Agency through Otherness: Portraits of Performers in Circus Route Books, 1875-1925Main MenuIntroductionIntroduction to the book and information about ways to navigate the content.The American Experiment: Circus in ContextCircus performers and American history timelineRouting the Circus: The Things They CarriedCircus Routes Map, 1875-1925Ethnological Congresses and the Spectacleby Rebecca FitzsimmonsOutsiders in Demand: Chinese and Japanese Immigrant Performersby Angela Yon and Mariah WahlShattering Gender Roles: Women in the Circusby Elizabeth HarmanSide Show Sounds: Black Bandleaders Respond to ExoticismAnnexed Circus Musicians by Elizabeth C. HartmanNative Performance and Identity in The Wild West Showby Mariah WahlShowmen's Rests: The Final CurtainCircus Cemetery Plots by Elizabeth C. HartmanList of PerformersPerformers covered in this exhibitBibliography & Further ReadingsBibliography and readings for each chapterAcknowledgementsAngela Yon72f2fd7a28c88ceeba2adcf2c04fee469904c6f1
Freeman, December 10, 1904
1media/19041210 Freeman_thumb.png2021-02-27T14:19:13-08:00Angela Yon72f2fd7a28c88ceeba2adcf2c04fee469904c6f1382941Clipping from the Freeman (Indianapolis, Indiana), December 10, page 4. Letter from Lewis William to Prof. William Blue explaining why he will not leave his job with Mr. Pat Chappelle for Rusco and Holland.plain2021-02-27T14:19:13-08:001904-12-10Media is provided here for educational purposes only.Angela Yon72f2fd7a28c88ceeba2adcf2c04fee469904c6f1