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Conclusion
As a Machiavellian ruler, he decides to use politics of diversion to change the focus of his people from internal disorder to external disorder—to prevent a civil war by waging war against a foreign power.
The Captains’ scene encapsulates three different tales: First, the tale of the nation that defines England as an imperial nation and marginalizes Wales, Ireland, and Scotland to elevate itself as a political centre; Second, the tale of the Welsh Captain, the civilized other, and the Irish and Scot captains, the barbarian others that deserve England’s hostility; Last but not least, the tale of the nation that uses racist insults and scapegoating to ensure the order and unity of the nation itself.