Track List and Audio
In approximately 750 A.D., an anonymous Gilbert Islander on a simple passage from his home island - Aranuka - to the nearest island of Kuria, was blown completely off course. In the ensuing four weeks the navigator, for the first time, successfully reached the unknown (to the Gilberts) island of Truk - a distance of 1300 miles across open sea against trade winds.
As a by product of advanced historical measurement it was later deduced that the structure of the Gilbert Islander's logic pattern in navigating from Aranuka to Truk, exactly duplicated that of the structural (navigational) projection of the Brooklyn Bridge in New York City.
"An excerpt from a radio interview with Eleanora Antinova reminiscing about her life as a dancer with the Diaghilev Ballets-Russes. She was recorded in her home in Southern California where she lives surrounded by photographs, sketches, designs for sets and costumes - "souvenirs to help keep the old life alive." Because of the resurgent interest in the history of early 20th century art, there is a strong demand for Antinova to make personal appearances around the country. This surprises her. "When I hung up my shoes so long ago, I never thought to travel again, except perhaps to funerals. More and more funerals." She laughs. "And here I am, a youngster once more." In this excerpt from the longer interview, she talks about touring with the impoverished, passionate, yet determinedly cheerful Russian dancers.
Piano: Marcia Goodman"
Two 100 meter (300 feet) piano wires were stretched the length of the church. They were fastened to the large wooden door of the church at one end, and to a wooden covering over the encrypt at the other. The crypt covering and the door became the resonators for the sound of the wire, which was rosined and played with the fingers to create a continuous but constantly changing drone. The sound of the excerpt is created by plucking one of the 300 foot wires with the fingernail near the cover of the crypt. The sound is entirely acoustic with no electronic manipulation or amplification."
but I have a big problem to solve
next month I'll be sixty-eight years old
so I would not say no to some help.
and I'm on the go till six
I'm getting tired of working
so I would not say no to some help.
are getting worse all the time
there's never been savings to retire on, Son
so I would not say no to some help.
So I would not say no to some help
No, I would not say no to some help
I would not say no to some help, no Son,
I would not say no to some help.
and now we are left all alone
your mom's still working to pay off the house
so I would not say no to some help.
left us afraid in old age
so please, Son, stop your drinking
and get on that train and come home.
Music by Michael Galasso
Keyboards: Jeff Gordon
Bass & Guitars: Tom Wolk
Violin: Michael Galasso
Drums: Bob Riley
Background Vocals: Gordon & Galasso
stand up there's no one telling you
how to stand up, stand up, how to stand up.
stand up and dance above the ground
you've got to stand up, stand up,
you've got to stand up.
consumer reports, life's absurdity
exposing the truth is like nudity
so stand up, why don't you stand up
stand up, there's no one to betray
when you stand up, stand up,
when you stand up.
stand up, if they're too right, they're wrong
you've got to stand up, stand up,
you've got to stand up.
athletic, electric, conformity
exposing the truth is like nudity
so stand up, darling, stand up
stand up, their bodies you're inside
you've got to stand up, stand up,
you've got to stand up.
no sublet clause on humanity
exposing the truth is like nudity
so stand up, you've got to stand up.
Music by Jeff Gordon
Drums: Jim Brelauer
Bass: Seth Glassman
Keyboards, Guitar, Synthesizers: Jeff Gordon
Engineer and Mixist: Roddy Hui
Kowalski, Paris 2/14/82"
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