Entanglements: an exploration of the digital literary work FISHNETSTOCKINGS

Works Cited

Diana Works Cited

“Cutting Out Fairy Tales.” The Missouri Review, vol. 43, no. 4, 2020, pp. 73-81.
Hayles, N. Katherine. How We Became Posthuman. Chicago, University of Chicago Press, 1999.
Laiola, Sarah Whitcomb. “From Float to Flicker: Information Processing, Racial Semiotics, and Anti-Racist Protest, from ‘I am a Man’ to ‘Black Lives Matter.’” Criticism, vol. 60, no. 2, 2018, pp. 247-268.
Marriott, David. “On Racial Fetishism.” Qui Parle: Critical Humanities and Social Sciences, vol. 18, no. 2, 2010, pp. 215-248.

Wickham, Kim. “‘I undo you, Master’: Uncomfortable Encounters in the Work of Kara Walker.” Comparatist, vol.39, 2015, pp. 335-354.


Mark Works Cited

“Mission, Team and Story - The Algorithmic Justice League.” n.d. Accessed May 10, 2022. https://www.ajl.org/about.
cárdenas, micha. 2022. Poetic Operations: Trans of Color Art in Digital Media. Durham: Duke University Press Books.
Crogan, Patrick. 2004. “Osmose and Ephemere by Char Davies.” Culture Machine (blog). May 26, 2004. https://culturemachine.net/reviews/davies-osmose-and-ephemere-crogan/.
Foundation, Processing, Casey Reas, and Ben Fry. 2018. “A Modern Prometheus.” Processing Foundation (blog). June 8, 2018.
https://medium.com/processing-foundation/a-modern-prometheus-59aed94abe85.
Mikkelson, David. 1998. “FACT CHECK: Was a Phallus Purposely Added to the Artwork for ‘The Little Mermaid’ VHS Cover?” Snopes.Com. November 30, 1998. https://www.snopes.com/fact-check/phallus-purposely-added-artwork-little-mermaid-vhs-cover/.
Sinclair, Brendan. 2010. “Kinect Has Problems Recognizing Dark-Skinned Users?” GameSpot (blog). November 4, 2010. https://www.gamespot.com/articles/kinect-has-problems-recognizing-dark-skinned-users/1100-6283514/
Wallace, David Foster. 2005. This Is Water by David Foster Wallace (Full Transcript and Audio). Kenyon College. http://fs.blog/david-foster-wallace-this-is-water/.
Wittig, Rob. 2021. Netprov: Networked Improvised Literature for the Classroom and Beyond. Amherst College Press. https://doi.org/10.3998/mpub.12387128.

Jessica Works Cited

Aarseth, Espen. Cybertext: Perspectives on Ergodic Literature. Baltimore: Johns Hopkins University Press, 1997.

Anicca, Skype. "Cripping the Mermaid: A Borderlands Approach to Feminist Disability Studies in Valerie Martin’s ‘Sea Lovers,’” Journal of Narrative Theory, vol. 47, no. 3, Fall 2017, pp. 379-402.

Barad, Karen. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Duke UP, 2000.

Fern├índez, Alexia. 2020. “Halle Bailey On Overcoming Racism After The Little Mermaid Casting: ‘Just Keep Pushing.’” PEOPLE.Com, June 11, 2020. https://people.com/movies/halle-bailey-on-overcoming-criticism-the-little-mermaid-casting/.

Hayward, Philip. ed. Scaled for Success: The Internalization of the Mermaid. Indiana University Press, 2018.

Jue, Melody. Wild Blue Media: Thinking through Seawater. Duke UP, 2020. 

Lao, Meri. Sirens: Symbols of Seduction. Trans. From Italian by John Oliphant. Rochester, Vermont: Park Street Press, 1998.

Manovich, Lev. The Language of New Media. MIT Press, 2001.

Mentz, Steve. Ocean. Bloomsbury, 2020.

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