Entanglements: an exploration of the digital literary work FISHNETSTOCKINGSMain MenuStartCover pageFishnetStockings FundamentalsA path of background and documentation of FishnetStockingsMermaids, Little and Otherwisea path on one of the most famous mermaid talesHybriditySub/ImmersionProcessing, Systems, and CodeMovement/DanceSilhouettesUnderwater Paper CuttingSwim Through the CodeA path about the code of FishnetStockingsFellow Fishworks of digital art that set precedentWorks CitedSources of our inspiration and edificiationDiana Leong5f86c388d73d4478d782c449582a052ecb430834Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777Jessica Pressman42c474d93c0b66b9f6bb205f58680b42bcf8968b
FISHNETSTOCKINGS Processing Java code full
12022-05-02T14:32:03-07:00Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777393861The Processing code for FishnetStockingsplain2022-05-02T14:32:04-07:00Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777
This page has annotations:
12022-04-21T13:34:11-07:00Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777The GoalMark C. Marino13plain2022-05-03T11:27:36-07:00Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777
12022-04-22T12:08:55-07:00Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777Processing (language)Mark C. Marino10on the programming language Processingplain2022-05-03T23:27:37-07:00Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777
12022-05-11T08:25:48-07:00Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777From three dimensions to twoMark C. Marino4plain2022-05-14T08:22:47-07:00Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777
12022-04-22T21:53:18-07:00Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777Flock SystemMark C. Marino4Flock like pattern are generated by using the three rules of Cohesion, Alignment & Seperation ,refered Craig Reynolds notes red3d.com/cwr/boids/ . Predator chases the flock when its within the chase range ,the flock respond by steering away from the predator as seen in the video .plain2022-05-03T11:29:22-07:00Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777
12022-05-10T22:16:19-07:00Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777Hybrid creatures in the codeMark C. Marino3plain2022-05-14T07:22:42-07:00Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777
12022-05-10T22:42:16-07:00Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777Racial Bias in Motion TrackingMark C. Marino3plain2022-05-14T07:28:34-07:00Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777
12022-05-03T13:30:25-07:00Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777Ariel gives up her voice to UrsulaMark C. Marino3Desire is the chief driver in Disney's "The Little Mermaid"plain2022-05-03T20:50:28-07:00Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777
1media/Ship_Mermaid_fishnet2_thumb.png2022-04-22T22:30:39-07:00Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777fishnet2 ship Mermaid fishnet2Mark C. Marino2plain2022-05-03T20:37:29-07:00Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777
12022-05-10T22:52:37-07:00Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777Comments as ship's logMark C. Marino2plain2022-05-14T07:32:17-07:00Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777
12022-05-11T08:16:13-07:00Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777Silhouettes in the CodeMark C. Marino2plain2022-05-11T08:31:43-07:00Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777
12022-05-03T11:20:43-07:00Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777Aspirations (annotation)Mark C. Marino1plain2022-05-03T11:20:44-07:00Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777
12022-05-10T22:49:13-07:00Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777Underwater Photographs of CodeMark C. Marino1plain2022-05-10T22:49:14-07:00Mark C. Marino82e88cf89eeb02b94655b66cf941328b5c035777
This page is referenced by:
12022-04-22T11:47:20-07:00Swim Through the Code25A path about the code of FishnetStockingsplain11591852022-05-14T08:07:31-07:00To see the annotations, hover the pointer over the blue annotation below the code. Then, select "annotations" from the menu below the code to see our commentaries on this code. (You can click through them or follow them to their standalone pages.)
In this path, we use the approaches of critical code studies to explore the waters of the Java code, some of which is written in Processing. Explore the lines and the annotations of this underwater expanse.
