This tag was created by Emilia Porubcin.

This site requires Javascript to be turned on. Please enable Javascript and reload the page.

Our Dark Materials: Rediscovering an Egyptian Collection Main Menu Materials People Themes Lessons How to Use This Website All images are by the Stanford University Archaeology Collections of the Stanford Archaeology Center unless otherwise noted and are intended for educational purposes.

Metal

33230

Egyptian metals are rooted in a history of versatility and trade, allowing us to glimpse ancient Egypt’s personal priorities and metropolitan nature. Certain metals’ existence—such as tin, a necessary component of bronze—emphasize Egypt’s connection with the world, as it had to be obtained through foreign trade. Metals had a range of uses, from daily objects to representation of religious deities, emphasizing strong ties between life and afterlife. Although many of our pieces are fragmented, they allow us to draw parallels between Egyptian culture and our own, stressing that ancient Egyptians were not an exoticized ideal but, rather, real people.

This page has paths:

Materials Christina J. Hodge
Contents of this path:
1. Stone
2. Ceramic
3. Metal
4. Mixed Media

Contents of this tag:

Figurine of Osiris (66.256) The versatility of metal allowed craftsmen creatively to form the ubiquitous Osiris in varying poses. Osiris, one of the most popular gods of the Egyptian pantheon, was perceived during his lifetime as the incarnation of the principal god Horus and became Osiris after death. Osiris was eventually equated with all deceased individuals and became a symbol of resurrection, making him one of the most common deities to be formed as a funerary object. Bronze figurines of Osiris take two basic forms: seated or standing. There are also three common arm positions: crossed; fists touching; and right arm over left. This placement may be associated with different geographical regions in Egypt. Smaller bronze Osiris figurines cast with a loop were worn as amulets, kept close to the body in life and death to bestow protection, healing, and luck. The most technical of the three forms, the amulet required precision and advanced casting techniques in order to create the rear suspension ring.
Amulet of Osiris (17215) The versatility of metal allowed craftsmen creatively to form the ubiquitous Osiris in varying poses. Osiris, one of the most popular gods of the Egyptian pantheon, was perceived during his lifetime as the incarnation of the principal god Horus and became Osiris after death. Osiris was eventually equated with all deceased individuals and became a symbol of resurrection, making him one of the most common deities to be formed as a funerary object. Bronze figurines of Osiris take two basic forms: seated or standing. There are also three common arm positions: crossed; fists touching; and right arm over left. This placement may be associated with different geographical regions in Egypt. Smaller bronze Osiris figurines cast with a loop were worn as amulets, kept close to the body in life and death to bestow protection, healing, and luck. The most technical of the three forms, the amulet required precision and advanced casting techniques in order to create the rear suspension ring.
Mirror (21482) Pharaonic Egyptians were quite self-aware and conscious of their appearance, making mirrors a commonplace item among the elite in both life and death. Mirror handles varied in material and decoration. Men favored fewer embellishments than women. A close look at this mirror reveals a crosshatch pattern indented in its surface, evidence of its fabrication through hammering. Although no longer reflective, its common form creates a seamless connection between ancient Egyptian culture and contemporary society.
Figurine of Osiris (20513) The versatility of metal allowed craftsmen creatively to form the ubiquitous Osiris in varying poses. Osiris, one of the most popular gods of the Egyptian pantheon, was perceived during his lifetime as the incarnation of the principal god Horus and became Osiris after death. Osiris was eventually equated with all deceased individuals and became a symbol of resurrection, making him one of the most common deities to be formed as a funerary object. Bronze figurines of Osiris take two basic forms: seated or standing. There are also three common arm positions: crossed; fists touching; and right arm over left. This placement may be associated with different geographical regions in Egypt. Smaller bronze Osiris figurines cast with a loop were worn as amulets, kept close to the body in life and death to bestow protection, healing, and luck. The most technical of the three forms, the amulet required precision and advanced casting techniques in order to create the rear suspension ring.
Hairpin, Fragment (20595) Used in tandem with a mirror, this decorative hairpin offers yet another material connection between ancient personal practices and those of contemporary society. A luxury item, hairpins were used by wealthy Roman Egyptian women to maintain their elaborate hairstyles. Although many hairpins were straight, some, like this one, were crescent-shaped. Of a type known as an orbis, this piece was meant to be seen, simultaneously showing an Egyptian aesthetic and acting as a status symbol.
Tweezers (20966) Tweezers were commonplace in ancient Egypt and often used in conjunction with mirrors. Early tweezers like these were used by individuals to pluck hairs—much like in our own society. Egyptologists also believe that certain tweezers were used as tongs to hold pots over ovens. The difference in function came down to size; larger tweezers were necessary for cooking, while smaller tweezers, such as these, were meant for one’s body.
Rod and Chain Links (20977) A seemingly simple combination of a rod and chain links tells a story of appearance in ancient Egypt. Jewelry was an important component of everyday life of all classes in ancient and later Egypt. Gold and copper were typically reserved for the wealthy; however, the technology of bronze provided luxury at a fraction of the cost. We believe this bronze rod and chain was most likely a jewelry component, perhaps securing a necklace or wrist bangle, worn by a working member of later Egyptian society.
Pin Lock Component (14082) Perhaps taking inspiration from Mesopotamian technology, ancient Egyptians crafted this decorated item to keep valuables secure in life and death. It entered the collection with fragments of jewelry, so we assume this lock once kept jewelry protected from thieves or tomb robbers. Adornments were so commonplace in ancient Egypt, jewelry was a “luxury” that became almost a necessity. Thus, many people needed a place to keep it safe. This piece draws further parallels between contemporary and ancient experiences. Just as we have special places to put valuables, so too did ancient Egyptians.
Spindle (66.302) A spindle is used to spin and twist fibers into thread. In ancient Egypt, this thread was more than likely linen, a light cloth for the hot desert. Flax fibers were extracted from harvested flax seeds. These fibers were then spun, woven, and finally sewed by women at home. Egyptian writings describe spindles as early as circa 2000 BCE; however, spindles of that era were mostly crafted in wood, suggesting this is a later example. Despite being hundreds or even thousands years old, this spindle rivals spindles still being used today.