Works Cited
Cramer, Kathryn (1994) In Small & Large Pieces. 3.5-inch floppy disk for Macintosh. Watertown, MA: Eastgate Systems, Inc.
Disch, Thomas M. (1986) Amnesia. Two 5.25-inch floppy disks for Apple IIe. Redwood City, CA: Electronic Arts.
— (2021) Amnesia Restored (Amnesia, Version 2.0). https://amnesia-restored.org.
Grosshans, Annie (2013) “The World Is Not Done Yet.” Self-published.
— (2020) “The World Is Not Done Yet, Version 2.0” Electronic Literature Collection Volume 4. Electronic Literature Organization. https://collection.eliterature.org/4/theworldisnotdoneyet.
Holeton, Richard (2001) Figurski at Findhorn on Acid (Version 3.3, The Canonical Edition) CD-ROM for Macintosh and Windows. Watertown, MA: Eastgate Systems, Inc.
— (2021) Figurski at Findhorn on Acid (The Web Edition). The NEXT. https://the-next.eliterature.org/works/1102/0/0/.
Joyce, Michael (1987) afternoon, a story. The 1987 Edition. 3.5-inch floppy disk. Riverrun Ltd.
— (1989) afternoon, a story. The 1989 Edition. 3.5-inch floppy disk. Riverrun Ltd.
— (1990) afternoon, a story. The 1990 Edition. 3.5-inch floppy disk. Watertown, MA: Eastgate Systems, Inc.
— (1991) afternoon, a story. The 1991 Edition. 3.5-inch floppy disk. Watertown, MA: Eastgate Systems, Inc.
— (1992a) afternoon, a story. The 1992 Macintosh Edition. 3.5-inch floppy disk. Watertown, MA: Eastgate Systems, Inc.
— (1992b) afternoon, a story. The 1992 Windows 3.1 Edition. 3.5-inch floppy disk. Watertown, MA: Eastgate Systems, Inc.
— (1993) afternoon, a story. The Italian Edition. 3.5-inch floppy disk. Trans. Walter Vannini in Lorenzo Miglioni (ed.), “Elettrolibri.” Milan, Italy: Human Systems.
— (1994a) afternoon, a story. The 1994 Macintosh Edition. 3.5-inch floppy disk. Watertown, MA: Eastgate Systems, Inc.
— (1994b) afternoon, a story. The 1994 Windows 3.1 Edition. Watertown, MA: Eastgate Systems, Inc.
— (1997) afternoon, a story. The 1997 Norton Web Edition. Postmodern American Fiction: A Norton Anthology. NY, NY: W. W. Norton & Company, Inc.
— (1998) afternoon, a story. The 1998 Norton Print Edition. Postmodern American Fiction: A Norton Anthology. NY, NY: W. W. Norton & Company, Inc.
— (2001) afternoon, a story. The 2001 CD-ROM Edition. Watertown, MA: Eastgate Systems, Inc.
— (2007) afternoon, a story. The 2007 CD-ROM Edition. Watertown, MA: Eastgate Systems, Inc.
— (2011) afternoon, a story. The 2011 Polish Edition. Trans. Radosław Nowakowski, Mariusz Pisarski, Jakub Jagiełło. Kraków: Ha!art.
— (2016a) afternoon, a story. The 2016 USB Stick Edition. Watertown, MA: Eastgate Systems, Inc.
— (2016b) afternoon, a story. The 2016 Downloadable Digital File Edition. Watertown, MA: Eastgate Systems, Inc.
— (2018) afternoon, a story. The French Edition (unfinished). Trans. Arnaud Regnauld, Anne-Laure
Tissut, Stephane Vanderhaeghe, and Gabriel Gaudette-Tremblay.
— (1996) Twilight, A Symphony. CD-ROM for Macintosh. Watertown, MA: Eastgate Systems, Inc.
— (2015) Twilight, A Symphony. Web. Trans. R. Nowakowski, M. Pisarski, J. Jagiełło.Kraków: Ha!art. http://techsty.art.pl/zmrok/.
— (2022) Twilight, A Symphony. Web. Trans. M. Pisarski, M. Furgał; London: Techsty.
Kendall, Robert (1996) A Life Set for Two. CD-ROM for Macintosh and Windows. Watertown, MA: Eastgate Systems, Inc.
— (2000) “Penetration.” Web. Watertown, MA: Eastgate Systems, Inc., https://www.eastgate.com/Penetration/Welcome.html.
Kolb, David (1993) “Caged Texts.” Digital file. Unpublished.
— (2022) “Caged Texts.” Web. The NEXT. https://the-next.eliterature.org/works/2085/0/0/.
Larsen, Deena (1999-2002) “Kanji Kus.” Self-published.
— (1993) Marble Springs 1.0. 3.5-inch floppy disk for Macintosh. Watertown, MA: Eastgate Systems, Inc.
— (1997) Samplers: Nine Vicious Little Hypertexts. CD-ROM for Macintosh. Watertown, MA: Eastgate Systems, Inc.
Malloy, Judy (1993) its name was Penelope (The Eastgate Edition). 3.5-inch floppy disk for Macintosh. Watertown, MA: Eastgate Systems, Inc.
— (2016) its name was Penelope (The Scholar’s Version). DOSBox. Watertown, MA: Eastgate Systems, Inc.
McDaid, John (1992) Uncle Buddy’s Phantom Funhouse. Five 3.5-inch floppy disks for Macintosh. Watertown, MA: Eastgate Systems, Inc.
Moulthrop, Stuart (1992) Dreamtime. Self-published.
— (1989) "Hyperbola: A Digital Companion to Gravity's Rainbow." Self-published.
— (1991) Victory Garden (The Eastgate Edition, Version 5.0). 3.5-inch floppy disk for Macintosh. Watertown, MA: Eastgate Systems, Inc.
— (2022) Victory Garden 2022. Web. The NEXT, https://the-next.eliterature.org/works/1999/0/0/.
Strickland, Stephanie (1997) True North. 3.5-inch floppy disk for Macintosh. Watertown, MA: Eastgate Systems, Inc.
— (1997) True North. Print. Notre Dame: IN: University of Notre Dame Press.
Secondary
Aarseth, Espen (1997) Cybertexts: Perspectives on Ergodic Literature. Baltimore, MD: The Johns Hopkins Press.
Adobe. “Adobe Fonts” (n.a.) https://fonts.adobe.com/fonts/cotton.
Auslander, Philip (2008) Liveness: Performance in Mediatized Culture. NY, NY: Routledge Books.
Balcerzan, Edward (1998) W stronę genologii multimedialnej, Teksty Drugie 6 (59), 7-24.
Barnett, Belinda (2014) “Machine-Enhanced (Re)Minding: The Development of Storyspace,” in Belinda Barnett (ed.), Memory Machines: The Evolution of Hypertext. London, UK: Anthem Press. 115-136.
Bernstein, Mark (2002) “Storyspace 1.” Proceedings of the Thirteenth ACM Conference on Hypertext and Hypermedia 172–81.
— (2016) "Storyspace 3.” Proceedings of the Twenty-Seventh ACM Conference on Hypertext and Social Media, 201–206. ACM: New York
Biguenet, John and Rainer Schulte (1989) The Craft of Translation. Chicago, IL: The University of Chicago Press.
Barad, Karen (2003) “Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter.” Signs: Journal of Women in Culture and Society 28 (3): 801–31.
Bogost, Ian (2012) Alien Phenomenology, or, What it’s Like to be a Thing. Minnesota, MN: The University of Minnesota Press.
Bolter, Jay David (1991) Writing Space: The Computer, Hypertext, and the History of Writing. Hillsdale, NJ: Lawrence Erlbaum Associates, Publishers.
Bolter, Jay David and Richard Grusin (1999) Remediation: Understanding New Media. Cambridge, MA: The MIT Press.
Bouchardon, Serge and Bruno Bachimont (2009) “Preservation of digital literary works: another model of memory?” http://www.utc.fr/~bouchard/wp-content/uploads/2009/12/2009-05-bouchardon-bachimont-epoetry09.pdf.
Butterfield, Andrew, Gerard Ekembe Ngondi, and Anne Kerr (2016) A Dictionary of Computer Science. Oxford, UK: Oxford University Press.
Bowers, Fredson (1994) Principles of Bibliographical Description. Princeton, NJ: Princeton University Press.
Bryant, John (2002) The Fluid Text: A Theory of Revision and Editing for Book and Screen. Ann Arbor: Michigan University Press, 2002.
Coover, Robert (1992) “The End of Books.” The New York Review of Books. 21 June. https://archive.nytimes.com/www.nytimes.com/books/98/09/27/specials/coover-end.html.
Dahlstrom, Mats (2002) "When is a Webtext?." Text Technology: The Journal of Computer Text Processing Vol 11 (2002): 1, pp. 139-161.
Dolphijn, Rick, and Iris van der Tuin (2012) New Materialism: Interviews & Cartographies. London, UK: Open Humanities Press.
Douglas, Jane Yellowlees (1994) “Are we reading yet? A few suggestions for navigation” [author’s introduction to the web excerpt of:] I have Said Nothing, https://wwnorton.com/college/english/pmaf/hypertext/ihsn/i_have_said_nothing.html.
Ensslin, Astrid (2007) Canonizing Hypertext: Explorations and Constructions. NY, NY: Continuum.
— (2021) Pre-web Digital Publishing and the Lore of Electronic Literature. Cambridge, UK: Cambridge University Press.
— (2019). “‘Who Shattered the Looking Glass?’. A Critical Essay about Kathryn Cramer's In Small & Large Pieces, in Dene Grigar, Nicholas Schiller, Holly Slocum, Mariah Gwin, Andrew Nevue, Kathleen Zoller, and Moneca Roath (eds). Rebooting Electronic Literature: Documenting Pre-Web Born Digital Media, Volume 2. https://scalar.usc.edu/works/rebooting-electronic-literature-volume-2/index.
Flusseriana. An Intellectual Toolbox (2016). Ed. Zielinski, Sigfried, Weibel Peter, Daniel Irrgang. Berlin: Univocal.
Fludernik, Monika (2001) “New Wine in Old Bottles? Voice, Focalization, and New Writing.” New Literary History 32 (3): 619–38.
Gadamer, Hans Georg (1975) “To What Extent Does Language Prescribe Thinking?” Truth and Method. Trans. Garrett Braden and John Cumming. London: Sheed and Ward.
Galloway, Alexander R (2012) The Interface Effect. Cambridge, UK: Polity Press.
Gärdenfors, Peter (2003) How Homo Became Sapiens: On the Evolution of Thinking. Oxford University Press.
Geyh, Paula, Fred G. Leeborn, Fred G, and Andrew Levy (1997) Postmodern American Fiction. A Norton Anthology. New York W. W Norton & Company.
Goldstein, Harry (1994) "Review Of Afternoon, A Story." Utne Reader. March-April, 1994, 131-132.
Grant, Richard (1993) "Never The Same Text Twice." Washington Post Book World, 11 July 1993. 8-9.
Grigar, Dene. (2019) “Curiouser & Curiouser: The Mad House of Kathryn Cramer’s In Small & Large Pieces,” in Dene Grigar, Nicholas Schiller et al. (eds.), Rebooting Electronic Literature Volume 2. https://scalar.usc.edu/works/rebooting-electronic-literature-volume-2/who-shattered-the-looking-glass-by-astrid-ensslin.
— (2002) “Mutability, Medium, and Character.” Computers and the Humanities 36, 359-378.
— (2018) “Saying Something about ‘I Have Said Nothing,” in Dene Grigar, Nicholas Schiller et al (eds.), Rebooting Electronic Literature Volume 1. DOI: 10.7273/NKQK-H488.
— “Ten Things I Learned about afternoon, a story.” 4 May 2016. http://dtc-wsuv.org/wp/pathfinders/2016/05/04/10-things-i-learned-about-afternoon-a-story/.
Grigar, Dene and John Barber (2003) “Media Translation Theory and the Online Brautigan Bibliography.” Proceedings from the Digital Arts and Culture 2003. Ed. Adrian Miles. Melbourne: RoyalMelbourne Institute of Technology, 2003. CD-ROM Reprinted in Fineart Forum 16 (2003).
Grigar, Dene and Stuart Moulthrop (2015) Pathfinders: Documenting the Experience of Early Digital Literature. DOI: 10.7273/WFoB-TQ14.
Halliday, M.A.K and Hasan, Ruqaiya (1985) Language, Context and Text: Aspects of Language in a Social-Semiotic Perspective. Deakin University Press, Geelong.
Harman, Graham (2005) Guerrilla metaphysics: phenomenology and the carpentry of things. Chicago:
Open Court Press.
Harpold, Terry (2009) Ex-foliations: Reading Machines and the Upgrade Path. Minnesota, MN: The University of Minnesota Press.
— (1998) “Conclusions,” in Paula Geyh, Fred G. Leebron, and Andrew Levy (eds.), Postmodern
American Fiction. NY, NY: WW. Norton & Co, 637-648.
Hayles, N. Katherine (2007) “Electronic Literature: What Is It?” Electronic Literature Organization.
https://eliterature.org/pad/elp.html.
— (2000) “Flickering Connectivities in Shelley Jackson’s Patchwork Girl: The Importance of Media-Specific Analysis.” Postmodern Culture: Journal of Interdisciplinary Thought on Contemporary Culture, vol. 10, num. 2, January 2000. https://www.pomoculture.org/2013/09/19/flickering-connectivities-in-shelley-jacksons-patchwork-girl-the-importance-of-media-specific-analysis/.
— (2012) How We Think: Digital Media and Contemporary Technogenesis. Chicago, IL: The University of Chicago Press.
— (2022) Interview. The NEXT. https://the-next.eliterature.org/works/1983/40/0/.
— (2005) My Mother Was a Computer: Digital Subjects and Literary Texts. Chicago, IL: The University of Chicago Press.
— (2003) “Translating Media: Why We Should Rethink Textuality.” The Yale Journal of Criticism, vol. 16, no. 2, 263-90.
— (2017) Unthought: The Power of the Cognitive Nonconscious. Chicago, IL: The University of Chicago Press.
— (2002) Writing Machines. Cambridge, MA: The MIT Press.
Jobs, Steve (2010) “Thoughts on Flash.” https://web.archive.org/web/20170615060422/https://www.apple.com/hotnews/thoughts-on-flash/.
Johnson, Mark (1987) The Body in the Mind: The Bodily Basis of Meaning, Imagination, and Reason. Chicago, IL: The University of Chicago Press.
Jones, Caroline A. (2006) “Introduction,” in Carolyn A. Jones (ed.), Sensorium: Embodied Experience, Technology, and Contemporary Art. Cambridge, MA: The MIT Press, 5-49.
Joyce, Michael. Email to Dene Grigar. 31 May 2016.
— (2020) Email to Dene Grigar. 4 June 2020.
— (2020) Email to Dene Grigar. 5 June 2020.
— (2022) Email to Dene Grigar. 18 June 2022.
— (1992) Letter to Sandra Kroups. 25 May 1992.
— (1995) Of Two Minds: Hypertext Pedagogy and Poetics. Ann Arbor: The University of Michigan Press.
Katan, David (2018) “‘Translatere’ or ‘Transcreare’: Theory and in Practice, and by Whom?,” in Cinzia Spinzi, Alessandra Rizzo, and Marianna Lya Zummo (eds.), Translation or Transcreation: Discourses, Texts, and Visuals. UK. Cambridge Scholars
Press, 15-38.
Keeley, Edmund (1989) “Collaboration, Revision, and Other Less Forgivable Sins,” in John Biguenet and Rainer Schulte (eds.), The Craft of Translation. Chicago, IL: The University of Chicago Press, 54-69.
Kendall, Robert, Réty, Jean-Hugues (2005) “Word Circuits Connection Muse User's Guide Version 1.0,” http://www.wordcircuits.com/connect/doc&tools/1-0/manual.htm.
Kirchenbaum, Matthew (2002) “Editing the Interface: Textual Studies and First Generation Electronic Objects. Text: An Interdisciplinary Annual of Textual Studies 14 15-51.
— (2008) Mechanisms: New Media and the Forensic Imagination. Cambridge, MA: The MIT Press.
— (2012) Mechanisms: New Media and the Forensic Imagination. Paperback. Cambridge, MA: The MIT Press, 2012.
Krause, Rolf D. (2020) Email to Dene Grigar. 16 June 2020.
— (2020) Email to Dene Grigar. 18 June 2020.
— (2020) Email to Dene Grigar. 23 June 2020.
Laurel, Brenda (1993) Computers as Theatre. Reading, MA: Addison-Wesley Publishing Company.
Levy, David M (2000) "Where's Waldo?: Reflections on Copies and Authenticity in a Digital Environment, in Charles T. Cullen, Charles T., Peter B. Hirtle, David Levy, Clifford A. Lynch, Jeff Rothenberg (eds.), Authenticity in a Digital Environment. Washington, D.C.: Council on Library and Information Resources, 24-31.
Lynch, Patrick J. (1994) “Visual Design for the User Interface Part 1: Design Fundamentals, Journal of Biocommunications, 21(1): 22-30, http://trantor.sheridanc.on.ca/sys32a1/manual/appendix/gui1.html.
Malloy, Judy (2018) “Traversal of its name was Penelope,” in Grigar, Schiller et al (eds.), Rebooting Electronic Literature Volume 1. https://scalar.usc.edu/works/rebooting-electronic-literature/traversal-of-judy-malloys-its-name-was-penelope?path=judy-malloys-its-name-was-penelope.
— (2015) “Traversal of Uncle Roger,” in Dene Grigar and Stuart Moulthrop (eds.), Pathfinders:
Documenting the Experience of Early Digital Literature. https://scalar.usc.edu/works/pathfinders/malloys-traversal.
— (2020) “Notes on the Creation of its name was Penelope,” https://people.well.com/user/jmalloy/statement.html.
Manovich, Lev (2001) The Language of New Media. MA: MIT Press.
— (2005) “Generation Flash.” In Gerhard M. Buurman (ed.) Total Interaction, New York: Springer, 66–77.
McCorduck, Patricia (1991) Whole Earth Review, No. 70, Spring 1991, 101.
McDaid, John (2015) in Dene Grigar and Stuart Moulthrop (eds.), “John McDaid Interview, Part 2,” Pathfinders: Documenting the Experience of Early Digital Literature. https://vimeo.com/112474735.
Marecki, Piotr, and Nick Montfort (2017) “Renderings: Translating literary works in the digital age.” Digital Scholarship in the Humanities 32. suppl1: i84-i91. https://academic.oup.com/dsh/article-pdf/32/suppl1/i84/17751533/fqx010.pdf.
Mencía, María, Søren Pold and Manuel Portela (2018) “Electronic Literature Translation: Translation as Process, Experience and Mediation,” Electronic Book Review, May 30, 2018, https://doi.org/10.7273/wa3v-ab22., http://www.electronicbookreview.com/thread/electropoetics/translative.
Merleau-Ponty, Maurice (2012) Phenomenology of Perception. Trans. Donald A. Landes. New York: Routledge.
Meza, Nohelia (2017) New Forms of Literariness in Electronic Literature: An Approach to
Rhetorical Enunciation and Temporality. https://www.tdx.cat/handle/10803/442967.
Montfort, Nick (2018) “Minding the Electronic Literature Translation Gap.” Electronic Book Review, August 5, 2018. https://electronicbookreview.com/essay/minding-the-electronic-literature-translation-gap/.
Moulthrop, Stuart (2022) “READ ME (and How)” [an introduction to the Web edition] in Victory Garden, https://victory garden2022.com/readME.html.
Moulthrop, Stuart and Dene Grigar (2017) Traversals. The Use of Preservation for Early Electronic Writing. MA: MIT Press.
Murray, Janet (1997) Hamlet on the Holodeck: The Future of Narrative in Cyberspace. NY, NY: Free Press.
Nelson, Ted (1999) “Xanalogical structure, needed now more than ever: parallel documents, deep
links to content, deep versioning, and deep re-use”. ACM Computing Surveys 31( 4) Dec. 1999 pp 33 https://doi.org/10.1145/345966.346033.
Ong, Walter (1982) Orality and Literacy: The Technologizing of the Word. NY, NY: Routledge Press.
Paul, Christiane (2007) “The Myth of Immateriality: Presenting and Preserving New Media,” in Oliver Grau (ed.), MediaArtHistories. Cambridge, MA: The MIT Press.
Pisarski, Mariusz (2012) “From Storyspace to Browsers. Translating afternoon, a story into Polish.” Colloques de l'Université Paris8, https://octaviana.fr/document/COLN11_5#?c=0&m=0&s=0&cv=0.
Regnauld, Arnaud (2014) “Translating afternoon, a story by Michael Joyce, or How to Inhabit a Spectral Body,” ELO Conference: Chercher le Texte, Paris, France.
Rembowska-Płuciennik, Magdalena. 2012. Poetyka Intersubiektywności: Kognitywistyczna Teoria Narracji a Proza Xx Wieku. Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika.
Rettberg, Scott (2019) Electronic Literature. Cambridge, UK: Polity Press.
Rosenberg, Jim (1996) “The Structure of Hypertext Activity.” Proceedings of the Seventh ACM Conference on Hypertext 22–30. NY, NY: ACM.
Rumsey, Abby Smith (2016) When We Are No More: How Memory Is Shaping Our Future. NY, NY: Bloomsbury.
Salter, Anastasia and John Murray (2014) Flash: Building the Interactive Web. Cambridge, MA: The MIT Press.
Shillingsburg, Peter L. (1991) “Text as Matter, Concept, and Action,” Studies in Bibliography 44: 31–82.
Skains, Lyle (2022) “(People Who Identify as) Women in ELit: Nevertheless, we persist.” ELO Conference 2022.
Spinzi, Cinzia (2021) “The Wheres, Whats, and Whys of Transcreation,” in Cinzia Spinzi, Allessandra Rizzo, and Marianna Lya Zummo (eds.), Translation or Transcreation: Discourses, Texts and Visuals. Newcastle upon Tyne, UK: Cambridge Scholars Press, 1-14.
Strickland, Stephanie (2019) "Traversal of True North", in Dene Grigar, Nicholas Schiller et al (eds.),
Rebooting Electronic Literature Volume 2. https://scalar.usc.edu/works/rebooting-electronic-literature-volume-2/traversal-of-stephanie-stricklands-true-north.
— (1997) “Poetry in the Electronic Environment,” Electronic Book Review,
https://electronicbookreview.com/essay/poetry-in-the-electronic-environment/.
Tabbi, Joseph. “Stephanie Strickland’s True North: A Migration between Media,” in Jan Van Looy and Jan Baetens (eds.), Close Reading New Media: Analyzing Electronic Literature. Leuven, BE: Leuven University Press, 27-38.
Toadvine, Ted. (2019) "Maurice Merleau-Ponty," in Edward N. Zalta (ed.), The Stanford Encyclopedia of Philosophy, Spring 2019 Edition. https://plato.stanford.edu/archives/spr2019/entries/merleau-ponty/.
Tosca, Susanna Pajares (1999) “The Lyrical Quality of Links.” Proceedings of the Seventh ACM Conference on Hypertext and Hypermedia 22–30, New York: ACM.
Tremblay-Gaudette, Gabriel (2021) “You Can’t Go Home Again: Moving afternoon Forward Through Translation, R. Desjardins et al. (eds.), When Translation Goes Digital, Palgrave Studies in Translating and Interpreting, https://doi.org/10.1007/978-3-030-51761-8_4_.
Vannini, Walter (2020) Email to Dene Grigar. 13 July 2020.
Vanderhaeghe, Stéphane (2013) “Translating the Virtual: afternoon, a story by Michael Joyce,” ELO Conference: Chercher le Texte, Paris, France.
Varela, Francisco J., Evan Thompson, and Eleanor Rosch (1991) The Embodied Mind: Cognitive Science and Human Expression. Cambridge, MA: The MIT Press.