Style and "Substance"Main MenuPhilosophy and the ArtsWhat can philosophy do for the arts?Ontological FractalOntological MappingArt CommentaryStudent ObservationsArchaic Eternal ReturnPresocratic ClassicalSocratic Late ClassicalPlatonicNominalist RenaissanceAneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72eaJmedina29ac3fc10003fb639ac412984b59b01a5b826e161Ian Lehineb028c384a69e4b92166e7791b002fa3f2cee5818Published by Aneesah Ettress
Portrait of a Halberdier
1media/Jacopo 3.jpg2017-06-08T13:16:15-07:00Aneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72ea148583Pontormo, 1528-1530, oil on canvas, 95.3 x73 cm, J.Paul Getty Museum, Los Angeles, CAplain2017-06-08T13:19:48-07:00J. Paul Getty Museum153043.769560, 11.255814oil on canvasFlorence, ItalyJacopo PontormoPortrait of a Halberdier (Francesco Guardi?)The J. Paul Getty MuseumPortrait of a Halberdier (Francesco Guardi?); Pontormo (Jacopo Carucci) (Italian (Florentine), 1494 - 1557); Italy; 1528 - 1530; Oil (or oil and tempera) on panel transferred to canvas; 95.3 Ã 73 cm (37 1/2 Ã 28 3/4 in.); 89.PA.49The J. Paul Getty Museum, Los AngelesAneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72ea