Agency through Otherness: Portraits of Performers in Circus Route Books, 1875-1925Main MenuIntroductionIntroduction to the book and information about ways to navigate the content.The American Experiment: Circus in ContextCircus performers and American history timelineRouting the Circus: The Things They CarriedCircus Routes Map, 1875-1925Ethnological Congresses and the Spectacleby Rebecca FitzsimmonsOutsiders in Demand: Chinese and Japanese Immigrant Performersby Angela Yon and Mariah WahlShattering Gender Roles: Women in the Circusby Elizabeth HarmanSide Show Sounds: Black Bandleaders Respond to ExoticismAnnexed Circus Musicians by Elizabeth C. HartmanNative Performance and Identity in The Wild West Showby Mariah WahlShowmen's Rests: The Final CurtainCircus Cemetery Plots by Elizabeth C. HartmanList of PerformersPerformers covered in this exhibitBibliography & Further ReadingsBibliography and readings for each chapterAcknowledgementsAngela Yon72f2fd7a28c88ceeba2adcf2c04fee469904c6f1
The circus was the largest form of entertainment in the late 19th and early 20th centuries. Dozens of circuses traveled across Canada and the US each year, bringing to audiences new musical forms, exotic animals, and daring performers from around the world. Route books were published at the end of a show’s season, often detailing the towns and dates played, ticket sales, listings of circus personnel, and unusual events. These are unique primary source materials for historical research and insight into the daily lives and business activities of circus employees. Find out more about the collection and project here.
In this Scalar book, we attempt to highlight the contributions of circa 1880-1905 circus performers who were relegated to the liminal spaces of society, contributors without which the circus would not be possible. The circus itself was a liminal stage, literally located at the outskirts of society near the railroads upon which they traveled; women, people of color, and non-traditionally bodied performers lived with their respective additional layers of marginality on top a life lived at the edge of town.
Ways to Read this Book
LINEAR: Read from front to back from any starting point, using the Contents list below or the Menu up in the header bar.
VISUALIZATIONS: Use one of the Visualizations in the header bar up top to zone in on the topic of your choice. We recommend using the Contents visualization to see the structure of the book and get started on the path you want, or the Tags visualization to see content grouped by theme or performer.