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Star of the Sea : A Postcolonial/Postmodern Voyage into the Irish Famine

History of the Gothic

The origin of Gothicism traces back to the Gothic Revival, which stemmed from the fascination people in the first half of the eighteenth century had with the barbarianism of the Germanic Goths. This definition of Gothic evolved and became synonymous with the Middle Ages, a time perceived as unenlightened, superstitious, untamed, and chaotic. The Gothic quickly became an expression of a larger aesthetic revaluation in response to the Age of Enlightenment (Miles 443). The Gothic genre values tradition, feelings, sensibility. It allows readers to revel in emotions, fantasies, fear, and thrill, without requiring reason.

Horace Walpole wrote The Castle of Otranto in 1764, which is widely regarded as the first Gothic novel. The novel was a catalyst for the genre of Gothic literature, founding the literary elements that we now know to be characteristics of the Gothic. After Walpole introduced to the world his novel, the Gothic genre continued into the eras following the eighteenth century and quickly developed by incorporating new characteristics, forms, and expanding into other modes of media. This expansion includes Gothic poetry, plays, art, magazines, movies, etc.  The Gothic has taken root into almost ever literary movement since the Age of Enlightenment, staying true to its foundations while exploring new ways to convey a Gothic atmosphere. The Gothic is more than just a scary story with ghosts or demons, it forces readers to abandon reason, discover the secrets of human nature, question the unknown, and experience heightened emotions. 




Works Cited
Miles, Robert. “The Gothic.” The Oxford Encyclopedia of British Literature. Ed. David Scott Kastan. Vol. 2. Oxford: Oxford UP, 2006. 443-446. Print.
Snodgrass, Mary Ellen. "Gothic Literature." Encyclopedia of Gothic Literature. New York: Facts On File, Inc., 2005. Bloom's Literature. Facts On File, Inc. Web. 29 Feb. 2016.
Stevens, David. The Gothic Tradition. Cambridge: Cambridge UP, 2000. Print. 

*Images of gothic stuff*

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