Sign in or register
for additional privileges

MACHINE DREAMS

Alexei Taylor, Author
Spectator, page 1 of 2
Previous page on path     Next page on path

 

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Spectator

Warning: this video contains nudity! 


The man in Frans Zwartjes’ Spectator never really engages with the woman, although he does get more involved with her by the end of the short film. At first, he only speculates at a distance from the women, but he reaches a point in which his interest for her is grown too big for him to remain unaffected and neutral. He steps in to the scene but even then, and until the end, he fails to play an active role. This man represents the role of a spectator, though understandably for some people, in a somewhat vulgar way.

Flipping through Secret Knowledge without reading the texts would give you an idea of what the distinction between a spectator and an observer is. As someone walking around the Louvre, overwhelmed by the amount of iconic and beautiful artworks, would feel, the visual evidence alone in Hockney’s book only leads the reader to become “a passive onlooker at a spectacle”. However, Hockney’s texts provide the reader with the guidelines of what they should look out for in the provided pictures in each and past pages, allowing the reader to really connect with the message he is trying to convey. Through this, Hockney transforms the reader in to an observer.
Comment on this page
 

Discussion of "Spectator"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Spectator, page 1 of 2 Next page on path

Related:  Frans Zwartjes "Spectator" (1970)the WriterjiwonPersistence of visionAuraResourcesThe Human Touch: Towards a Historical Anthropology and Dream Analysis of Self-acting InstrumentsAngry BirdsSymbolicBershka and its connection to Angry BirdsFinal essay - ProposalGregory Barsamian - RunnerMaintaining the WriterThe WriterAutomata and Mimesis on the Stage of Theatre HistoryAutomatons and its sources of fascinationthe Writer - insidePresence footprintsSources of fascination (1) - Playing godSources of fascination (2) - Representations of memoryJaquet-Droz automataSimulacraConclusionAlterityHugoThe first encounterGregory Barsamian - Feral FontBibliographyHybridTechnology used in automataToothed wheelsThe digesting duckSources of fascination (4) - Mechanization of menQuestionsSources of fascination (3) - Threat of automatonsbackground for ethnographyThe UncannyJaquet-Droz - "The Writer"Jaquet-Droz automatonsHugo and the cityPhenakistoscope Phenakistiscope Optical Toy FantascopePresencethe WriterEpistemologyWhat makes an observer modern; Jiwon ShinNanook of the North, Robert FLAHERTY, 1921The Bird's social purposeAre Humanzees Possible?Edison's Eve: A Magical History of the Quest for Mechanical LifeAngry Birds as a social toolThe Matrix PosterHypothesisDevelopment story of the Angry BirdsHugo magic trickAura handwrittenAngry birds shirt tagsMatrix - The pillBibliographyFinal essay backgroundThe ideas and values behindThe technology behindHugo turns into an automaton