Sign in or register
for additional privileges

MACHINE DREAMS

Alexei Taylor, Author

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

The Uncanny

Freud, Sigmund, David McLintock, and Hugh Haughton. The Uncanny. New York: Penguin, 2003. Print.
Comment on this page
 

Discussion of "The Uncanny"

Add your voice to this discussion.

Checking your signed in status ...


Related:  the Writer - insideThe digesting duckThe WriterFinal essay - ProposalGregory Barsamian - Runnerthe WriterSources of fascination (3) - Threat of automatonsFinal essay backgroundQuestionsPersistence of visionAre Humanzees Possible?Angry birds shirt tagsSymbolicSpectatorAutomatons and its sources of fascinationAlterityThe Human Touch: Towards a Historical Anthropology and Dream Analysis of Self-acting InstrumentsAuraNanook of the North, Robert FLAHERTY, 1921Hugo and the cityjiwonGregory Barsamian - Feral FontHugo turns into an automatonPresenceTechnology used in automataResourcesJaquet-Droz automataSimulacraThe Matrix PosterSources of fascination (4) - Mechanization of menDevelopment story of the Angry BirdsConclusionMaintaining the Writerthe WriterWhat makes an observer modern; Jiwon ShinSources of fascination (2) - Representations of memoryThe technology behindAngry BirdsPhenakistoscope Phenakistiscope Optical Toy FantascopeBershka and its connection to Angry BirdsBibliographyHybridEdison's Eve: A Magical History of the Quest for Mechanical LifeJaquet-Droz - "The Writer"Presence footprintsFrans Zwartjes "Spectator" (1970)Angry Birds as a social toolSources of fascination (1) - Playing godBibliographyHypothesisbackground for ethnographyJaquet-Droz automatonsThe first encounterThe ideas and values behindHugo magic trickEpistemologyToothed wheelsAura handwrittenAutomata and Mimesis on the Stage of Theatre HistoryThe Bird's social purposeHugoMatrix - The pill