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At the Crossroads of the Senses Main Menu At the Crossroads of the Senses – Digital Companion Visualizing the Table of Contents Visualizing Synaeshesia as Constellation Synaesthesia Timeline Synaesthesia Science and Art: Introduction and Chapters 1–2 Vision: Chapter 3 - Salome Music: Chapter 4 - Scriabin Color-Sounds & Visual Music: Chapter 5 - Kandinsky Color-Forms, Sounds & Motion: Chapters 6–7 - Kupka and Bely Touch: Chapters 8–9 - Rilke The Lower Senses: Scent, Taste & Touch Epilogue: The Afterlife of Synaesthesia – Neurodiversity, Visualizations, Constellations

Scriabin, “Prometheus: The Poem of Fire,” 1909-10. Click on the Annotations Button for Music Examples 7-9.

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Music Example 7. Theme of the Creative Will in the Trumpets Polina Dimova
Contents of this annotation:
1. Scriabin, “Prometheus: The Poem of Fire,” 1909-10. Click on the Annotations Button for Music Examples 7-9.
Music Example 9. Culmination and Finale of the Exposition. Theme of the Creative Will in the Piano in Fast Harmonic and Color Rhythm Polina Dimova
Contents of this annotation:
1. Scriabin, “Prometheus: The Poem of Fire,” 1909-10. Click on the Annotations Button for Music Examples 7-9.
Music Example 8. Theme of the Creative Will. First Piano Entrance Polina Dimova
Contents of this annotation:
1. Scriabin, “Prometheus: The Poem of Fire,” 1909-10. Click on the Annotations Button for Music Examples 7-9.

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Music: Chapter 4 - Scriabin Polina Dimova
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Russian Synaesthetic Art Mussorgsky's and Kandinsky's, Pictures at an Exhibition, 1928

Scriabin, Prometheus: The Poem of Fire, 1909-10

Kandinsky, Composition VIII, 1923