Agency through Otherness: Portraits of Performers in Circus Route Books, 1875-1925Main MenuIntroductionIntroduction to the book and information about ways to navigate the content.The American Experiment: Circus in ContextCircus performers and American history timelineRouting the Circus: The Things They CarriedCircus Routes Map, 1875-1925Ethnological Congresses and the Spectacleby Rebecca FitzsimmonsOutsiders in Demand: Chinese and Japanese Immigrant Performersby Angela Yon and Mariah WahlShattering Gender Roles: Women in the Circusby Elizabeth HarmanSide Show Sounds: Black Bandleaders Respond to ExoticismAnnexed Circus Musicians by Elizabeth C. HartmanNative Performance and Identity in The Wild West Showby Mariah WahlShowmen's Rests: The Final CurtainCircus Cemetery Plots by Elizabeth C. HartmanList of PerformersPerformers covered in this exhibitBibliography & Further ReadingsBibliography and readings for each chapterAcknowledgementsAngela Yon72f2fd7a28c88ceeba2adcf2c04fee469904c6f1
Ida Williams Biography
1media/Ida Williams bio_thumb.jpg2021-04-09T11:48:16-07:00Angela Yon72f2fd7a28c88ceeba2adcf2c04fee469904c6f1382942Santa Cruz Sentinelplain2021-04-09T11:49:52-07:001889Media is provided here for educational purposes only.Angela Yon72f2fd7a28c88ceeba2adcf2c04fee469904c6f1
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12021-02-26T07:52:48-08:00Big Women26plain10606262021-04-29T14:14:26-07:00A feature in many sideshows during the late nineteenth and early twentieth centuries were women who did not fit into society’s standard size. Whether it be height or weight, these women were ostracized from regular society due to these visible differences. Advertised as "fat" ladies and "giantesses", their purpose in the sideshow was simply to be observed, awed, and gawked at by the paying customers.
While men were not excluded from this profession as an exhibit for curious onlookers, women (especially "fat" women) were more often lauded. They drew in much larger audiences, as they were viewed “worthy of exhibiting” for the inappropriateness of their nature.5Similarly, giantesses were viewed as more unique than their male counterparts. This alone shows how strict standards were on women that, carrying the same ‘afflictions’ as men, were more of a spectacle.
Though the circus fervently advertised their side show performers and plastered them on posters and billboards to announce their impending arrival in the city, they were rarely given any spotlight in traditional news media at the time. Most often, the "fat" ladies were only listed among a large, general list of performers. If any other piece was made to specifically talk about them, it was usually regarding either their marriage or their death with the exception of a rare biographical piece explaining the events leading to their larger size.6
Comparatively, the female giants were more often portrayed and talked about in the news, with an illustration of them standing by another person, emphasizing their height. Articles about their daily life and the challenges being so tall had brought can also be found.
Despite the exploitive nature of their work, big women were able to find a place within the circus that they could not find outside, and though they were constantly stared at and compared with “normal” people, it was often less damaging than the torment they had faced trying to fit into regular American society. They were able to use that exploitation and that “otherness” to work and make a successful living for themselves.