At the Crossroads of the Senses Main Menu At the Crossroads of the Senses – Digital Companion Visualizing the Table of Contents Visualizing Synaeshesia as Constellation Synaesthesia Timeline Synaesthesia Science and Art: Introduction and Chapters 1–2 Vision: Chapter 3 - Salome Music: Chapter 4 - Scriabin Color-Sounds & Visual Music: Chapter 5 - Kandinsky Color-Forms, Sounds & Motion: Chapters 6–7 - Kupka and Bely Touch: Chapters 8–9 - Rilke The Lower Senses: Scent, Taste & Touch Epilogue: The Afterlife of Synaesthesia – Neurodiversity, Visualizations, Constellations

Kandinsky Media Gallery

31469

This page has paths:

  1. Color-Sounds & Visual Music: Chapter 5 - Kandinsky Polina Dimova

Contents of this path:

  1. DH 5.5. Wassily Kandinsky, “Singer,” 1903
  2. DH 5.6. Wassily Kandinsky, “Impression III (Concert),” 1911
  3. DH 5.7k. Wassily Kandinsky, “Klänge (Sounds),” 1913
  4. DH 5.7. Wassily Kandinsky, vignette next to “Hills,” 1911
  5. DH 5.8. Wassily Kandinsky, “See,” 1913
  6. DH 5.8a. Wassily Kandinsky, “See,” p. 2 and “Lyrical,” 1913
  7. DH 5.9. Wassily Kandinsky, “Lyrical,” 1911
  8. DH 5.10. Wassily Kandinsky, “Two Women in Moonlit Landscape,” 1911
  9. DH 5.11. Wassily Kandinsky, “Light Picture,” 1913
  10. DH 5.12. Wassily Kandinsky, Diagram 17 from “Point and Line to Plane,” 1926
  11. DH 5.13. Wassily Kandinsky, Bauhaus Synaesthesia Survey, 1922-23(?)
  12. DH 5.14. Wassily Kandinsky, “Composition VIII,” 1923
  13. DH 5.15.1. Wassily Kandinsky, “Beethoven’s Fifth Symphony (first measure),” 1926
  14. DH 5.15.2. Wassily Kandinsky, “Beethoven’s Fifth Symphony,” 1926
  15. DH 5.15.3. Wassily Kandinsky, “Beethoven’s Fifth Symphony (second theme),” 1926
  16. DH 5.15a. H. S. Bormann, Bauhaus Visuliazation of Music, Kandinsky Course, 1930
  17. DH 5.16. Wassily Kandinsky, “Quadrangle and Triangle in a Circle as the Origin of Numbers,” 1926
  18. DH 5.17. Helene Schmidt-Nonne, Bauhaus Form Derivations, 1926–27

This page has tags:

  1. Vision Polina Dimova