12019-05-01T13:54:56-07:00Emilia Porubcin63ec028064958b3240cc8e4e010f355faa0c8e12332306structured_gallery2019-05-15T05:00:17-07:00Emilia Porubcin63ec028064958b3240cc8e4e010f355faa0c8e12N. D. Kyticas has not been identified. However, other members of the Kyticas family were known antiquities dealers in Cairo. Panayotis Kyticas was a well-connected Greek antiquities dealer operating in Cairo, Egypt during the late nineteenth and early twentieth centuries. He specialized in Greek and Roman period Egyptian items. Kyticas's shop was advantageously located next to the famous Shepheard's Hotel and operating as early as 1879. His son Denis Panayotis Kyticas took over his father's business when Panayotis died in 1924. Émile Brugsch served as an intermediary between Kyticas and Jane Stanford. Stanford's Kyticas collection was authenticated in 1901 by Gaston Maspero, who judged it to be “worthy to be exhibited in any Museum of Europe or America." In 1917, Archibald Sayce also pronounced it a fine collection, although unfortunately seriously damaged by the 1906 earthquake.
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12019-04-16T19:29:36-07:00Emilia Porubcin63ec028064958b3240cc8e4e010f355faa0c8e12PeopleChristina J. Hodge15plain8608272019-06-14T22:03:40-07:00Christina J. Hodgeb0448a0ebf7b6fff7b74ba40ef2cdd594c9bfcf9
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12019-03-07T07:13:42-08:00Emilia Porubcin63ec028064958b3240cc8e4e010f355faa0c8e12Cartonnage Fragments (22231)13This coffin covering was intended to protect the remains of a woman—likely named Senchalanthos—for eternity. What remains after the 1906 earthquake flattened Stanford’s museum is a puzzle of missing pieces, never to be completed. Among hundreds of fragments, we find: bright flower-shaped patterns, depictions of four funerary gods, and writing scrawled onto the cartonnage. The Demotic inscription reads: “May her name be rejuvenated every day.” In recognizing her name in this exhibit, we hope to rejuvenate her spirit.media/22231-2.jpgplain2019-06-14T22:01:12-07:00ca. 100 BCE-100 CEPhysical objectObject ID 22231Archaeology; AfricaPigment; felted flax; linen; plasterStanford UniversityPurchased by Jane Lathrop Stanford from N. D. Kyticas in 1901 and donated to Stanford before 1905Late Ptolemaic; Early RomanHellenistic or Roman EgyptianChristina J. Hodgeb0448a0ebf7b6fff7b74ba40ef2cdd594c9bfcf9
12019-03-07T07:17:24-08:00Emilia Porubcin63ec028064958b3240cc8e4e010f355faa0c8e12Egyptian Funerary Mask (22224)9These fragments preserve the image of an unknown individual in their ultimate, mummified state. Per artistic convention, the thick linear pattern, seen on both the mask and larger surrounding fragments, symbolizes the bandage wrappings encompassing the deceased. It likely framed other designs, including of the sister goddesses Iris and Nephthys. Although now divorced from the body, this cartonnage revitalizes the deceased through the pictorial and symbolic representations of them in life, death, and afterlife.media/22224-4.jpgplain2019-06-22T10:28:02-07:001549-1292 BCEPhysical objectObject ID 22224Archaeology; AfricaPlaster; linen; paint; gilt; varnishStanford UniversityPurchased by Jane Lathrop Stanford from N. D. Kyticas in 1901 and donated before 1905Eighteenth DynastyPharaonic EgyptianEmilia Porubcin63ec028064958b3240cc8e4e010f355faa0c8e12
12019-03-07T07:16:06-08:00Emilia Porubcin63ec028064958b3240cc8e4e010f355faa0c8e12Egyptian Funerary Mask (22224)10These fragments preserve the image of an unknown individual in their ultimate, mummified state. Per artistic convention, the thick linear pattern, seen on both the mask and larger surrounding fragments, symbolizes the bandage wrappings encompassing the deceased. It likely framed other designs, including of the sister goddesses Iris and Nephthys. Although now divorced from the body, this cartonnage revitalizes the deceased through the pictorial and symbolic representations of them in life, death, and afterlife.media/22224-6 (1).jpgplain2019-06-14T22:06:43-07:001549-1292 BCEPhysical objectObject ID 22224Archaeology; AfricaPlaster; linen; paint; gilt; varnishStanford UniversityPurchased by Jane Lathrop Stanford from N. D. Kyticas in 1901 and donated before 1905Eighteenth DynastyPharaonic Egyptian, New KingdomChristina J. Hodgeb0448a0ebf7b6fff7b74ba40ef2cdd594c9bfcf9
12019-05-08T16:25:10-07:00Emilia Porubcin63ec028064958b3240cc8e4e010f355faa0c8e12Sarcophagus or Coffin Fragments (T2017.7.2)7Despite lacking provenance, these fragments provide significant interpretive possibility. They show the layout and ritual scenes typical of yellow-varnished coffins. White linen robes and a leopard’s-fur wrap identify the disembodied figures as priests. Hieroglyphs run along flat, abstract surfaces. They suggest the formulaic “[Osiris] ruler-of-eternity” and reference the heart, seat of intelligence, memory, and action. Painted plaster has given way to fractured wood. Originally unseen, the fragments now invite us to study construction, materiality, and socioeconomic context.media/T201772-2 EDIT.jpgplain2019-06-22T10:44:53-07:001298-743 BCEPhysical objectObject ID T2017.7.2Archaeology; AfricaWood; paint; plaster; varnishStanford UniversityFound in collections in 2017Nineteenth through Twenty-second Dynasty; EgyptPharaonic Egyptian, New Kingdom or Third IntermediateEmilia Porubcin63ec028064958b3240cc8e4e010f355faa0c8e12
12019-05-08T16:26:26-07:00Emilia Porubcin63ec028064958b3240cc8e4e010f355faa0c8e12Sarcophagus or Coffin Fragments (T2017.7.5)5Despite lacking provenance, these fragments provide significant interpretive possibility. They show the layout and ritual scenes typical of yellow-varnished coffins. White linen robes and a leopard’s-fur wrap identify the disembodied figures as priests. Hieroglyphs run along flat, abstract surfaces. They suggest the formulaic “[Osiris] ruler-of-eternity” and reference the heart, seat of intelligence, memory, and action. Painted plaster has given way to fractured wood. Originally unseen, the fragments now invite us to study construction, materiality, and socioeconomic context.media/T201775-2.JPGplain2019-06-22T10:45:26-07:001298-743 BCEPhysical objectObject ID T2017.7.5Archaeology; AfricaWood; paint; plaster; varnishStanford UniversityFound in collections in 2017Nineteenth through Twenty-second Dynasty; EgyptPharaonic Egyptian, New Kingdom or Third IntermediateEmilia Porubcin63ec028064958b3240cc8e4e010f355faa0c8e12
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1media/brugsch.jpg2019-04-16T19:20:47-07:00Emilia Porubcin63ec028064958b3240cc8e4e010f355faa0c8e12Émile Charles Adalbert BrugschEmilia Porubcin44(1842-1930)structured_gallery2019-06-24T07:47:18-07:00
(1842-1930)
The Egyptologist Émile Brugsch served as assistant curator of the Boulaq Museum in Luxor, Egypt, under Gaston Maspero. Brugsch later became Director of the museum, which eventually moved to Cairo to form the core collection of the current Egyptian Museum. Brugsch's older brother, Heinrich Brugsch, was the more prominent Egyptologist. Émile Brugsch had been a saloon keeper in America, among other pursuits; his photographic skill was perhaps more relevant to his new profession in Egypt. He is known for his role as middleman between foreign collectors and Cairo-based dealers and museums with antiquities to sell. It is this role that connects him to Stanford: Émile Brugsch liaised between Jane Stanford and N. D. Kyticas and selected the antiquities included in that sale. Stanford may have met Brugsch through their mutual acquaintance, Chauncey Murch. Brugsch also sold her some of his wife's Egyptian collection. Brugsch was granted the honorific "Bey" by the government of Ottoman Egypt, an association so strong it is treated as part of his name in some of Stanford's records.Emilia Porubcin63ec028064958b3240cc8e4e010f355faa0c8e12
12019-05-01T13:57:25-07:00Emilia Porubcin63ec028064958b3240cc8e4e010f355faa0c8e12Archibald Henry SayceChristina J. Hodge9(1845-1933)structured_gallery2019-09-10T18:12:39-07:00
(1845-1933)
The Reverend Dr. Archibald Sayce was a noted Assyriologist, linguist, and Biblical archaeologist. He developed an interest in ancient Egyptian later in his career, wintering in Egypt for his health. Sayce went on to edit Director of Antiquities Gaston Maspero's multi-volume history of ancient Egypt. Sayce provided translations of hieroglyphic writing on a few items in Stanford's collection, including two canopic jars. In 1917, marking the lingering impact of the 1906 San Francisco earthquake, he pronounced Stanford's N. D. Kyticas collection to be “very fine, though lamentably smashed up.”Christina J. Hodgeb0448a0ebf7b6fff7b74ba40ef2cdd594c9bfcf9
12019-05-01T13:55:34-07:00Emilia Porubcin63ec028064958b3240cc8e4e010f355faa0c8e12Gaston Camille Charles MasperoChristina J. Hodge11(1846-1916)structured_gallery2019-09-10T18:14:21-07:00
(1846-1916)
Gaston Maspero was among the most powerful figures in early Egyptology. He served as Director of the Egyptian Museum, where Émile Brugsch was his assistant curator. He eventually became Director of the Antiquities Service, authorizing excavations by Bernard Grenfell, Arthur Hunt, William Petrie, Henri Naville, and many others. He also found time to write an encyclopedic history of Egyptian civilization, edited by linguist Archibald Sayce. He was known for his exceptional understanding of ancient Egyptian language and writing, as well as for his efforts to weaken the illegal trade in Egyptian antiquities. In 1901, Maspero authenticated the Stanford Museum's N. D. Kyticas collection, which Jane Stanford had purchased in 1901 in Cairo. Maspero judged them to be "worthy to be exhibited in any Museum of Europe or America."Christina J. Hodgeb0448a0ebf7b6fff7b74ba40ef2cdd594c9bfcf9
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12019-05-01T13:58:09-07:00Emilia Porubcin63ec028064958b3240cc8e4e010f355faa0c8e12Jane Lathrop Stanford30(1828-1905)structured_gallery2019-10-07T17:18:18-07:00Christina J. Hodgeb0448a0ebf7b6fff7b74ba40ef2cdd594c9bfcf9
12019-05-01T13:57:25-07:00Emilia Porubcin63ec028064958b3240cc8e4e010f355faa0c8e12Archibald Henry Sayce9(1845-1933)structured_gallery2019-09-10T18:12:39-07:00Christina J. Hodgeb0448a0ebf7b6fff7b74ba40ef2cdd594c9bfcf9
1media/brugsch.jpg2019-04-16T19:20:47-07:00Emilia Porubcin63ec028064958b3240cc8e4e010f355faa0c8e12Émile Charles Adalbert Brugsch44(1842-1930)structured_gallery2019-06-24T07:47:18-07:00Emilia Porubcin63ec028064958b3240cc8e4e010f355faa0c8e12
12019-05-01T13:55:34-07:00Emilia Porubcin63ec028064958b3240cc8e4e010f355faa0c8e12Gaston Camille Charles Maspero11(1846-1916)structured_gallery2019-09-10T18:14:21-07:00Christina J. Hodgeb0448a0ebf7b6fff7b74ba40ef2cdd594c9bfcf9