Exhibiting Historical Art: Out of the Vault: Stories of People and ThingsMain MenuWorld MapClick pins to learn more about the object that originated thereTimelinePre-Columbian Gold Headband800 A.D. - 1500 A.D.Gold Eagle PendantsSepik River Headrest20th centuryStatue of Saint Barbara17th century France, polychromed wood, artist unknownCabinet door from the Imperial Palace of Beijing with Imperial DragonChen Youzhang, 1755Bronze LampHead of John the BaptistLauren Linquest, '19Ida Rubenstein, 1909 Sculpture by Jo DavidsonCassone ChestWater-Carrier Vase with Bamboo Pattern and BambooLenore Vanderkooi, 1996Lotus Flowers in a Wood VaseRevolutions Per Minute: The Art RecordOpening page
1media/1997.145.jpgmedia/1997.145.jpgmedia/1997.145.jpg2016-04-07T13:30:26-07:00Themes10Origins and intentions of the ceramic vaseplain2016-04-14T12:39:31-07:00In 1996, Lenore Vanderkooi created a ceramic water carrier vase adorned with bamboo. Vanderkooi, a ceramic expert working right here in Nashville, Tennesse, has a special affiliation with Vanderbilt from her own three years of ceramics education at Peabody. When she finished her education in 1975, she opened a studio in a building behind her home. With themes rooted in ancient Japan, the ceramic water carrier was born within Vanderkooi’s studio, and has remained here in Nashville for about ten years.
Vanderkooi’s intention for this pot, along with her other pots, is for daily rituals, particularly rituals involving food and flowers. Although its function today would probably be for holding food or flowers in someone’s home, this pot could truly be used for carrying water. In ancient Japanese culture, water carriers held a long pole over their shoulder. On that pole there were two water buckets on each side. There were so many day-to-day activities and rituals that this system was integral to the society’s survival. The water carrier demonstrates the need for simple rituals in a society that is becoming eternally complicated.
The water carrier originated from a lumpy gray hunk of clay. Vanderkooi sat over the potter’s wheel, shaping it, adding water and pumping the pedal with her foot until it was absolutely perfect. After she fired it in the kiln, she decorated it by hand, using intricate and precise movements. She fired her assistant and works on her own, allowing for the water carrier to create a special connection between the potter, the earth and the owner of the piece, a concept that is particularly valuable in today’s ever-moving society.