Focus on "Henry V":

Navigating Digital Text, Performance, & Historical Resources

 Main Menu Overview by Sujata Iyengar and Nathalie Vienne-Guerrin 'Henry V' : A Guide to Early Printed Editions by Daniel Yabut “with rough and all-unable pen…” : Source Study and Historiography in Shakespeare’s 'Henry V'  by Mikaela LaFave Pistol and Monsieur Le Fer: An Anglo-French Encounter by Charlène Cruxent Université Paul-Valéry Montpellier 3, IRCL, UMR5186 CNRS Making & Unmaking National Identity: Race & Ethnicity in Shakespeare’s 'Henry V'  by Nora Galland 'Henry V' Onstage: From the Falklands War to Brexit (1986-2018) by Janice Valls-Russell The Problematic Reception of 'Henry V' in France: A Case Study by Florence March “For ’tis your thoughts that now must deck our kings”: Henry’s Popular Afterlives by Philip Gilreath “On your imaginary forces work”: How 'Henry V'’s Chorus Changes the Play Text during Olivier’s Film by Julia Koslowsky A Guide to Teaching 'Henry V' and its Sources by Hayden Benson Study Questions Key Scenes and Speeches from 'Henry V' Back Matter

Appendix

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Page Four Audio File

List of Chorus’s Lines Included in Olivier Film (in Order of Appearance in Film)

Pro.1-15; 19-24; 27-36
2.Cho.1-11; 31a; 39b-40
2.Cho.31-32; 34-39a; 41-42
3.Cho.36b-37
3.Cho.3b-16; 18; 20-21; 23-25
2.Cho.12-15
3.Cho.26-28
3.Cho.34b-36a
4.Cho.1-15; 18-23a
4.Cho.16-17; 23b-35; 44-48
5.Epi.1-6; 13b-14
 

List of Chorus’s Lines Cut from Olivier Film (in Order of Appearance in Text) 

Pro.16-18; 25-26
2.Cho.16-30; 33
3.Cho.1-3a; 17; 19; 22; 29-34a
4.Cho.36-43; 49-54
5.Cho.1-47
5.Epi.7-13a

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  1. “On your imaginary forces work”: How 'Henry V'’s Chorus Changes the Play Text during Olivier’s Film by Julia Koslowsky Hayden Benson

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