At the Crossroads of the Senses

Color-Sound Disks

At the Crossroads of the Senses
Synaesthetic notions and metaphors have often been associated with colorful spinning disks and musical circles, from Newton’s color-pitch circle to  Scriabin’s and Rimsky-Korsakov’s color-tonality circles of fifths and Kupka’s Disks of Newton, circular fugues, and circular vermillion color-form. The embedded tag visualization maps out the connections of color-sound disks to synaesthesia. 

This page has paths:

  1. Epilogue: The Afterlife of Synaesthesia – Neurodiversity, Visualizations, Constellations Polina Dimova
  2. Color-Forms, Sounds & Motion: Chapters 6–7 - Kupka and Bely Polina Dimova

This page has tags:

  1. Vision Polina Dimova
  2. Music Polina Dimova

Contents of this tag:

  1. Synaesthesia Timeline
  2. Vision
  3. DH 4.2a. Scriabin, Color-Tonality for “Prometheus,” 1909-10
  4. Music
  5. DH 4.2. Aleksandr Scriabin, Color-Tonality for “Prometheus,” 1909-10 and Score Annotations, 1913
  6. DH 6.4. František Kupka, “Disks of Newton (Study for Fugue in Two Colors)," 1912
  7. DH 6.3a. František Kupka, “Amorpha: Fugue in Two Colors,” 1912
  8. Scriabin, “Prometheus: The Poem of Fire,” 1909-10. Click on the Annotations Button for Music Examples 7-9.
  9. DH 6.3. František Kupka, “Amorpha: Fugue in Two Colors II," 1910-11
  10. DH 6.4a. František Kupka, “Disks of Newton (Study for Fugue in Two Colors)," 1911-12
  11. DH 6.1. František Kupka, "Untitled (Portrait of a Woman)," 1897
  12. DH 4.2b. Aleksandr Scriabin, Color-Tonality Wheel for “Prometheus” and Annotations, 1913
  13. DH 6.5a. František Kupka, Diagram I of "Les disques de Newton"
  14. DH 6.5b. František Kupka, Diagram II of "Les disques de Newton"
  15. DH 6.12p. František Kupka, “The Form of Vermillion,” 1923
  16. DH 4.1. Aleksandr Scriabin's Color-Organ
  17. DH 4.5. Jean Delville, "Prometheus," 1911
  18. DH 6.12. František Kupka, “The Form of Vermillion,” 1923