Sign in or register
for additional privileges

MACHINE DREAMS

Alexei Taylor, Author

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Conclusion


At one point, Hugo has a nightmare of him turning into an automaton. As it can clearly be seen on the photo, Hugo is not embracing the occurrence, but quite the opposite. Why, after having taken comfort in becoming a mechanical part of the clock tower and expressing the ideals in being a machine, is he afraid to become one? 

The answer lies in the feeling of the uncanny. Whether it is viewed from the perspective of the creator or the spectator of the mechanical creation, each and all sources of their fascination roots from the uncanniness of automatons. The sources of fascination of automatons described in this essay are thus categorizations of people’s reactions towards the feeling of the uncanny when encountered with their mechanical simulacrum. But this necessitates the automatons to resemble the appearance of a human being. Freud discusses the fact that the feeling of uncanny is also experienced when a person encounters a patient of mental illness in his essay The Uncanny. This is because we are able to see the resemblance between ourselves and the patient but are conflicted with the incomprehensible actions of our mimesis. It is the same case with the automatons: we succeed in associating them in terms of physical appearance, but are met with challenges of understanding that such lifelike creature can be made in the hands of man or comprehending that what allows the automaton to “live” is a set of gears. 

When the day that automatons pass the Turing test and thus becoming indistinguishable from humans, meaning that the feeling of the uncanny will become eradicated, what will it mean to be a “human”? Will it reduce to mean a being that has a finite life? Right now, these questions seem like a blurb of a science fiction novel and may seem far-fetched to take seriously, but with the continuing interest in the automatons, it may not be so far from now that we begin to attempt to answer these questions.
Comment on this page
 

Discussion of "Conclusion"

Add your voice to this discussion.

Checking your signed in status ...

Previous page on path Automatons and its sources of fascination, page 8 of 9 Next page on path

Related:  Toothed wheelsTechnology used in automataAngry BirdsHugo magic trickThe Bird's social purposeMaintaining the Writerthe Writerthe Writer - insideJaquet-Droz automatonsThe Matrix PosterResourcesHugo and the cityAre Humanzees Possible?Edison's Eve: A Magical History of the Quest for Mechanical LifejiwonQuestionsGregory Barsamian - Feral FontAura handwrittenPresenceThe Human Touch: Towards a Historical Anthropology and Dream Analysis of Self-acting InstrumentsThe technology behindSources of fascination (1) - Playing godSources of fascination (4) - Mechanization of menFrans Zwartjes "Spectator" (1970)Development story of the Angry BirdsPhenakistoscope Phenakistiscope Optical Toy FantascopeSources of fascination (3) - Threat of automatonsJaquet-Droz automataThe WriterSimulacraAutomata and Mimesis on the Stage of Theatre HistoryThe digesting duckAuraThe UncannyGregory Barsamian - Runnerthe WriterSpectatorSymbolicEpistemologyWhat makes an observer modern; Jiwon ShinBibliographybackground for ethnographyHypothesisThe ideas and values behindAngry birds shirt tagsHybridThe first encounterSources of fascination (2) - Representations of memoryBershka and its connection to Angry BirdsHugoJaquet-Droz - "The Writer"Presence footprintsNanook of the North, Robert FLAHERTY, 1921BibliographyAutomatons and its sources of fascinationPersistence of visionMatrix - The pillAlterityFinal essay backgroundHugo turns into an automatonAngry Birds as a social toolFinal essay - Proposal