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At the Crossroads of the Senses
Main Menu
At the Crossroads of the Senses – Digital Companion
Visualizing the Table of Contents
Visualizing Synaeshesia as Constellation
Synaesthesia Timeline
Synaesthesia Science and Art: Introduction and Chapters 1–2
Vision: Chapter 3 - Salome
Music: Chapter 4 - Scriabin
Color-Sounds & Visual Music: Chapter 5 - Kandinsky
Color-Forms, Sounds & Motion: Chapters 6–7 - Kupka and Bely
Touch: Chapters 8–9 - Rilke
The Lower Senses: Scent, Taste & Touch
Epilogue: The Afterlife of Synaesthesia – Neurodiversity, Visualizations, Constellations
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DH 4.1. Aleksandr Scriabin's Color-Organ
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Designed by Aleksandr Mozer, Museum of A. N. Scriabin
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Polina Dimova
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Polina Dimova
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Music: Chapter 4 - Scriabin
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DH 4.1. Aleksandr Scriabin's Color-Organ
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Designed by Aleksandr Mozer, Museum of A. N. Scriabin
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DH 4.2. Aleksandr Scriabin, Color-Tonality for “Prometheus,” 1909-10 and Score Annotations, 1913
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DH 4.3. Oskar Gofman and Iulii Klever, "Moscow. Kremlin. Festive Illumination," 1883
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Oil on canvas, 135x178 cm, Museum of Vasilii Andreevich Tropinin
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DH 4.4. Albert Benois, Moscow Illumination in Honor of the Coronation of Nicholas II, 1896
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Watercolor, public domain
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DH 4.5. Jean Delville, "Prometheus," 1911
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Cover design for Aleksandr Scriabin's symphony "Prometheus: The Poem of Fire"
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DH 4.6-9. Scriabin Music Examples: The Mystic Chord and Prometheus
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Scriabin, “Prometheus: The Poem of Fire,” 1909-10. Click on the Annotations Button for Music Examples 7-9.
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In February 2010, Anna Gawboy, a doctoral candidate at the Yale School of Music and scholar of Russian composer Alexander Scriabin, attempted to realize Scriabin’s dreams in her production of “Prometheus” with colored lights.
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Russian Synaesthetic Art
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Music
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Polina Dimova
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Color-Sound Disks
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Synaesthesia Timeline
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Vision
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DH 4.2a. Scriabin, Color-Tonality for “Prometheus,” 1909-10
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Gawboy and Townsend, “Scriabin and the Possible,” MTO 18.2 (2012). Example 10. Tonal distance measured in the number of fifth transpositions separating one chordal root from another. Based on Scriabin’s annotations on the title page of the autograph Paris Score, Bibliothèque Nationale, Paris.
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Music
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DH 4.2. Aleksandr Scriabin, Color-Tonality for “Prometheus,” 1909-10 and Score Annotations, 1913
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DH 6.3a. František Kupka, “Amorpha: Fugue in Two Colors,” 1912
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Oil in canvas, 211 x 220 cm, National Gallery Prague. Photo by the author, Kupka, Pioneer of Abstraction, Grand Palais, Paris 2018
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Scriabin, “Prometheus: The Poem of Fire,” 1909-10. Click on the Annotations Button for Music Examples 7-9.
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In February 2010, Anna Gawboy, a doctoral candidate at the Yale School of Music and scholar of Russian composer Alexander Scriabin, attempted to realize Scriabin’s dreams in her production of “Prometheus” with colored lights.
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DH 6.3. František Kupka, “Amorpha: Fugue in Two Colors II," 1910-11
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Oil on Canvas, 129.5 × 84.8 cm, Cleveland Museum of Art. Photo by the author, Kupka, Pioneer of Abstraction, Grand Palais, Paris 2018
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DH 6.4. František Kupka, “Disks of Newton (Study for Fugue in Two Colors)," 1912
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Oil on canvas, 100.3 × 73.7cm, Philadelphia Museum of Art. Photo by the author, Kupka, Pioneer of Abstraction, Grand Palais, Paris 2018
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DH 6.1. František Kupka, "Untitled (Portrait of a Woman)," 1897
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Oil on canvas, 25 1/4 × 19 1/4 in. (64.1 × 48.9 cm), Allen Memorial Art Museum, Oberlin, Ohio
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DH 6.4a. František Kupka, “Disks of Newton (Study for Fugue in Two Colors)," 1911-12
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Oil on canvas, 100.3 × 73.7cm, Centre Pompidou. Photo by the author, Kupka, Pioneer of Abstraction, Grand Palais, Paris 2018
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DH 6.12p. František Kupka, “The Form of Vermillion,” 1923
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Oil on canvas, 72 x 59 cm, Centre Pompidou
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DH 4.2b. Aleksandr Scriabin, Color-Tonality Wheel for “Prometheus” and Annotations, 1913
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Scriabin’s annotations on the title page of the autograph Paris Score, Bibliothèque Nationale, Paris.
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DH 6.5a. František Kupka, Diagram I of "Les disques de Newton"
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"Les Création dans les arts plastiques," [1923], 1989, p. 156
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DH 6.5b. František Kupka, Diagram II of "Les disques de Newton"
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František Kupka, "La Création dans les arts plastiques," [1923], 1989, p. 157
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DH 6.12. František Kupka, “The Form of Vermillion,” 1923
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Photo by the author
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DH 4.1. Aleksandr Scriabin's Color-Organ
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Designed by Aleksandr Mozer, Museum of A. N. Scriabin
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DH 4.5. Jean Delville, "Prometheus," 1911
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Cover design for Aleksandr Scriabin's symphony "Prometheus: The Poem of Fire"
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