Chicano man in a clash of cultures. Often times Chico, responded to Brown, with statements praising Chicano culture.