Agency through Otherness: Portraits of Performers in Circus Route Books, 1875-1925Main MenuIntroductionIntroduction to the book and information about ways to navigate the content.The American Experiment: Circus in ContextCircus performers and American history timelineRouting the Circus: The Things They CarriedCircus Routes Map, 1875-1925Ethnological Congresses and the Spectacleby Rebecca FitzsimmonsOutsiders in Demand: Chinese and Japanese Immigrant Performersby Angela Yon and Mariah WahlShattering Gender Roles: Women in the Circusby Elizabeth HarmanSide Show Sounds: Black Bandleaders Respond to ExoticismAnnexed Circus Musicians by Elizabeth C. HartmanNative Performance and Identity in The Wild West Showby Mariah WahlShowmen's Rests: The Final CurtainCircus Cemetery Plots by Elizabeth C. HartmanList of PerformersPerformers covered in this exhibitBibliography & Further ReadingsBibliography and readings for each chapterAcknowledgementsAngela Yon72f2fd7a28c88ceeba2adcf2c04fee469904c6f1
The circus was the largest form of entertainment in the late 19th and early 20th centuries. Dozens of circuses traveled across Canada and the US each year, bringing to audiences new musical forms, exotic animals, and daring performers from around the world. Circus route books were published at the end of a show’s season, often detailing the towns and dates played, ticket sales, listings of circus personnel, and unusual events. These are unique primary source materials for historical research and insight into the daily lives and business activities of circus employees. Find out more about the collection and project here.
In this exhibit, we highlight circus performers identified in the route books during the period of 1875-1925. Specifically, those who were relegated as outcasts of society; performers without which the circus would not be successful. The circus marketed the display of difference and the alternative reality as entertainment. These notions of diversity, strangeness, abnormality and the imaginary world spread as the circus expanded across the country. We examine how these individuals found agency through this lens of otherness and the performance in a world that continuously sought to contain them. It was necessary to revisit hard histories to allow space for the performers to speak for themselves.
During this period, America was shaping its identity culturally and as a country while expanding its territory. The performers inhabited a place with compounding conflicts as the backdrop: Native American genocide and removal, the question and end of slavery, competition for labor, immigration, the moral reform movement, paternalistic attitudes, and prejudiced attitudes toward women. These events, the aftereffects, and attitudes impacted these individuals profoundly and the lives they chose. It is our hope we impart their narratives to reveal moments of joy, resilience and resistance within the liminal space.
In examination of the American historical story, it is difficult not to observe the contemporary parallels in the 21st century. The core of the story is the same and the struggle for social progress and justice is ongoing. Tension continually exists and must be addressed generation after generation.
Ways to Read this Book
LINEAR: Read from front to back from any starting point, using the Contents list below or the Menu up in the header bar.
VISUALIZATIONS: Use one of the Visualizations in the header bar up top to zone in on the topic of your choice. We recommend using the Contents visualization to see the structure of the book and get started on the path you want, or the Tags visualization to see content grouped by theme or performer.