Sources and Further Reading
Bacci, Michele. Review of Icons and Power: The Mother of God in Byzantium by Bissera V. Pentcheva. Studies in Iconography 30 (2009): 222–27. https://www.jstor.org/stable/23924346
Binski, Paul. Medieval Craftsmen: Painters. Toronto: University of Toronto Press, 1991. 6-59.
Folda, Jaroslav. Byzantine Art and Italian Panel Painting: The Virgin and Child Hodegetria and the art of Chrysography. Cambridge: Cambridge University Press, 2015.
Milyayeva, Lyudmila. Icons. New York: Parkstone International, 2014.
Nelson, Robert S. “Living on the Byzantine Borders of Western Art.” Gesta 35, no. 1 (1996): 3–11. https://doi.org/10.2307/767222.
Schadler, Koo. “History of Egg Tempera Painting.” 2017. https://www.kooschadler.com/techniques/history-egg-tempera.pdf
Os, H. W. van. Sienese Altarpieces, 1215-1460: Form, Content, Function. Groningen: Bouma’s Boekhuis, 1988. 11-38.
"Virgin and Child." Italian Renaissance Learning Resources. National Gallery of Art. http://www.italianrenaissanceresources.com/units/unit-1/essays/icons-and-panel-painting-in-the-west/
"Icons and Iconoclasm in Byzantium." Heilbrunn Timeline of Art History. Metropolitan Museum of Art. https://www.metmuseum.org/toah/hd/icon/hd_icon.htm
"Italian Painting of The Later Middle Ages." Heilbrunn Timeline of Art History. Metropolitan Museum of Art.
https://www.metmuseum.org/toah/hd/iptg/hd_iptg.htm