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Theory in a Digital Age: A Project of English 483 Students, Coastal Carolina UniversityMain MenuTheory in a Digital AgeRemediationThis chapter will showcase how the remaking of art can leave its impact.Cornel West and Black Lives MatterMacKenzie McKeithan-PrickettDetermination in GamingThe Mind Set and ExperienceThe Hope for a Monstrous World Without GenderIntroduction to "A Cyborg Manifesto" and ThesisFreud's Uncanny Double: A Theoretical Study of the Portrayal of Doubles in FilmThis chapter of the book will look at the history of the theme of the "double" using Freud's Uncanny as the theoretical insight of the self perception of the double in film/cinema.From Literacy to Electracy: Resistant Rhetorical Bodies in Digital SpacesAshley Canter"Eddy and Edith": Online Identities vs. Offline IdentitiesA fictional story about online identities and offline identities. (Also a mash-up video between Eddy and Edith and Break Free.)“Pieces of Herself”: Key Signifiers and Their ConnotationsIs the Sonographic Fetus a Cyborg?How sonographic technology initiates gendered socializationPost-Capitalism: Rise of the Digital LaborerParadox of RaceDr. Cornel West, W.E.B Du Bois, and Natasha TretheweySleep Dealer - Digital LaborBy Melissa HarbyThe Kevin Spacey Effect: Video Games as an Art Form, the Virtual Uncanny, and the SimulacrumThe Twilight Zone in the Uncanny ValleyIntroductionThe Virtual Economy and The Dark WebHow Our Economy is Changing Behind the ScenesTransgender Representation and Acceptance in the MainstreamHow the trans* movement has caused and exemplifies the spectralization of genderA Voice for the Humanities in A Divided AmericaDr. Cornel West on the indifference in our society and how he thinks the humanities can help heal itReading Between the Lines: Diversity and Empowerment in ComicsJen Boyle54753b17178fb39025a916cc07e3cb6dd7dbaa99
History of the Double/ Doppelganger
1media/writing image.jpg2016-12-12T20:21:12-08:00Brittany Stutzmanf73e27e29c3edd5653e123700b98e14046caf467128883Ancient Mythological Tales on the Double/Doppelganger.image_header2016-12-12T20:32:32-08:00Brittany Stutzmanf73e27e29c3edd5653e123700b98e14046caf467
The biggest portrayal of the “double” in film/cinema would have to be with the idea of the doppelganger. The German word meaning: “a ghostly counterpart of a living person” (Websters Dictionary), is the iconic way in which the “double” is portrayed in film/cinema. I always wondered why in so many films or tv shows that contained a doppelganger, why they were portrayed as being evil or out to get the “real” character/person, and the German mythological tale explains why these doppelgangers may be portrayed in such a way. The doppelganger was generally referred to by Germans as bad omens or signs of death. Some say that the doppelganger was an attempt of the spirit to provide advice to the person they shadowed, while others say that they tried planting evil thoughts in their double’s mind in hopes of confusing them. (Ancient Origins) When looking at how film/cinema portrays these doppelgangers or doubles I would say that writers use more of the myth about how the spirit tries planting evil thoughts into the person’s mind.
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1black-swan-movie-3.jpg2016-12-01T07:18:00-08:00Brittany Stutzmanf73e27e29c3edd5653e123700b98e14046caf467Freud's Uncanny Double: A Theoretical Study of the Portrayal of Doubles in FilmBrittany Stutzman17This chapter of the book will look at the history of the theme of the "double" using Freud's Uncanny as the theoretical insight of the self perception of the double in film/cinema.image_header2016-12-12T21:35:11-08:00Brittany Stutzmanf73e27e29c3edd5653e123700b98e14046caf467
This page references:
12016-12-12T20:26:17-08:00Mythological Doppelganger Painting1"How They Met Themselves"- Dante Gabriel Rossettimedia/Doppelgangers-mythology-spirit-doubles.jpgplain2016-12-12T20:26:17-08:00