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At the Crossroads of the Senses
Main Menu
At the Crossroads of the Senses – Digital Companion
Visualizing the Table of Contents
Visualizing Synaeshesia as Constellation
Synaesthesia Timeline
Synaesthesia Science and Art: Introduction and Chapters 1–2
Vision: Chapter 3 - Salome
Music: Chapter 4 - Scriabin
Color-Sounds & Visual Music: Chapter 5 - Kandinsky
Color-Forms, Sounds & Motion: Chapters 6–7 - Kupka and Bely
Touch: Chapters 8–9 - Rilke
The Lower Senses: Scent, Taste & Touch
Epilogue: The Afterlife of Synaesthesia – Neurodiversity, Visualizations, Constellations
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DH 6.11. František Kupka, Forms of Orange, 1919-1923
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DH 6.11b. František Kupka, "The Form of Orange," 1923 DH 6.11c. František Kupka, "The Form of Orange," 1923
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Color-Forms, Sounds & Motion: Chapters 6–7 - Kupka and Bely
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media/DH 6.1. Kupka, Portrait of a Woman-2008.11.14_thumb.jpg
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DH 6.1. František Kupka, "Untitled (Portrait of a Woman)," 1897
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Oil on canvas, 25 1/4 × 19 1/4 in. (64.1 × 48.9 cm), Allen Memorial Art Museum, Oberlin, Ohio
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DH 6.2. František Kupka, "Show Girl," 1900
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Pastel on paper, 16 5/16 x 20 in. (41.5 × 50.8 cm), Allen Memorial Art Museum, Oberlin, Ohio
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DH 6.2a. Kupka, "Cabaret Dancer,"
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Museum Kampa. Photo by the author
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DH 6.3. František Kupka, “Amorpha: Fugue in Two Colors II," 1910-11
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Oil on Canvas, 129.5 × 84.8 cm, Cleveland Museum of Art. Photo by the author, Kupka, Pioneer of Abstraction, Grand Palais, Paris 2018
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DH 6.3a. František Kupka, “Amorpha: Fugue in Two Colors,” 1912
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Oil in canvas, 211 x 220 cm, National Gallery Prague. Photo by the author, Kupka, Pioneer of Abstraction, Grand Palais, Paris 2018
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DH 6.4. František Kupka, “Disks of Newton (Study for Fugue in Two Colors)," 1912
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Oil on canvas, 100.3 × 73.7cm, Philadelphia Museum of Art. Photo by the author, Kupka, Pioneer of Abstraction, Grand Palais, Paris 2018
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DH 6.4a. František Kupka, “Disks of Newton (Study for Fugue in Two Colors)," 1911-12
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Oil on canvas, 100.3 × 73.7cm, Centre Pompidou. Photo by the author, Kupka, Pioneer of Abstraction, Grand Palais, Paris 2018
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DH 6.5a. František Kupka, Diagram I of "Les disques de Newton"
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"Les Création dans les arts plastiques," [1923], 1989, p. 156
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DH 6.5b. František Kupka, Diagram II of "Les disques de Newton"
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František Kupka, "La Création dans les arts plastiques," [1923], 1989, p. 157
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DH 6.6. František Kupka, "Chopin," n.d.
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Pen and ink and gouache on board, 10 11/16 × 14 13/16 in. (27.2 × 37.7 cm), Allen Memorial Art Museum, Oberlin, Ohio
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DH 6.7. František Kupka, “Piano Keys—Lake,” 1909
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Oil on canvas, 79.1 x 72.1 cm, National Gallery Prague. Photo by the author, Kupka, Pioneer of Abstraction, Grand Palais, Paris 2018
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DH 6.8. František Kupka, “Vertical Planes I,” 1912
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Oil on canvas, 150 x 94 cm, Centre Pompidou. Photo by the author, Kupka, Pioneer of Abstraction, Grand Palais, Paris 2018
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DH 6.9b. František Kupka, "The Form of Yellow," 1919-23
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Museum Kampa. Photo by the author
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DH 6.10a. František Kupka, “The Yellow Scale,” 1907
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Oil on canvas, Centre Pompidou. Photo by the author, Kupka, Pioneer of Abstraction, Grand Palais, Paris 2018
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DH 6.10b. František Kupka, “The Yellow Scale,” ca 1907
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Oil on canvas, Museum of Fine Arts, Houston
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DH 6.11. František Kupka, Forms of Orange, 1919-1923
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DH 6.12. František Kupka, “The Form of Vermillion,” 1923
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Photo by the author
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DH 6.13. František Kupka, “Form of Blue B I,” 1924
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DH 6.14. František Kupka, "Cosmic Spring I," 1913-14
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DH 6.15. František Kupka, “The Tale of Pistils and Stamens I,” 1919-23
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Oil on canvas, 85 x 73 cm, Centre Pompidou. Photo by the author, Kupka, Pioneer of Abstraction, Grand Palais, Paris 2018
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DH 6.16. František Kupka, “Plans Cosmiques,” 1913-14
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Watercolor and gouache on paper float, 18 1/2 × 12 1/4 in. (47 × 31.1 cm), Allen Memorial Art Museum, Oberlin, Ohio
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Kupka Media Gallery
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Color-Sound Disks
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Kupka at Centre Pompidou
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Kupka at the Guggenheim
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DH 7.1. Andrei Bely, “The Symbol Embodied,” triangular diagram from “The Emblematics of Meaning,” 1909
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Andrei Bely, “The Emblematics of Meaning,” translated by Steven Cassedy (Berkeley: UC Press, 1985), p. 145. For the original, see https://tinyurl.com/5t3b22k6.
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DH 7.2a. Andrei Bely, Anthroposophical Hexagram Drawing, 1917-21
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Drawing from anthroposophical lecture notes, Andrei Bely, “Lektsionnye skhemy,” 1917–20, fond no. 53, opis’ no. 1, ed. khr. 86. 34 / N. 2640–2649, RGALI (Russian State Archive of Literature and Art), Moscow. Photo by the author
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DH 7.2b. Andrei Bely, Anthroposophical Hexagram Drawing, Small Figure and Face, 1917-21
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Drawing from anthroposophical lecture notes, Andrei Bely, “Lektsionnye skhemy,” 1917–20, fond no. 53, opis’ no. 1, ed. khr. 86. 34 / N. 2640–2649, RGALI (Russian State Archive of Literature and Art), Moscow. Photo collage reconstruction by the author
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DH 7.3. Andrei Bely, “Angel,” meditation drawing on Angeloi (angels), ca 1913-14
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Gouache on notebook paper, 36.7 × 44.5 cm. Rudolf Steiner Archive, Dornach, Switzerland, RSA III Belyj.A. B53.
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DH 7.4. Andrei Bely, “Forces t (Flower),” ill. 12, 1917-22
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Andrei Bely, “Glossolalia,” p. 110
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DH 7.5a. Andrei Bely, “Tongue as Dancer,” ill. 1, 1917-22
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Andrei Bely, “Glossolalia,” p. 10
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DH 7.5b. Andrei Bely, “Tongue as Dancer,” ill. 2, 1917-22
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Andrei Bely, “Glossolalia,” p. 11
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DH 7.6. Andrei Bely, Sound Personification of the Cosmic Inexpressible “Θ” as Shishnarfne
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Andrei Bely’s representations of the cosmic inexpressible theta “Θ” or “ch-shth-ph”, “Glossolalia,” 1917-22, p. 104
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DH 7.7. Daniel Tammet, “Pi Landscape,” 2004
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Daniel Tammet painted this picture of how he sees the first 20 digits of pi. He set the European record for memorizing and reciting digits in 2004. At age 25, he recited 22,514 digits of pi from memory. See also http://www.danieltammet.net/artwork.php.
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media/Kupka, Form of Orange_thumb.jpg
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DH 6.11b. František Kupka, "The Form of Orange," 1923
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Oil on canvas, 73 x 60 cm, Centre Pompidou, held at Musée d'art moderne et contemporain de Saint-Etienne. Photo by the author, Kupka, Pioneer of Abstraction, Grand Palais, Paris 2018
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DH 6.11a. František Kupka, Forms of Orange, "Cosmic Spring—Creation," 1919-20
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Oil on canvas, 73 x 60 cm, Museum Kampa. Photo by the author
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DH 6.11c. František Kupka, "The Form of Orange," 1923
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