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Japanese Prints @ St. Kate's: Selections from the Archives & Special Collections at St. Catherine University
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Japanese Prints at St. Kate's: Selections from the Special Collections at St. Catherine University
Introduction
Essay: Nostalgia as Remedy
Essay: Unfolding the Tradition
Artists in Our Collection
Print Collection
Timeline of Our Prints
Exhibitions
Biographies
Acknowledgements
MaryJane Eischen
040a3a6e41fd9906ebf9ac0f3949654252ab83ff
Christina M. Spiker
531dc292d7b19053b0688f029529d5238300a4a4
Nicole Wallin
89e3fd6912789fabcbf87ad5c440365a0b12b00e
Cherry Blossom Viewing, B
1 2019-02-19T22:20:06-08:00 MaryJane Eischen 040a3a6e41fd9906ebf9ac0f3949654252ab83ff 31402 10 Part of a triptych (center). A group of court women are enjoying the cherry blossoms (sakura, 桜) on a spring day. Mt. Fuji (富士山) can be seen in the background. The women hail from the court of the Tokugawa shogunate shown by the repeating Tokugawa clan seal (mon, 紋) on the umbrellas (three hollyhock leaves inside of a circle). 16 women are pictured in total, and women in the middle and left panels seem to be playing a game together which involves being blindfolded. Additional notes: Signed Yōshū Chikanobu (楊洲周延) on the right panel; Publisher's seal: Fukuda Kumajirō (福田熊次郎) in a fish-shaped seal on the left panel; Blockcutter's mark seems like it might be present on left panel, but unidentified. The Chiyoda Inner Palace (Chiyoda no Ōoku) series of 1895-1896, together with his 1897 series Chiyoda Outer Palace (Chiyoda no on-omote) provided detailed depictions of life in and around Edo Castle before the Meiji Restoration of 1868. In the Chiyoda Inner Palace set, Chikanobu documented various annual ceremonies in the women’s quarters, especially those at New Year’s, and seasonal activities, particularly those conducted in the palace gardens. While Chikanobu did not indicate specific events or name certain people that would link these images to a single date or time period, the scenes give an overall impression of what the shogun’s private quarters might have looked like in the mid-19th century. plain 2019-03-08T15:22:58-08:00 Christina M. Spiker 531dc292d7b19053b0688f029529d5238300a4a4This page has paths:
- 1 media/Cherry-blossom Viewing.png 2019-02-19T22:38:37-08:00 MaryJane Eischen 040a3a6e41fd9906ebf9ac0f3949654252ab83ff Cherry-blossom Viewing Triptych MaryJane Eischen 10 gallery 842916 2019-04-10T19:38:56-07:00 MaryJane Eischen 040a3a6e41fd9906ebf9ac0f3949654252ab83ff
This page has tags:
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- 1 2019-03-08T02:50:36-08:00 MaryJane Eischen 040a3a6e41fd9906ebf9ac0f3949654252ab83ff Nostalgic Femininity MaryJane Eischen 67 plain 2019-06-02T17:46:35-07:00 MaryJane Eischen 040a3a6e41fd9906ebf9ac0f3949654252ab83ff
- 1 media/Chikanobu_key.jpg 2018-11-30T17:34:35-08:00 MaryJane Eischen 040a3a6e41fd9906ebf9ac0f3949654252ab83ff Yōshū Chikanobu MaryJane Eischen 20 plain 2019-04-19T17:52:00-07:00 MaryJane Eischen 040a3a6e41fd9906ebf9ac0f3949654252ab83ff
- 1 2019-02-19T22:37:40-08:00 MaryJane Eischen 040a3a6e41fd9906ebf9ac0f3949654252ab83ff Cherry Blossom Viewing, A Christina M. Spiker 10 Part of a triptych (left). A group of court women are enjoying the cherry blossoms (sakura, 桜) on a spring day. Mt. Fuji (富士山) can be seen in the background. The women hail from the court of the Tokugawa shogunate shown by the repeating Tokugawa clan seal (mon, 紋) on the umbrellas (three hollyhock leaves inside of a circle). 16 women are pictured in total, and women in the middle and left panels seem to be playing a game together which involves being blindfolded. Additional notes: Signed Yōshū Chikanobu (楊洲周延) on the right panel; Publisher's seal: Fukuda Kumajirō (福田熊次郎) in a fish-shaped seal on the left panel; Blockcutter's mark seems like it might be present on left panel, but unidentified. The Chiyoda Inner Palace (Chiyoda no Ōoku) series of 1895-1896, together with his 1897 series Chiyoda Outer Palace (Chiyoda no on-omote) provided detailed depictions of life in and around Edo Castle before the Meiji Restoration of 1868. In the Chiyoda Inner Palace set, Chikanobu documented various annual ceremonies in the women’s quarters, especially those at New Year’s, and seasonal activities, particularly those conducted in the palace gardens. While Chikanobu did not indicate specific events or name certain people that would link these images to a single date or time period, the scenes give an overall impression of what the shogun’s private quarters might have looked like in the mid-19th century. plain 2019-03-08T15:22:40-08:00 Christina M. Spiker 531dc292d7b19053b0688f029529d5238300a4a4
- 1 2019-02-17T23:34:14-08:00 MaryJane Eischen 040a3a6e41fd9906ebf9ac0f3949654252ab83ff Cherry Blossom Viewing, C Christina M. Spiker 9 Part of a triptych (right). A group of court women are enjoying the cherry blossoms (sakura, 桜) on a spring day. Mt. Fuji (富士山) can be seen in the background. The women hail from the court of the Tokugawa shogunate shown by the repeating Tokugawa clan seal (mon, 紋) on the umbrellas (three hollyhock leaves inside of a circle). 16 women are pictured in total, and women in the middle and left panels seem to be playing a game together which involves being blindfolded. Additional notes: Signed Yōshū Chikanobu (楊洲周延) on the right panel; Publisher's seal: Fukuda Kumajirō (福田熊次郎) in a fish-shaped seal on the left panel; Blockcutter's mark seems like it might be present on left panel, but unidentified. The Chiyoda Inner Palace (Chiyoda no Ōoku) series of 1895-1896, together with his 1897 series Chiyoda Outer Palace (Chiyoda no on-omote) provided detailed depictions of life in and around Edo Castle before the Meiji Restoration of 1868. In the Chiyoda Inner Palace set, Chikanobu documented various annual ceremonies in the women’s quarters, especially those at New Year’s, and seasonal activities, particularly those conducted in the palace gardens. While Chikanobu did not indicate specific events or name certain people that would link these images to a single date or time period, the scenes give an overall impression of what the shogun’s private quarters might have looked like in the mid-19th century. plain 2019-03-08T15:23:09-08:00 Christina M. Spiker 531dc292d7b19053b0688f029529d5238300a4a4
Contents of this tag:
- 1 2019-02-19T22:37:40-08:00 MaryJane Eischen 040a3a6e41fd9906ebf9ac0f3949654252ab83ff Cherry Blossom Viewing, A 10 Part of a triptych (left). A group of court women are enjoying the cherry blossoms (sakura, 桜) on a spring day. Mt. Fuji (富士山) can be seen in the background. The women hail from the court of the Tokugawa shogunate shown by the repeating Tokugawa clan seal (mon, 紋) on the umbrellas (three hollyhock leaves inside of a circle). 16 women are pictured in total, and women in the middle and left panels seem to be playing a game together which involves being blindfolded. Additional notes: Signed Yōshū Chikanobu (楊洲周延) on the right panel; Publisher's seal: Fukuda Kumajirō (福田熊次郎) in a fish-shaped seal on the left panel; Blockcutter's mark seems like it might be present on left panel, but unidentified. The Chiyoda Inner Palace (Chiyoda no Ōoku) series of 1895-1896, together with his 1897 series Chiyoda Outer Palace (Chiyoda no on-omote) provided detailed depictions of life in and around Edo Castle before the Meiji Restoration of 1868. In the Chiyoda Inner Palace set, Chikanobu documented various annual ceremonies in the women’s quarters, especially those at New Year’s, and seasonal activities, particularly those conducted in the palace gardens. While Chikanobu did not indicate specific events or name certain people that would link these images to a single date or time period, the scenes give an overall impression of what the shogun’s private quarters might have looked like in the mid-19th century. media/3461c_web.jpg plain 2019-03-08T15:22:40-08:00 Christina M. Spiker 531dc292d7b19053b0688f029529d5238300a4a4
- 1 2019-02-17T23:34:14-08:00 MaryJane Eischen 040a3a6e41fd9906ebf9ac0f3949654252ab83ff Cherry Blossom Viewing, C 9 Part of a triptych (right). A group of court women are enjoying the cherry blossoms (sakura, 桜) on a spring day. Mt. Fuji (富士山) can be seen in the background. The women hail from the court of the Tokugawa shogunate shown by the repeating Tokugawa clan seal (mon, 紋) on the umbrellas (three hollyhock leaves inside of a circle). 16 women are pictured in total, and women in the middle and left panels seem to be playing a game together which involves being blindfolded. Additional notes: Signed Yōshū Chikanobu (楊洲周延) on the right panel; Publisher's seal: Fukuda Kumajirō (福田熊次郎) in a fish-shaped seal on the left panel; Blockcutter's mark seems like it might be present on left panel, but unidentified. The Chiyoda Inner Palace (Chiyoda no Ōoku) series of 1895-1896, together with his 1897 series Chiyoda Outer Palace (Chiyoda no on-omote) provided detailed depictions of life in and around Edo Castle before the Meiji Restoration of 1868. In the Chiyoda Inner Palace set, Chikanobu documented various annual ceremonies in the women’s quarters, especially those at New Year’s, and seasonal activities, particularly those conducted in the palace gardens. While Chikanobu did not indicate specific events or name certain people that would link these images to a single date or time period, the scenes give an overall impression of what the shogun’s private quarters might have looked like in the mid-19th century. media/3461a_web.jpg plain 2019-03-08T15:23:09-08:00 Christina M. Spiker 531dc292d7b19053b0688f029529d5238300a4a4