Sign in or register
for additional privileges

MACHINE DREAMS

Alexei Taylor, Author

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Conclusion


At one point, Hugo has a nightmare of him turning into an automaton. As it can clearly be seen on the photo, Hugo is not embracing the occurrence, but quite the opposite. Why, after having taken comfort in becoming a mechanical part of the clock tower and expressing the ideals in being a machine, is he afraid to become one? 

The answer lies in the feeling of the uncanny. Whether it is viewed from the perspective of the creator or the spectator of the mechanical creation, each and all sources of their fascination roots from the uncanniness of automatons. The sources of fascination of automatons described in this essay are thus categorizations of people’s reactions towards the feeling of the uncanny when encountered with their mechanical simulacrum. But this necessitates the automatons to resemble the appearance of a human being. Freud discusses the fact that the feeling of uncanny is also experienced when a person encounters a patient of mental illness in his essay The Uncanny. This is because we are able to see the resemblance between ourselves and the patient but are conflicted with the incomprehensible actions of our mimesis. It is the same case with the automatons: we succeed in associating them in terms of physical appearance, but are met with challenges of understanding that such lifelike creature can be made in the hands of man or comprehending that what allows the automaton to “live” is a set of gears. 

When the day that automatons pass the Turing test and thus becoming indistinguishable from humans, meaning that the feeling of the uncanny will become eradicated, what will it mean to be a “human”? Will it reduce to mean a being that has a finite life? Right now, these questions seem like a blurb of a science fiction novel and may seem far-fetched to take seriously, but with the continuing interest in the automatons, it may not be so far from now that we begin to attempt to answer these questions.
Comment on this page
 

Discussion of "Conclusion"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Automatons and its sources of fascination, page 8 of 9 Next page on path

Related:  Symbolic,  The ideas and values behind,  Angry Birds as a social tool,  Are Humanzees Possible?,  The first encounter,  Sources of fascination (4) - Mechanization of men,  Development story of the Angry Birds,  Bibliography,  The Uncanny,  Sources of fascination (2) - Representations of memory,  The Writer,  Jaquet-Droz automatons,  Angry birds shirt tags,  Automatons and its sources of fascination,  Sources of fascination (3) - Threat of automatons,  Presence,  Epistemology,  What makes an observer modern; Jiwon Shin,  Hugo,  Gregory Barsamian - Runner,  the Writer - inside,  Final essay - Proposal,  the Writer,  Nanook of the North, Robert FLAHERTY, 1921,  Aura handwritten,  Automata and Mimesis on the Stage of Theatre History,  jiwon,  Hugo magic trick,  Edison's Eve: A Magical History of the Quest for Mechanical Life,  Bershka and its connection to Angry Birds,  The Human Touch: Towards a Historical Anthropology and Dream Analysis of Self-acting Instruments,  Hugo and the city,  Bibliography,  Toothed wheels,  Phenakistoscope Phenakistiscope Optical Toy Fantascope,  Jaquet-Droz automata,  background for ethnography,  the Writer,  The Matrix Poster,  Presence footprints,  Alterity,  Maintaining the Writer,  Angry Birds,  Sources of fascination (1) - Playing god,  Hypothesis,  Persistence of vision,  Frans Zwartjes "Spectator" (1970),  Simulacra,  Gregory Barsamian - Feral Font,  Hugo turns into an automaton,  Jaquet-Droz - "The Writer",  The Bird's social purpose,  The technology behind,  Spectator,  The digesting duck,  Questions,  Technology used in automata,  Matrix - The pill,  Resources,  Hybrid,  Aura,  Final essay background