Installation Archive: A Capsule AestheticMain MenuIntroductionPipilotti RistPatricia PiccininiMariko MoriData VisualizationsDigging into DataDIY Video SearchAbout this ProjectKate Mondloch60e58fa03959fae9db0ff5ac51368a1374fe9120
12016-07-11T09:39:42-07:00Alison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81aLeather Landscape (Patricia Piccinini)3plain2016-07-11T10:15:22-07:002003edpiccininileath001apPatricia PiccininiSilicone, polyurethane, leather, human hairThe Leather Landscape�2016_07_11Piccinini, PatriciaPeekskillFigure It Out, Hudson Vallery Center for Contemporary Art 2005_05_21/2005_09_25still imageAlison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81a
12016-07-11T09:39:42-07:00Alison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81aLeather Landscape (Fuori Le Idee)3plain2016-07-11T10:16:33-07:002003edpiccininileath002apFuori Le IdeeSilicone, polyurethane, leather, human hairLeather Landscape2016_07_11Piccinini, Patriciastill imageAlison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81a
12016-06-16T11:30:08-07:00Alison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81aStill Life wth Stem Cells (In Daily)12016-06-16T11:30:08-07:00YouTube2002user experience, artist interviweedpiccininistilll001apIn DailySilicone, polyurethane, human hair
variableGSA - Patricia Piccinini - Once Upon A Time�2016_05_17Piccinini, Patricia2011_06_06Adelaide SAPatricia Piccinini: Once upon a time�,2011_04_16/2011_06_26, Art Gallery of South AustraliamontageAlison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81a
12016-06-16T11:30:07-07:00Alison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81aWe Are Family (denniscallan)12016-06-16T11:30:07-07:00YouTube2003_06_15/2003_11_02user experienceedpiccininiweare001apdenniscallanvideo recordingVenice Art Biennale 20032016_05_03Piccinini, Patricia2015_05_16VeniceWe Are Family, 2003_06_15/2003_11_02, Australian Pavillionmoving imageAlison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81a
12016-06-16T11:30:08-07:00Alison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81aPlasmid Region (teaknees)12016-06-16T11:30:08-07:00YouTube2003user experienceedpiccininiplasm001apteakneesdigital moving image formats, dimensions variablePlasmid Region - Patricia Piccinini 20032016_06_09Piccinini, Patricia2013_01_18moving imageAlison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81a
12016-06-16T11:30:07-07:00Alison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81aWe Are Family (Art n Kulture)12016-06-16T11:30:07-07:00YouTube2003_06_15/2003_11_02edpiccininiweare002apArt n Kulturedigital imagesAustralian Exhibit 20032016_05_03Piccinini, Patricia2009_03_24VeniceWe Are Family, 2003_06_15/2003_11_02, Australian PavillionmontageAustralian exhibit Venice Biennale 2003Alison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81a
12016-07-11T09:39:42-07:00Alison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81aGame Boys Advanced (RMIT University)12016-07-11T09:39:42-07:002002edpiccininigameb003apRMIT UniversitySilicone, polyurethane, human hair, vide, VariableGame Boys Advanced by Patricia Piccinini2016_06_28Piccinini, Patricia2012_01_16We Are Family, 2003_06_15/2003_11_02, Australian Pavillionstill imageA visitor ponders Patricia Piccinini�s life-like sculpture Game Boys Advanced.Alison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81a
12016-06-16T11:30:07-07:00Alison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81aWe Are Family (Ann Shaw)12016-06-16T11:30:07-07:00YouTube2003_06_15/2003_11_02edpiccininiweare003apAnn Shawdigital imagesVenice Biennale 20032016_05_03Piccinini, Patricia2006_10_23VeniceWe Are Family, 2003_06_15/2003_11_02, Australian PavillionmontageShort film based on selected items from the 2003 Venice BiennaleAlison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81a
12016-07-11T09:39:42-07:00Alison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81aGame Boys Advanced (Halvor Bodin)12016-07-11T09:39:42-07:002002edpiccininigameb002apHalvor BodinSilicone, polyurethane, human hair, vide, VariableWe Are Family, Game Boys Advanced, 2002�20032016_06_28Piccinini, Patricia2003_07_20VeniceWe Are Family, 2003_06_15/2003_11_02, Australian Pavillionstill imageAlison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81a
12016-07-11T09:39:42-07:00Alison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81aGame Boys Advanced (Craig O'Shanesy)12016-07-11T09:39:42-07:002002edpiccininigameb001apCraig O'ShanesySilicone, polyurethane, human hair, vide, Variable2016_06_28Piccinini, Patricia2001_09_01We Are Family, 2003_06_15/2003_11_02, Australian Pavillionstill imageGame Boys Advanced, 2 002, silicone, polyurethane, clothing, human hair.
The two boys are cloned twins. On close inspection alarming signs of premature aging can be seen. The source for this idea was Dolly the sheep. Dolly was a ewe (5 July, 1 996 � 1 4 February, 2 003) famous for being the first mammal to be cloned from a cell. Dolly�s death at the premature age of six years prompted debate about the biological and ethical consequences of cloning.Alison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81a
12016-06-16T11:30:08-07:00Alison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81aWe Are Family (Climent Vilella Capallera)12016-06-16T11:30:08-07:00YouTube2003_06_15/2003_11_02user experienceedpiccininiweare004apCliment Vilella Capalleravideo recording50a Biennal de Ven�cia 2003 1/22016_05_03Piccinini, Patricia2011_11_17VeniceWe Are Family, 2003_06_15/2003_11_02, Australian Pavillionmoving imageDirigida per
Francesco Bonami
i amb obres, entre altres, de
Thomas Bayrle
Glenn Brown
Tacita Dean
Ellen Gallagher
Berlinde de Bruyckere
Ceal Floyer
Giuseppe Gabellone
Felix Gmelin
Dan Graham
Damien Hirst
Piotr Janas
Kerry James Marshall
Lucy McKenzie
Jennifer Pastor
Richard Prince
Charles Ray
Rudolf Stingel
Alessandro Ariatti
Patricia Piccinini
Bruno Gironcoli
Beatriz Milhazes
Motohiko Odani
Chris Ofili
Athanasia Kyriakakos
Dimitris Rotsios
R�r�
Vladimir Dubossarsky
Aleksandr Vinogradov
Constantin Zvezdochotov
Santiago Sierra
Fred Wilson
Pablo AtchugarryAlison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81a
12016-07-11T09:39:43-07:00Alison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81aLeather Landscape12016-07-11T09:39:43-07:002003edpiccininileath003apSilicone, polyurethane, leather, human hair�Leather Landscape� by Patricia Piccinini (2003). Silicone, polyurethane, leather, human hair.2016_07_11Piccinini, Patriciastill imageThe Leather Landscape exhibited in �We Are Family� at the Venice Biennale involved a colony of humanoid, transgenic African meerkat-like beings. �What arrests me in this more than natural colony,� Haraway continues, �is not the pink-suited blond human toddler face-to-face with a fabulated playmate living on soft white leather in the museum space. Rather, I am struck by the four-breasted female sitting peaceably on the next level up of the pyramidal habitat, with her milk-lust babies nestled between her legs ready to attach to her alluring array of ventral teats� (Haraway 2014: 249-250).Alison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81a
12016-06-16T11:30:08-07:00Alison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81aThe Young Family (Fenna)12016-06-16T11:30:08-07:00Vimeo2002user experience, interviewedpiccininitheyo001apFennaSilicone, polyurethane, leather, plywood, human hair, 80 x 150 x 110cmEindpresentatie Media Ecology - Patricia Piccinini2016_05_10Piccinini, Patricia2013_01_01moving image, collection of still imagesAlison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81a
12016-06-16T11:30:08-07:00Alison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81aThe Young Family (Videomax)12016-06-16T11:30:08-07:00YouTube2002edpiccininitheyo002apVideomaxSilicone, polyurethane, leather, plywood, human hair, 80 x 150 x 110cmAmazing sculptures of Patricia Piccinini2016_05_10Piccinini, Patricia2015_03_18montageAustralian citizen and resident artist Patricia Piccinini (Freetown-Sierra Leone, 1965) makes drawings, sculptures, photographs and videos that examine the border between the artificial and the natural. Attract and repel, they are unknown creatures, bodies that appear in the flesh, but presented as a mutation, a hybrid or a distortion of what we recognize as normal. In a world determined to humanize technology and homogenizing the human body to eliminate any uncomfortable difference, the works challenge the viewer with a look that is far from the ideal of perfection. The Carrier (Carrier), a work in glass-reinforced plastic, silicone, human hair and fabric has an old unconventionally transported by a being with human hominid features and look. It combines his fascination with medical science and biotechnology with the fears and concerns of modern society such as the appearance, aging and disease-related nature but unnaturally treated. The application of animal characteristics, the absence of face, atrophied limbs and flabby muscles are a personification of disgust generated malformation and physical decline. Strange scenes refer to the universal instinct to apply our own emotions species of animals and things. Piccinini wonders with that series of surrealist works between science fiction and how technology is changing our understanding of what it means to be human and also changes our relationships with others.
To see the video on Jose Garcia Cordero: https://youtu.be/Cb12HmBrYW4
To see the video on Urban Art: https://youtu.be/z8bRds5PqwAlison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81a
12016-06-16T11:30:08-07:00Alison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81aThe Young Family (randomuser1928)12016-06-16T11:30:08-07:00YouTube2002edpiccininitheyo003aprandomuser1928Silicone, polyurethane, leather, plywood, human hair, 80 x 150 x 110cmHuman Dog Hybrid2016_05_10Piccinini, Patricia2011_04_11montagea sculpture made by patricia piccininiAlison Parman72a3f0b1886791f52f6cebe9ca8464f44793c81a